What the corpus says about Manhunter (1986)

The 50 lines php artisan corpus:ask hands a model, in the order it gets them, and nothing else. The model writes a clerk's answer from these and only these.

What was said about it (10)

  1. [The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:50:02 · Chris Ryan (0.60)] Manhunter ↔ The Silence of the Lambs · programming · Chris pairs Manhunter with Silence of the Lambs on his annual rewatch. · "I think I often pair it with Silence of the Lambs."
  2. [The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:49:26 · Sean Fennessey (0.60)] Manhunter ⇒ The Silence of the Lambs (the host's read) · lineage · Silence of the Lambs and the Hannibal Lecter universe come in the aftermath of Manhunter. · "Obviously, like Silence of the Lambs and the expanded Hannibal Lecter universe comes in the aftermath of this"
  3. [The Rewatchables · ‘Thief’ · 1:11:12 · Bill Simmons (0.50)] Thief ⇒ Manhunter (the host's read) · craft · Thief's final shootout is a dry run for Manhunter's. · "That whole shootout is very reminiscent of the shootout at the end of Manhunter"
  4. [The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:49:54 · Chris Ryan (0.70)] Manhunter ↔ Heat · career · Manhunter is the movie Chris has rewatched the most apart from Heat. · "It is probably the movie I've returned to the most over the years other than heat"
  5. [Blank Check · Fargo · 0:52:59 · Griffin Newman (0.50)] Fargo ↔ Manhunter · darkness and cops · Contrasts Marge's coping with Manhunter's Will Graham, who has spent so long in the darkness he can't come out. · "Manhunter is always the one I think about, where that for me is a movie about a guy who's just like spent enough time in the darkness that he's actually never going to come out now."
  6. [The Rewatchables · ‘The Departed’ · 0:52:45 · Bill Simmons (0.50)] The Silence of the Lambs ↔ Manhunter · fun villain · Hopkins makes Lecter delightful so Silence is rewatched more than the terrifying Manhunter, an argument Simmons uses to defend a fun Costello. · "I watch Signs of the Lambs, more than Manhunter, partially because Anthony Hopkins is like almost delightful to watch, whereas Brian Cox is just terrifying in Manhunter."
  7. [The Rewatchables · ‘The Texas Chain Saw Massacre’ · 0:19:23 · Chris Ryan (0.45)] Ed Gein ⇒ Manhunter (the host's read) · lineage · Manhunter and the Hannibal Lecter material also draw on Gein. · "I mean, Manhunter."
  8. [The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:49:02 · Sean Fennessey (0.60)] Thomas Harris ⇒ Manhunter (the host's read) · lineage · Manhunter is Mann's Thomas Harris adaptation. · "Um, the Thomas Harris adaptation."
  9. [The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:51:22 · Sean Fennessey (0.40)] Manhunter ↔ Elmore Leonard · theme · The Florida Keys setting evokes a lot of Elmore Leonard and Carl Hiaasen territory. · "there's a lot of Elmore Leonard stuff down there, a lot of Carl Hyasen stuff down there."
  10. [The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:49:42 · Sean Fennessey (0.60)] Manhunter ↔ Michael Mann · career · Manhunter is the beginning of the man-staring-at-the-ocean phase of Mann. · "this is kind of the beginning of the man staring at the ocean, wondering about the universe phase of Michael Mann."

Films put beside it more than once (1)

  1. [pairs] Manhunter ↔ The Silence of the Lambs · said 3 times in 2 episodes

Fun items about it (1)

  1. [The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:50:00 · Chris Ryan (0.60)] Manhunter · fun · Wildly emotional, abstract, almost psychedelic; a yearly annual watch for Chris. · "It's almost like a yearly annual watch for me."

