What the corpus says about The Devil Wears Prada (2006)

You are a clerk at Video Culture, a video store. A customer just finished The Devil Wears Prada (2006) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about The Devil Wears Prada (2006) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Rewatchables · ‘Working Girl’ · 2:05:16 · unknown (0.30)] Working Girl ↔ The Devil Wears Prada · programming · Pairing Prada is suggested as a 1988-2006 double feature. · "Well, I think that there's a Devil Wears Prada cases."
[The Rewatchables · ‘Working Girl’ · 0:13:35 · Joanna Robinson (0.40)] Working Girl ⇒ The Devil Wears Prada (the host's read) · lineage · Working Girl sprinkled its DNA over later beloved movies, Pretty Woman and Devil Wears Prada chief among them. · "And it's just sprinkling DNA over all these beloved movies over the next 40 years, but those were Pretty Woman and Devil wears Prada were the 2 that I was like, oh, yeah."
[The Rewatchables · ‘Working Girl’ · 2:02:25 · Amanda Dobbins (0.50)] Working Girl ↔ The Devil Wears Prada · contrast · Prada knows its heroine becomes a bad person; Working Girl is not written that way. · "But I but the movie knows that and is written that way."
[The Rewatchables · ‘Panic Room’ (Plus a Mini Will Smith–Oscars Recap) · 0:33:39 · Bill Simmons (0.50)] Jodie Foster ↔ The Devil Wears Prada · career · Bill wonders if Foster had a Meryl Streep/Devil Wears Prada pop-culture moment in her. · "Yeah, I wonder, like, did she have a devil wears Prada, Meryl Streep moment in her?"
[The Rewatchables · ‘Easy A’ · 0:30:55 · Amanda Dobbins (0.50)] Stanley Tucci ↔ The Devil Wears Prada · career · Easy A is part of Stanley Tucci's comedy phase, alongside The Devil Wears Prada. · "this is kind of the Stanley Tucci comedy phase"
[The Big Picture · ‘Mamma Mia!’ Meets ‘The Strangers'! It’s a Movie Swap! · 1:17:56 · Sean Fennessey (0.50)] Meryl Streep ↔ The Devil Wears Prada · career · Mamma Mia followed Devil Wears Prada almost immediately, proving Streep in her 50s was a $100 million box-office draw. · "Yeah. You know, the greatest actress of her generation. In her 50s is commanding multiple $100 million movies."
[Blank Check — Patreon · Edge of Tomorrow · 0:58:42 · Griffin Newman (0.40)] Emily Blunt ↔ The Devil Wears Prada · career · Prada plus My Summer of Love is how she was discovered and signed to a two-picture deal. · "they're like, here's a discovery."
[pairs] The Devil Wears Prada ↔ Working Girl · said 3 times in 1 episode
[The Rewatchables · ‘Working Girl’ · 1:11:10 · Bill Simmons (0.70)] Working Girl ⇒ Working Girl (1990 NBC series) (the host's read) · programming · Working Girl became a 1990 NBC series, with Sandra Bullock as Tess. · "Working Girl became an NBC series in 1990"
[The Rewatchables · ‘Working Girl’ · 2:04:54 · unknown (0.40)] Working Girl ↔ Morning Glory · programming · Morning Glory is a triple-feature pick; Rachel McAdams as the working girl with Harrison Ford. · "Rachel McAdams working girl."
[The Rewatchables · ‘Working Girl’ · 2:05:09 · unknown (0.40)] Working Girl ⇒ Pretty Woman (the host's read) · programming · Pairing Working Girl and Pretty Woman as a Cinderella double feature to see what Pretty Woman took. · "It double Cinderella and then you're watching Purdue Woman seeing all the things they took."
[The Rewatchables · ‘Working Girl’ · 2:05:13 · unknown (0.40)] Working Girl ↔ Witness · programming · Witness is the double feature for double Harrison Ford. · "There's also Witness as just double hot Harrison Ford."
[The Rewatchables · ‘Working Girl’ · 2:05:30 · Amanda Dobbins (0.40)] Working Girl ↔ Baby Boom · programming · Baby Boom is the top double-feature pick because it is less seen. · "I think my number one would be Baby Boom because it's not as seen."
[The Rewatchables · ‘Working Girl’ · 0:08:48 · Bill Simmons (0.50)] Working Girl ⇒ Pretty Woman (the host's read) · lineage · Pretty Woman borrows openly from Working Girl's Cinderella story. · "It openly steal shit from this movie."
[The Rewatchables · ‘Working Girl’ · 1:13:08 · Bill Simmons (0.40)] An Officer and a Gentleman ⇒ Working Girl (the host's read) · lineage · The kiss-and-secretaries-cheer moment is an Officer and a Gentleman homage. · "And then I had the officer and a gentleman homage when they're kissing and one of the secretaries says, way to go."
[The Rewatchables · ‘Working Girl’ · 2:11:42 · unknown (0.40)] Working Girl ↔ You've Got Mail · lineage · You've Got Mail is a remake of an old story, showing remakes can work. · "that's a story that had already been made like 3 other times before it was made for the AOL era."
[speaker] Amanda Dobbins · latest sketch, The Big Picture · ‘Mamma Mia!’ Meets ‘The Strangers'! It’s a Movie Swap! · Loves The Strangers' withholding craft and a good tense horror film without gore, but likes fun, communal movies like Mamma Mia. She dislikes supernatural or gory horror, which irritates her more than it scares her. She is a sucker for stars and for Googling a movie mid-recording. · stances: The Strangers is scary because of what it doesn't show or explain; Ending explanation weakens it; no answer would be better; Prefers 'withholding' filmmaking; Defends Mamma Mia as joyful and intentional
[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[speaker] Griffin Newman · latest sketch, Blank Check · The Last Temptation of Christ · Calls Last Temptation his college-era favorite Scorsese; loves Scorsese's smaller 80s and the film's closing transcendence and Gabriel score. Cannot stand fundamentalist outrage at it. A sucker for casting trivia and Tom Cruise-silliness. · stances: Hot take: Last Temptation structurally mirrors New York, New York as a better version; Outrage over the film is stupid; it is respectful to Jesus; Scorsese's smaller 80s work beats his later baroque phases
[speaker] Joanna Robinson · latest sketch, The Rewatchables · ‘Working Girl’ · Calls Working Girl a top five 80s movie and loves the yuppie cinema of the late 80s, especially its women. Digs into casting history and biographies, loves Mike Nichols, and takes the practical-movie-detail view of what ages well or badly. A sucker for the meet-cute at the bar. · stances: Working Girl is a top five 80s movie; Should have won Best Picture over Rain Man; Meet-cute at the bar is the most rewatchable scene; Researched casting what-ifs and cross-checked the Nichols biography
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with The Devil Wears Prada (2006); name it the way the line names it. Don't recommend The Devil Wears Prada (2006) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.