What the corpus says about Richard Jewell (2019)

You are a clerk at Video Culture, a video store. A customer just finished Richard Jewell (2019) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Richard Jewell (2019) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · Our Alternative Academy Awards | The Oscars Show · 1:17:16 · Sean Fennessey (0.40)] Richard Jewell ↔ Jojo Rabbit · people · Sam Rockwell gave two better performances than his nominated one, in Richard Jewell and Jojo Rabbit. · "I like him in whatever mode he is in Richard Joel and in Jojo Rabbit."
[The Big Picture · Our Alternative Academy Awards | The Oscars Show · 1:18:07 · Wesley Morris (0.40)] Uncut Gems ↔ Richard Jewell · verdict · Hauser gets best actor over Sandler because Sandler does the most with one note while Hauser's role carries shading the Uncut Gems part can't. · "Part of the achievement is that like he finds a way to do the most with with one note."
[Blank Check — Patreon · The Fifth Annual Blank Check Awards · 0:55:31 · unknown (0.40)] Clint Eastwood ↔ Richard Jewell · craft · Eastwood condemns the railroading of Jewell but also 'get a load of this guy'; Hauser threads both. · "And then Eastwood seems to be like, but also get a load of this fucking guy."
[Blank Check — Patreon · The Fifth Annual Blank Check Awards · 0:17:38 · David Sims (0.40)] Kathy Bates ↔ Richard Jewell · contrast · Oscars nominated Bates instead of Bening, which felt like 'flip a coin to the veteran'. · "But that kind of felt like them being like, yeah, let's flip a coin to the veteran."
[The Big Picture · Our Alternative Academy Awards | The Oscars Show · 1:16:14 · Wesley Morris (0.40)] Richard Jewell ↔ Clint Eastwood · people · Hauser's performance keeps Eastwood's corrective from becoming a caricature or a false hero. · "I guess you have to have a person give a performance and not a caricature."
[Blank Check — Patreon · The Girl with the Dragon Tattoo · 2:01:41 · unknown (0.30)] Clint Eastwood ↔ Richard Jewell · people · Clint's Richard Jewell is described as nuanced for late-period Clint. · "no, I think the characterizations in Richard Jewel are, like, surprisingly, uh, uh, nuance, considering it's late period Clint."
[Blank Check — Patreon · The Fifth Annual Blank Check Awards · 0:54:31 · Joe Reid (0.50)] Paul Walter Hauser ↔ Richard Jewell · verdict · Hauser wins one host's Best Actor: he plays a simple person without judgment, transforming an uneven Eastwood film. · "The amount of nuance that Paul Walter Hauser brings to the film."
[Blank Check — Patreon · The Fifth Annual Blank Check Awards · 0:56:13 · unknown (0.40)] Richard Jewell ↔ Jonah Hill · what-if · The part was originally going to be Jonah Hill; speakers think it only works with Hauser. · "Because it was originally going to be Jonah Hill."
[Blank Check — Patreon · The Fifth Annual Blank Check Awards · 1:19:36 · Joe Reid (0.40)] Olivia Wilde ↔ Richard Jewell · dismissed · Joke 'Gnarliest Supervillain' award; and the character is a 'complete catastrophe'. · "the winner is Olivia Wilde and Richard Jewell."
[The Big Picture · Our Alternative Academy Awards | The Oscars Show · 1:14:04 · Sean Fennessey (0.50)] Richard Jewell · fun · Paul Walter Hauser was a guest and recited A Few Good Men past the code red, continuing through the officer on deck; Sean says he can do it too. · "He started doing like this, the extended a few good men recitation, like we had done, the normal code red stuff, and then he just kept going"
[The Big Picture · Our Alternative Academy Awards | The Oscars Show · 1:16:37 · Sean Fennessey (0.40)] Richard Jewell · fun · Hauser's home scene with Kathy Bates sells the age of the relationship with comfort alone, and the film cooks whenever Jewell, Rockwell and Bates share a room. · "these 3 people are amazingly comfortable with each other."
[The Rewatchables · ‘After Hours’ · 1:31:19 · Sean Fennessey (0.50)] After Hours ⇒ Uncut Gems (the host's read) · lineage · Uncut Gems owes a heavy debt to After Hours; Go is also described as owing it royalties. · "could a movie owe more of a debt to after hours than the cut gems."
[Blank Check — Patreon · The Fifth Annual Blank Check Awards · 1:22:42 · David Sims (0.40)] Uncut Gems ↔ Uncut Gems · craft · Cinematography winner: the most incredible-looking movie; score also great. · "The cinematography winner is uncut Jones."
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[speaker] Joe Reid · latest sketch, Blank Check — Patreon · The Fifth Annual Blank Check Awards · Loves performance-driven work (Elisabeth Moss in Her Smell, Paul Walter Hauser in Richard Jewell) and likes Toy Story 4 less than Frozen 2. Defends Frozen 2's queer subtext and Wild Rose. · stances: Frozen 2 deserved nominations for its Elsa storytelling; Hauser's lack of judgment as the best acting; Gendered acting categories exist because winners matter
[speaker] Wesley Morris · latest sketch, The Rewatchables · ‘My Cousin Vinny’ · Loves Marisa Tomei, the grits scene, and the clothes; is a sucker for Fran Drescher. Dislikes car-driving-away endings and thinks the film has done harm by encouraging self-representation. · stances: Tomei deserved the Oscar; Race in courtroom movies matters, and this one is warmly integrated; The Nanny is basically Mona Lisa Vito
[speaker] David Sims · latest sketch, Blank Check · The Last Temptation of Christ · Prepares history: novel, casting, budgets, box office. Reveres the film and thinks it reads as a normal ground-level story. A sucker for Hollywood deal backstory and box office game. · stances: Praises Keitel and Dafoe casting; Respects Scorsese's persistence and Corman discipline; The film is now well regarded though not 'canonical Marty'
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Richard Jewell (2019); name it the way the line names it. Don't recommend Richard Jewell (2019) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.