One hop out: what recommends the films most often joined to it (31)

  1. [The Rewatchables · ‘Misery’ · 0:51:47 · Bill Simmons (0.65)] Misery ↔ The Silence of the Lambs · programming · Annie Wilkes and Hannibal Lecter came back to back, two great thriller characters in 12 months. · "Annie Wilkes and Hannibal Lecter, back to back ears."
  2. [The Rewatchables · A CR Month Mailbag! · 0:27:03 · unknown (0.40)] Fargo ↔ Fargo · programming · Jerry's salesman-of-the-month picture behind him is offered as a Fargo secret-handshake prop. · "I would love uh, Jerry's, like, salesman of the month picture that's behind Jerry in Fargo."
  3. [The Rewatchables · ‘Thief’ · 1:19:45 · Bill Simmons (0.60)] Thief ↔ Heat · programming · Rewatchable does Mann films: five done, others remaining. · "How many Michael Mann movies have we done now?"
  4. [The Rewatchables · ‘Thief’ · 1:19:45 · Bill Simmons (0.60)] Thief ↔ Heat · programming · Rewatchable does Mann films: five done, others remaining. · "How many Michael Mann movies have we done now?"
  5. [The Rewatchables · ‘The Texas Chain Saw Massacre’ · 0:19:05 · Bill Simmons (0.50)] Ed Gein ⇒ The Silence of the Lambs (the host's read) · lineage · Ed Gein had a big Hollywood footprint; Silence of the Lambs and Manhunter touched on him. · "A lot of people, silence the lambs, touched on Ed Geen."
  6. [Blank Check · Fargo · 0:10:45 · Griffin Newman (0.50)] Fargo ⇒ Fargo (unaired NBC pilot with Edie Falco) (the host's read) · lineage · An NBC pilot directed by Kathy Bates with Edie Falco as Marge aired years later; the Coens were not involved. · "There was like an NBC pilot directed by Kathy Bates with Edie Falco playing Marge Gunderson."
  7. [The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:13:26 · Amanda Dobbins (0.40)] Heat ↔ The Rewatchables · programming · Chris listened to the Reheat Rewatchables episode, celebrating 100 episodes, the morning of recording. · "I also listened to the reheat this morning"
  8. [The Rewatchables · ‘Thief’ · 1:19:48 · Bill Simmons (0.50)] Thief ↔ Public Enemies · programming · Remaining Mann candidates for future episodes. · "We got do, we got Manhunter, Black Hat, and Public Enemies left, I think."
  9. [The Rewatchables · ‘Panic Room’ (Plus a Mini Will Smith–Oscars Recap) · 0:53:47 · Chris Ryan (0.50)] The Silence of the Lambs ⇒ Panic Room (the host's read) · lineage · The switcheroo with the dad and Raoul is a little Silence of the Lambs homage. · "A little silence of lambs homage."
  10. [Blank Check · Fargo · 0:33:14 · unknown (0.50)] Barbarian ↔ Fargo · theme · Barbarian is called a scary movie that is funny with humor from the bizarreness of human behavior, as with the Coens. · "you made a scary movie that was funny."
  11. [The Big Picture · 300th Episode Ask-Us-Anything Mailbag Spectacular · 2:07:39 · Garrett Bradley (0.90)] Heat ↔ Time · programming · Bradley's last great thing was rewatching Heat, which prompted talk of the 90s. · "I rewatched Heat"
  12. [The Rewatchables · ‘Thief’ · 0:02:54 · Chris Ryan (0.50)] Thief ⇒ Heat (the host's read) · lineage · Thief is the notebook sketch for Mann's later work, with Heat sharing DNA. · "the building blocks for what you wind up seeing in heat and collateral and Miami Vice in so many of his films to come."
  13. [Blank Check — Patreon · 2010: The Year We Make Contact · 0:18:58 · unknown (0.30)] The Silence of the Lambs ↔ 2010: The Year We Make Contact · lineage · Jokes that Clarke's sequel is a straightforward explainer while Thomas Harris went for the most hateful story imaginable. · "But of course, I would say Arthur C. Clark wrote a pretty sort of straightforward sci-fi sequel book that does try to explain what was going on in 2001, whereas Thomas Harris ripped his guts open"
  14. [Blank Check · Fargo · 2:40:16 · David Sims (0.40)] Prelude to a Kiss ↔ Fargo · theme · Alec Baldwin treats Prelude to a Kiss as his Fargo, a perfect movie that didn't last. · "as if it was obviously his Fargo."
  15. [The Rewatchables · ‘The Insider’ · 0:08:22 · Chris Ryan (0.60)] The Last of the Mohicans ↔ Heat · lineage · Heat is described as the urban version of Last of the Mohicans, a step in Mann's progression toward The Insider. · "Then you've got heat, which in some ways is the urban version of Last of the Mohicans."
  16. [The Rewatchables · ‘Thief’ · 0:08:46 · Sean Fennessey (0.55)] Thief ↔ Blade Runner · lineage · Thief and Blade Runner mark a new era: neo-noir lone heroes in dystopian landscapes. · "Blade Runner also just feels like a new era."
