What the corpus says about Pleasantville (1998)

You are a clerk at Video Culture, a video store. A customer just finished Pleasantville (1998) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Pleasantville (1998) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[Blank Check — Patreon · Eraserhead · 1:26:57 · unknown (0.30)] Eraserhead ↔ Pleasantville · theme · A deadpan Lynchian-sounding plot summary of Pleasantville prompted the comparison; Pleasantville is praised but called too on the nose. · "That movie is, I think, incredibly good."
[Blank Check — Patreon · Eraserhead · 1:27:12 · David Sims (0.40)] Pleasantville ↔ Randy Newman · craft · Pleasantville is described with a tree catching fire under the swelling strings of Randy Newman, who scored it. · "It teaches his mom how to masturbate and then a tree catches on fire to the swelling strings of Randy Newman."
[The Rewatchables · ‘The Ice Storm’ · 0:51:39 · Bill Simmons (0.80)] Tobey Maguire ↔ Pleasantville · career · Simmons says Ice Storm led to Pleasantville and to Maguire becoming a thing. · "But Toby, this led to Pleasantville and Toby becoming a thing."
[Blank Check — Patreon · The Ice Storm · 0:31:47 · unknown (0.30)] Joan Allen ↔ Pleasantville · career · Joan Allen and Maguire were the draw for a viewer who loved Pleasantville. · "it starred Toby McGuard and Joan Allen from Pleasantville"
[Blank Check — Patreon · Eraserhead · 1:27:12 · unknown (0.30)] Pleasantville · fun · The hosts' deadpan plot summary of Pleasantville (mom, tree, Randy Newman) sounds like alternate reality to Ben. · "It teaches his mom how to masturbate and then a tree catches on fire to the swelling strings of Randy Newman."
[Blank Check — Patreon · Eraserhead · 0:02:39 · Griffin Newman (0.30)] Eraserhead ⇒ Devo (the host's read) · lineage · Devo covered the Eraserhead song and played it live for a while. · "Devo covered that song?"
[Blank Check — Patreon · Eraserhead · 0:02:45 · David Sims (0.30)] Eraserhead ⇒ Modest Mouse (the host's read) · lineage · Modest Mouse is named among the bands who covered the Eraserhead song. · "Modest mouse. Modest mouse."
[Blank Check — Patreon · Eraserhead · 0:02:47 · David Sims (0.30)] Eraserhead ⇒ The Meteors (the host's read) · lineage · The Meteors are named among the bands who covered the Eraserhead song. · "The meteors would do it."
[Blank Check — Patreon · Eraserhead · 0:02:53 · David Sims (0.30)] Eraserhead ⇒ The Pixies (the host's read) · lineage · The Pixies covered the Eraserhead song, on one of the John Peel records. · "Yeah, the pixies, it's on one of the John Peel records, I think."
[Blank Check — Patreon · Eraserhead · 1:01:14 · unknown (0.30)] Eraserhead ↔ Buster Keaton · lineage · Henry is a nightmare version of a Keaton-style put-upon silent comedy hero. · "He's like a nightmare version of like a Buster Keaton character, whatever."
[Blank Check — Patreon · Eraserhead · 1:25:38 · unknown (0.30)] Eraserhead ↔ Roy Orbison · lineage · The 50s-60s weepy ballad style, Roy Orbison type music, recurs through Lynch's work. · "Obviously, the sort of Roy Orbison type music recurs throughout his"
[Blank Check — Patreon · Eraserhead · 1:29:21 · unknown (0.30)] Eraserhead ⇒ Alien (the host's read) · lineage · The gooey animatronic creature work in Alien and later films may trace back to Eraserhead. · "I mean, the thought that comes to mind is, um, alien."
[Blank Check — Patreon · Eraserhead · 1:29:28 · David Sims (0.45)] Eraserhead ⇒ H.R. Giger (the maker said so: Giger says it was one of his big eye-opening moments) · lineage · Giger called Eraserhead one of his big eye-opening moments, and Lynch later accused him of stealing his ideas. · "H.R. Gigger, loves this movie, says it's one of his, like, you know, big eye-opening moments in his life"
[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[speaker] David Sims · latest sketch, Blank Check · The Last Temptation of Christ · Prepares history: novel, casting, budgets, box office. Reveres the film and thinks it reads as a normal ground-level story. A sucker for Hollywood deal backstory and box office game. · stances: Praises Keitel and Dafoe casting; Respects Scorsese's persistence and Corman discipline; The film is now well regarded though not 'canonical Marty'
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Pleasantville (1998); name it the way the line names it. Don't recommend Pleasantville (1998) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.