What the corpus says about The Poseidon Adventure (1972)

You are a clerk at Video Culture, a video store. A customer just finished The Poseidon Adventure (1972) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about The Poseidon Adventure (1972) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Rewatchables · ‘Twister’ · 1:30:51 · Chris Ryan (0.40)] Twister ↔ The Poseidon Adventure · lineage · Disaster movies had two golden runs, the 70s (Poseidon Adventure, Towering Inferno) and the 90s, and Twister belongs to the second. · "The 70s, we had this awesome run, Poseidon adventure and all those movies."
[Blank Check · Lady in the Water · 1:14:45 · Richard Lawson (0.40)] Lady in the Water ↔ The Poseidon Adventure · theme · Cleveland's underwater swim is likened to Shelley Winters's pool swim in The Poseidon Adventure. · "And I wrote down Shelley Winters and Poseidon Adventure."
[Blank Check · Lady in the Water · 1:44:42 · unknown (0.30)] Lady in the Water ↔ Tin Cup · lineage · A golf-course version with a lake and a caddy is pitched as basically Tin Cup. · "So it's tin cup, basically."
[The Rewatchables · ‘Twister’ · 0:08:25 · Bill Simmons (0.80)] Twister ↔ Apollo 13 · programming · The 1995 summer slate (Crimson Tide, Die Hard, Braveheart, Batman Forever, Apollo 13) was when Hollywood began slamming mid-May to July 4. · "Batman forever, Apollo 13th all before July 4th."
[Blank Check · Lady in the Water · 1:45:08 · unknown (0.30)] Lady in the Water ↔ Pirates of the Caribbean: Dead Man's Chest · lineage · A pirate ship setting is pitched for the story because of that summer's Pirates. · "How about on a pirate ship?"
[The Rewatchables · ‘Twister’ · 0:08:38 · Bill Simmons (0.80)] Twister ↔ Mission: Impossible · programming · 1996 is when the studios locked in the early-May-to-July-4 summer blockbuster calendar: Twister, Mission: Impossible, The Rock, Eraser, Independence Day. · "So then you look at 96, May 10th, Twister."
[Blank Check · Lady in the Water · 0:22:20 · David Sims (0.50)] Lady in the Water ↔ Manchester by the Sea · theme · A man loses his family in a past tragedy and becomes the super of a building, which the speaker notes as the same plot. · "In all caps, I wrote, this is the plot of Manchester by the Sea."
[The Rewatchables · ‘Twister’ · 0:08:48 · Bill Simmons (0.80)] Twister ↔ Independence Day · programming · Independence Day (July 2) closes out the 1996 summer calendar that began with Twister. · "July 2nd Independence Day."
[Blank Check · Lady in the Water · 1:00:55 · Griffin Newman (0.40)] Lady in the Water ↔ The Lorax · theme · A creature living in a tree stump who kicks herself in the behind and flies to the sky is likened to the Lorax. · "She was like, the Lorax."
[The Rewatchables · ‘Twister’ · 1:46:54 · Bill Simmons (0.40)] Twister ↔ Speed · programming · Best double feature for Twister is the Jan de Bont pair with Speed. · "It's gotta be speed, right?"
[Blank Check · Lady in the Water · 1:15:15 · unknown (0.30)] Lady in the Water ↔ Unbreakable · theme · Cleveland Heep's murdered family backstory is likened to the crime in Unbreakable. · "much like the crime and unbreakable."
[The Rewatchables · ‘Twister’ · 1:47:09 · Van Lathan (0.40)] Twister ↔ Deep Impact · programming · Deep Impact, same summer, is suggested as a disaster double feature and feels coded to Twister. · "Oh, no, this movie is deep impact coded to me."
[Blank Check · Lady in the Water · 1:16:46 · David Sims (0.40)] Lady in the Water ↔ The Last of the Mohicans · theme · Relaying the myth through third-hand translation is compared to the Last of the Mohicans scene of language relay. · "It's like the scene in the Last of the Mohicans where Daniel Day-Louis has to have the British guys speak French to the Native Americans who only speak French."
[The Rewatchables · ‘Twister’ · 0:05:47 · Chris Ryan (0.50)] Twister ↔ Jurassic Park · lineage · Twister is aesthetically closer to Jurassic Park than to superhero movies, prizing intelligence over strength and wonder over fixing things. · "I think it's more aesthetically closer to like Jurassic Park."
[Blank Check · Lady in the Water · 1:25:38 · Griffin Newman (0.40)] Lady in the Water ↔ The Revenant · theme · Jokes that Hugh Glass in The Revenant was really attacked by a scrunt. · "I didn't like the revenant because in real life, Hugh Glass was attacked by a scrunt."
[The Rewatchables · ‘Twister’ · 0:54:51 · Chris Ryan (0.50)] Jaws ⇒ Twister (the host's read) · lineage · Jonas is the Jaws-mayor archetype, a money-motivated antagonist that became a stock character in every movie. · "The mayor in Jaws is the character that kind of pushes against our lead person."
[Blank Check · Lady in the Water · 1:33:45 · Griffin Newman (0.50)] Lady in the Water ↔ Signs · theme · Both end abruptly on one image after someone heals a body through prayer or love, with only a token time jump. · "Because signs does the same thing where it just ends."
[The Rewatchables · ‘Twister’ · 0:43:59 · Bill Simmons (0.40)] Twister ↔ The Shining · theme · The drive-in tornado scene works because a tornado tears the screen while the audience watches The Shining, a frightening movie with a real threat behind it. · "there's something coming behind that that's actually fucking frightening and it just starts ripping."
[speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
[speaker] Richard Lawson · latest sketch, Blank Check — Patreon · The Curious Case of Benjamin Button · Loves Forrest Gump and had snarked at Button as a young Gawker writer; had never seen the film before preparing. Came around on it on rewatch, valuing the sentimental tone and Daisy's regret. · stances: Button deserves reevaluation; Pitt's casting works because of the special effects reveal; the logic of the aging is not the point
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with The Poseidon Adventure (1972); name it the way the line names it. Don't recommend The Poseidon Adventure (1972) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.