  17. [The Rewatchables · ‘Se7en’ · 0:58:21 · Chris Ryan (0.45)] Seven ↔ The Silence of the Lambs · theme · Both keep the murders off screen and are not about exploiting violence. · "And silence of the lambs is pretty similar."
  18. [The Rewatchables · A CR Month Mailbag! · 0:14:46 · Craig Horlbeck (0.50)] Fargo ↔ The Shining · theme · A carpeted-restaurant joke leads to Kubrick's carpets and a Palm Springs hotel with the same carpet as the Shining hotel. · "I was at a hotel in Palm Springs a few months ago and it has the exact same carpet as the Shining Hotel."
  19. [The Rewatchables · ‘Thief’ · 0:02:54 · Chris Ryan (0.50)] Thief ⇒ Heat (the host's read) · lineage · Thief is the notebook sketch for Mann's later work, with Heat sharing DNA. · "the building blocks for what you wind up seeing in heat and collateral and Miami Vice in so many of his films to come."
  20. [The Rewatchables · ‘Thief’ · 0:11:29 · Sean Fennessey (0.55)] Rififi ⇒ Thief (the host's read) · lineage · Thief draws on Bogart movies, Rififi, samurai movies, French New Wave. · "in thief, you can feel Humphrey Bogart movies, you can feel, Rafifi, you can feel samurai movies, you can feel French new wave."
  21. [The Rewatchables · ‘Se7en’ · 0:50:30 · Chris Ryan (0.45)] Seven ↔ The Silence of the Lambs · craft · Both belong to the era of thrillers where the killer is found by cracking a word code or a weird clue. · "There's also that vibe of a lot of some other thrillers from this time period."
  22. [Blank Check · Fargo · 0:34:16 · Zach Cregger (0.70)] Carter Burwell ↔ Fargo · craft · Cregger says the Paul Bunyan statue shot is lit and scored like the scariest thing you have ever seen, with Burwell's score. · "they light it and shoot it like the scariest fucking thing you've ever seen. With the fucking Carter Burwell score"
  23. [The Rewatchables · ‘Thief’ · 1:15:06 · Sean Fennessey (0.50)] Thief ⇒ Heat (the maker said so: the Siegel piece, Caan telling Pacino) · lineage · Caan said scenes cut from Thief went to Heat. · "All the scenes that weren't used in our picture came over to you guys."
  24. [The Rewatchables · ‘Thief’ · 1:15:06 · Sean Fennessey (0.50)] Thief ⇒ Heat (the maker said so: the Siegel piece, Caan telling Pacino) · lineage · Caan said scenes cut from Thief went to Heat. · "All the scenes that weren't used in our picture came over to you guys."
  25. [Blank Check — Patreon · Zodiac · 1:51:16 · unknown (0.30)] The Silence of the Lambs ↔ Zodiac · craft · Belli looks straight into camera, called the Lambs cam. · "the lambs cam."
  26. [Blank Check · Fargo · 0:34:54 · Zach Cregger (0.50)] Carter Burwell ↔ Fargo · craft · Burwell's score plays the dread straight and never acknowledges the film's zaniness, its most playful moment being the break-in buildup. · "this movie, with all of the zaniness that's definitely in here. His score never really acknowledges any of it."
  27. [The Rewatchables · ‘Se7en’ · 0:04:37 · Bill Simmons (0.60)] Seven ↔ Heat · lineage · Grouped with Usual Suspects, Heat and Casino as the four defining 1995 movies, three of which were shut out at the Oscars. · "Our usual suspects, which we recently did, Heat Casino in seven."
  28. [The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:53:56 · Chris Ryan (0.50)] Thief ↔ Ridley Scott · lineage · On the Rewatchables they joked about whether Mann invented wetting the streets, with Ridley Scott dumping water. · "Remember Ridley Scott just dumping water on the streets."
  29. [Blank Check · Fargo · 1:03:01 · host (Griffin Newman or David Sims) (0.40)] Roger Deakins ↔ Fargo · craft · The Coens first told Deakins they wanted only fixed shots, then relaxed it as too puritanical, per his commentary as relayed by the hosts. · "they initially told him we only want fixed shots. Like you're doing nothing. And then they realized like that's maybe a little too puritanical."
  30. [The Big Picture · The 2022 Movie Draft · 1:06:53 · Chris Ryan (0.80)] Heat ⇒ Ambulance (the host's read) · lineage · Chris says the first half of Ambulance is Michael Bay trying to make Heat, before the second half becomes a great chase movie. · "The 1st half of this movie is basically like Michael Bay being like, I want to make heat."
  31. [The Rewatchables · ‘Thief’ · 0:06:18 · Bill Simmons (0.50)] Thief ↔ Escape from New York · theme · 1981 produced films that couldn't be made now. · "I wrote down 8 movies that I just don't think would ever happen now."

Who said it, by their latest sketch (4)

  1. [speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
  2. [speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
  3. [speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
  4. [speaker] Griffin Newman · latest sketch, Blank Check · The Last Temptation of Christ · Calls Last Temptation his college-era favorite Scorsese; loves Scorsese's smaller 80s and the film's closing transcendence and Gabriel score. Cannot stand fundamentalist outrage at it. A sucker for casting trivia and Tom Cruise-silliness. · stances: Hot take: Last Temptation structurally mirrors New York, New York as a better version; Outrage over the film is stupid; it is respectful to Jesus; Scorsese's smaller 80s work beats his later baroque phases

The shows' running bits (3)

  1. [bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
  2. [bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
  3. [bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

The whole prompt

As the model gets it, from app/Ai/Prompts/CorpusAsk.md
You are a clerk at Video Culture, a video store. A customer just finished Manhunter (1986) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Manhunter (1986) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:50:02 · Chris Ryan (0.60)] Manhunter ↔ The Silence of the Lambs · programming · Chris pairs Manhunter with Silence of the Lambs on his annual rewatch. · "I think I often pair it with Silence of the Lambs."
[The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:49:26 · Sean Fennessey (0.60)] Manhunter ⇒ The Silence of the Lambs (the host's read) · lineage · Silence of the Lambs and the Hannibal Lecter universe come in the aftermath of Manhunter. · "Obviously, like Silence of the Lambs and the expanded Hannibal Lecter universe comes in the aftermath of this"
[The Rewatchables · ‘Thief’ · 1:11:12 · Bill Simmons (0.50)] Thief ⇒ Manhunter (the host's read) · craft · Thief's final shootout is a dry run for Manhunter's. · "That whole shootout is very reminiscent of the shootout at the end of Manhunter"
[The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:49:54 · Chris Ryan (0.70)] Manhunter ↔ Heat · career · Manhunter is the movie Chris has rewatched the most apart from Heat. · "It is probably the movie I've returned to the most over the years other than heat"
[Blank Check · Fargo · 0:52:59 · Griffin Newman (0.50)] Fargo ↔ Manhunter · darkness and cops · Contrasts Marge's coping with Manhunter's Will Graham, who has spent so long in the darkness he can't come out. · "Manhunter is always the one I think about, where that for me is a movie about a guy who's just like spent enough time in the darkness that he's actually never going to come out now."
[The Rewatchables · ‘The Departed’ · 0:52:45 · Bill Simmons (0.50)] The Silence of the Lambs ↔ Manhunter · fun villain · Hopkins makes Lecter delightful so Silence is rewatched more than the terrifying Manhunter, an argument Simmons uses to defend a fun Costello. · "I watch Signs of the Lambs, more than Manhunter, partially because Anthony Hopkins is like almost delightful to watch, whereas Brian Cox is just terrifying in Manhunter."
[The Rewatchables · ‘The Texas Chain Saw Massacre’ · 0:19:23 · Chris Ryan (0.45)] Ed Gein ⇒ Manhunter (the host's read) · lineage · Manhunter and the Hannibal Lecter material also draw on Gein. · "I mean, Manhunter."
[The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:49:02 · Sean Fennessey (0.60)] Thomas Harris ⇒ Manhunter (the host's read) · lineage · Manhunter is Mann's Thomas Harris adaptation. · "Um, the Thomas Harris adaptation."
[The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:51:22 · Sean Fennessey (0.40)] Manhunter ↔ Elmore Leonard · theme · The Florida Keys setting evokes a lot of Elmore Leonard and Carl Hiaasen territory. · "there's a lot of Elmore Leonard stuff down there, a lot of Carl Hyasen stuff down there."
[The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:49:42 · Sean Fennessey (0.60)] Manhunter ↔ Michael Mann · career · Manhunter is the beginning of the man-staring-at-the-ocean phase of Mann. · "this is kind of the beginning of the man staring at the ocean, wondering about the universe phase of Michael Mann."
[pairs] Manhunter ↔ The Silence of the Lambs · said 3 times in 2 episodes
[The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:50:00 · Chris Ryan (0.60)] Manhunter · fun · Wildly emotional, abstract, almost psychedelic; a yearly annual watch for Chris. · "It's almost like a yearly annual watch for me."
[The Rewatchables · ‘Misery’ · 0:51:47 · Bill Simmons (0.65)] Misery ↔ The Silence of the Lambs · programming · Annie Wilkes and Hannibal Lecter came back to back, two great thriller characters in 12 months. · "Annie Wilkes and Hannibal Lecter, back to back ears."
[The Rewatchables · A CR Month Mailbag! · 0:27:03 · unknown (0.40)] Fargo ↔ Fargo · programming · Jerry's salesman-of-the-month picture behind him is offered as a Fargo secret-handshake prop. · "I would love uh, Jerry's, like, salesman of the month picture that's behind Jerry in Fargo."
[The Rewatchables · ‘Thief’ · 1:19:45 · Bill Simmons (0.60)] Thief ↔ Heat · programming · Rewatchable does Mann films: five done, others remaining. · "How many Michael Mann movies have we done now?"
[The Rewatchables · ‘Thief’ · 1:19:45 · Bill Simmons (0.60)] Thief ↔ Heat · programming · Rewatchable does Mann films: five done, others remaining. · "How many Michael Mann movies have we done now?"
[The Rewatchables · ‘The Texas Chain Saw Massacre’ · 0:19:05 · Bill Simmons (0.50)] Ed Gein ⇒ The Silence of the Lambs (the host's read) · lineage · Ed Gein had a big Hollywood footprint; Silence of the Lambs and Manhunter touched on him. · "A lot of people, silence the lambs, touched on Ed Geen."
[Blank Check · Fargo · 0:10:45 · Griffin Newman (0.50)] Fargo ⇒ Fargo (unaired NBC pilot with Edie Falco) (the host's read) · lineage · An NBC pilot directed by Kathy Bates with Edie Falco as Marge aired years later; the Coens were not involved. · "There was like an NBC pilot directed by Kathy Bates with Edie Falco playing Marge Gunderson."
[The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:13:26 · Amanda Dobbins (0.40)] Heat ↔ The Rewatchables · programming · Chris listened to the Reheat Rewatchables episode, celebrating 100 episodes, the morning of recording. · "I also listened to the reheat this morning"
[The Rewatchables · ‘Thief’ · 1:19:48 · Bill Simmons (0.50)] Thief ↔ Public Enemies · programming · Remaining Mann candidates for future episodes. · "We got do, we got Manhunter, Black Hat, and Public Enemies left, I think."
[The Rewatchables · ‘Panic Room’ (Plus a Mini Will Smith–Oscars Recap) · 0:53:47 · Chris Ryan (0.50)] The Silence of the Lambs ⇒ Panic Room (the host's read) · lineage · The switcheroo with the dad and Raoul is a little Silence of the Lambs homage. · "A little silence of lambs homage."
[Blank Check · Fargo · 0:33:14 · unknown (0.50)] Barbarian ↔ Fargo · theme · Barbarian is called a scary movie that is funny with humor from the bizarreness of human behavior, as with the Coens. · "you made a scary movie that was funny."
[The Big Picture · 300th Episode Ask-Us-Anything Mailbag Spectacular · 2:07:39 · Garrett Bradley (0.90)] Heat ↔ Time · programming · Bradley's last great thing was rewatching Heat, which prompted talk of the 90s. · "I rewatched Heat"
[The Rewatchables · ‘Thief’ · 0:02:54 · Chris Ryan (0.50)] Thief ⇒ Heat (the host's read) · lineage · Thief is the notebook sketch for Mann's later work, with Heat sharing DNA. · "the building blocks for what you wind up seeing in heat and collateral and Miami Vice in so many of his films to come."
[Blank Check — Patreon · 2010: The Year We Make Contact · 0:18:58 · unknown (0.30)] The Silence of the Lambs ↔ 2010: The Year We Make Contact · lineage · Jokes that Clarke's sequel is a straightforward explainer while Thomas Harris went for the most hateful story imaginable. · "But of course, I would say Arthur C. Clark wrote a pretty sort of straightforward sci-fi sequel book that does try to explain what was going on in 2001, whereas Thomas Harris ripped his guts open"
[Blank Check · Fargo · 2:40:16 · David Sims (0.40)] Prelude to a Kiss ↔ Fargo · theme · Alec Baldwin treats Prelude to a Kiss as his Fargo, a perfect movie that didn't last. · "as if it was obviously his Fargo."
[The Rewatchables · ‘The Insider’ · 0:08:22 · Chris Ryan (0.60)] The Last of the Mohicans ↔ Heat · lineage · Heat is described as the urban version of Last of the Mohicans, a step in Mann's progression toward The Insider. · "Then you've got heat, which in some ways is the urban version of Last of the Mohicans."
[The Rewatchables · ‘Thief’ · 0:08:46 · Sean Fennessey (0.55)] Thief ↔ Blade Runner · lineage · Thief and Blade Runner mark a new era: neo-noir lone heroes in dystopian landscapes. · "Blade Runner also just feels like a new era."
[The Rewatchables · ‘Se7en’ · 0:58:21 · Chris Ryan (0.45)] Seven ↔ The Silence of the Lambs · theme · Both keep the murders off screen and are not about exploiting violence. · "And silence of the lambs is pretty similar."
[The Rewatchables · A CR Month Mailbag! · 0:14:46 · Craig Horlbeck (0.50)] Fargo ↔ The Shining · theme · A carpeted-restaurant joke leads to Kubrick's carpets and a Palm Springs hotel with the same carpet as the Shining hotel. · "I was at a hotel in Palm Springs a few months ago and it has the exact same carpet as the Shining Hotel."
[The Rewatchables · ‘Thief’ · 0:02:54 · Chris Ryan (0.50)] Thief ⇒ Heat (the host's read) · lineage · Thief is the notebook sketch for Mann's later work, with Heat sharing DNA. · "the building blocks for what you wind up seeing in heat and collateral and Miami Vice in so many of his films to come."
[The Rewatchables · ‘Thief’ · 0:11:29 · Sean Fennessey (0.55)] Rififi ⇒ Thief (the host's read) · lineage · Thief draws on Bogart movies, Rififi, samurai movies, French New Wave. · "in thief, you can feel Humphrey Bogart movies, you can feel, Rafifi, you can feel samurai movies, you can feel French new wave."
[The Rewatchables · ‘Se7en’ · 0:50:30 · Chris Ryan (0.45)] Seven ↔ The Silence of the Lambs · craft · Both belong to the era of thrillers where the killer is found by cracking a word code or a weird clue. · "There's also that vibe of a lot of some other thrillers from this time period."
[Blank Check · Fargo · 0:34:16 · Zach Cregger (0.70)] Carter Burwell ↔ Fargo · craft · Cregger says the Paul Bunyan statue shot is lit and scored like the scariest thing you have ever seen, with Burwell's score. · "they light it and shoot it like the scariest fucking thing you've ever seen. With the fucking Carter Burwell score"
[The Rewatchables · ‘Thief’ · 1:15:06 · Sean Fennessey (0.50)] Thief ⇒ Heat (the maker said so: the Siegel piece, Caan telling Pacino) · lineage · Caan said scenes cut from Thief went to Heat. · "All the scenes that weren't used in our picture came over to you guys."
[The Rewatchables · ‘Thief’ · 1:15:06 · Sean Fennessey (0.50)] Thief ⇒ Heat (the maker said so: the Siegel piece, Caan telling Pacino) · lineage · Caan said scenes cut from Thief went to Heat. · "All the scenes that weren't used in our picture came over to you guys."
[Blank Check — Patreon · Zodiac · 1:51:16 · unknown (0.30)] The Silence of the Lambs ↔ Zodiac · craft · Belli looks straight into camera, called the Lambs cam. · "the lambs cam."
[Blank Check · Fargo · 0:34:54 · Zach Cregger (0.50)] Carter Burwell ↔ Fargo · craft · Burwell's score plays the dread straight and never acknowledges the film's zaniness, its most playful moment being the break-in buildup. · "this movie, with all of the zaniness that's definitely in here. His score never really acknowledges any of it."
[The Rewatchables · ‘Se7en’ · 0:04:37 · Bill Simmons (0.60)] Seven ↔ Heat · lineage · Grouped with Usual Suspects, Heat and Casino as the four defining 1995 movies, three of which were shut out at the Oscars. · "Our usual suspects, which we recently did, Heat Casino in seven."
[The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:53:56 · Chris Ryan (0.50)] Thief ↔ Ridley Scott · lineage · On the Rewatchables they joked about whether Mann invented wetting the streets, with Ridley Scott dumping water. · "Remember Ridley Scott just dumping water on the streets."
[Blank Check · Fargo · 1:03:01 · host (Griffin Newman or David Sims) (0.40)] Roger Deakins ↔ Fargo · craft · The Coens first told Deakins they wanted only fixed shots, then relaxed it as too puritanical, per his commentary as relayed by the hosts. · "they initially told him we only want fixed shots. Like you're doing nothing. And then they realized like that's maybe a little too puritanical."
[The Big Picture · The 2022 Movie Draft · 1:06:53 · Chris Ryan (0.80)] Heat ⇒ Ambulance (the host's read) · lineage · Chris says the first half of Ambulance is Michael Bay trying to make Heat, before the second half becomes a great chase movie. · "The 1st half of this movie is basically like Michael Bay being like, I want to make heat."
[The Rewatchables · ‘Thief’ · 0:06:18 · Bill Simmons (0.50)] Thief ↔ Escape from New York · theme · 1981 produced films that couldn't be made now. · "I wrote down 8 movies that I just don't think would ever happen now."
[speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[speaker] Griffin Newman · latest sketch, Blank Check · The Last Temptation of Christ · Calls Last Temptation his college-era favorite Scorsese; loves Scorsese's smaller 80s and the film's closing transcendence and Gabriel score. Cannot stand fundamentalist outrage at it. A sucker for casting trivia and Tom Cruise-silliness. · stances: Hot take: Last Temptation structurally mirrors New York, New York as a better version; Outrage over the film is stupid; it is respectful to Jesus; Scorsese's smaller 80s work beats his later baroque phases
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Manhunter (1986); name it the way the line names it. Don't recommend Manhunter (1986) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.