What the corpus says about Spotlight (2015)
The 18 lines php artisan corpus:ask hands a model, in the order it gets them, and nothing else.
The model writes a clerk's answer from these and only these.
What was said about it (4)
- [The Rewatchables · ‘The Insider’ · 0:30:39 · Sean Fennessey (0.40)] Spotlight ↔ All the President's Men · lineage · Spotlight was closer to the spirit of the conclusions of All the President's Men, if not its style. · "it was closer to the spirit of the conclusions of all the president's men, if not the style."
- [The Rewatchables · ‘The Insider’ · 0:30:52 · Sean Fennessey (0.40)] The Insider ↔ Spotlight · contrast · Spotlight was a hit because it is a satisfying bad-guys-get-caught story, while The Insider is meditative and ambivalent. · "Spotlight is just like, let's get the bad guys with our reporting."
- [Blank Check — Patreon · RoboCop (2014) · 0:05:12 · David Sims (0.40)] Michael Keaton ↔ Spotlight · career · Keaton's arc runs from Need for Speed and RoboCop through the Oscar near-win to Spotlight, which cements him as an elder statesman. · "Almost wins an Oscar and then spotlight just solidifies it of like Elder Statesman"
- [Blank Check — Patreon · In the Cut · 0:42:13 · Griffin or David (unclear) (0.35)] Mark Ruffalo ↔ Spotlight · career · Ruffalo got the Spotlight Oscar nomination from a cast expected to get three. · "It's funny how everyone was like spotlight's gonna get like fucking 3 best supporting actor nominations."
One hop out: what recommends the films most often joined to it (10)
- [The Rewatchables · ‘The Insider’ · 0:21:08 · Chris Ryan (0.45)] All the President's Men ⇒ The Insider (the host's read) · lineage · The Insider is hoped to capture the same wave of reaction that All the President's Men did. · "they're hoping to capture that same kind of that wave that people have when they saw all the president's men."
- [The Rewatchables · ‘The Insider’ · 0:21:08 · Chris Ryan (0.45)] All the President's Men ⇒ The Insider (the host's read) · lineage · The Insider is hoped to capture the same wave of reaction that All the President's Men did. · "they're hoping to capture that same kind of that wave that people have when they saw all the president's men."
- [The Big Picture · Thirteen Awards Movies to Watch Out for, Oscar Do-Overs, and More From the Mailbag · 1:18:13 · Sean Fennessey (0.85)] All the President's Men ↔ Network · theme · Both are comfort rewatches though not comforting: the pros get the job done and do not fail. · "there's something about, you know, they're going to get the job done that is comforting to me."
- [The Rewatchables · ‘The Insider’ · 0:39:53 · Bill Simmons (0.30)] Robert Redford ↔ The Insider · lineage · The golf-range scene where the hero realizes he is followed is likened to a Redford footstep scene. · "That's the Redford, it's so good."
- [The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:56:00 · Sean Fennessey (0.50)] The Insider ↔ Sydney Pollack · lineage · The Insider is described as a Sydney Pollack movie with more tension, angst and masculinity. · "this is a Sydney Pollock movie."
- [The Rewatchables · ‘The Insider’ · 0:22:48 · Bill Simmons (0.50)] The Insider ↔ JFK · theme · JFK became the assassination movie though half of it is false, whereas The Insider really captures its specific moment with the cigarette industry. · "This movie really does capture this specific moment with the cigarette industry that played out with the lawsuits and everything."
- [The Rewatchables · ‘The Insider’ · 0:26:41 · Bill Simmons (0.45)] The Insider ↔ The Blair Witch Project · theme · Both are 1999 movies that could not happen a few years later because the internet changed things. · "I think that's a similar thing that just 4 years later, that movie doesn't happen."
- [The Rewatchables · ‘The Insider’ · 1:12:51 · Chris Ryan (0.30)] The Insider ↔ Pump Up the Volume · theme · Smoking riffs: Christian Slater as a good screen smoker in Heathers and Pump Up the Volume. · "Christian Slater, really good smoker."
- [The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:55:48 · Chris Ryan (0.30)] The Insider ↔ The Pelican Brief · theme · Joking pair of journalism movies that brought down administrations or cigarettes. · "Pelican Breeds good point."
- [The Rewatchables · ‘The Insider’ · 0:08:27 · Chris Ryan (0.60)] The Insider ↔ The Last of the Mohicans · craft · The Insider is where Mann starts making wild formal decisions, after the romantic landscape painting of Mohicans and the urban Heat. · "And then Insider marks where man starts making all these really wild formal decisions."
Who said it, by their latest sketch (2)
- [speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
- [speaker] David Sims · latest sketch, Blank Check · The Last Temptation of Christ · Prepares history: novel, casting, budgets, box office. Reveres the film and thinks it reads as a normal ground-level story. A sucker for Hollywood deal backstory and box office game. · stances: Praises Keitel and Dafoe casting; Respects Scorsese's persistence and Corman discipline; The film is now well regarded though not 'canonical Marty'
The shows' running bits (2)
- [bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
- [bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)
The whole prompt
As the model gets it, from app/Ai/Prompts/CorpusAsk.md
You are a clerk at Video Culture, a video store. A customer just finished Spotlight (2015) and wants to know what to watch next. Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Spotlight (2015) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion. [The Rewatchables · ‘The Insider’ · 0:30:39 · Sean Fennessey (0.40)] Spotlight ↔ All the President's Men · lineage · Spotlight was closer to the spirit of the conclusions of All the President's Men, if not its style. · "it was closer to the spirit of the conclusions of all the president's men, if not the style." [The Rewatchables · ‘The Insider’ · 0:30:52 · Sean Fennessey (0.40)] The Insider ↔ Spotlight · contrast · Spotlight was a hit because it is a satisfying bad-guys-get-caught story, while The Insider is meditative and ambivalent. · "Spotlight is just like, let's get the bad guys with our reporting." [Blank Check — Patreon · RoboCop (2014) · 0:05:12 · David Sims (0.40)] Michael Keaton ↔ Spotlight · career · Keaton's arc runs from Need for Speed and RoboCop through the Oscar near-win to Spotlight, which cements him as an elder statesman. · "Almost wins an Oscar and then spotlight just solidifies it of like Elder Statesman" [Blank Check — Patreon · In the Cut · 0:42:13 · Griffin or David (unclear) (0.35)] Mark Ruffalo ↔ Spotlight · career · Ruffalo got the Spotlight Oscar nomination from a cast expected to get three. · "It's funny how everyone was like spotlight's gonna get like fucking 3 best supporting actor nominations." [The Rewatchables · ‘The Insider’ · 0:21:08 · Chris Ryan (0.45)] All the President's Men ⇒ The Insider (the host's read) · lineage · The Insider is hoped to capture the same wave of reaction that All the President's Men did. · "they're hoping to capture that same kind of that wave that people have when they saw all the president's men." [The Rewatchables · ‘The Insider’ · 0:21:08 · Chris Ryan (0.45)] All the President's Men ⇒ The Insider (the host's read) · lineage · The Insider is hoped to capture the same wave of reaction that All the President's Men did. · "they're hoping to capture that same kind of that wave that people have when they saw all the president's men." [The Big Picture · Thirteen Awards Movies to Watch Out for, Oscar Do-Overs, and More From the Mailbag · 1:18:13 · Sean Fennessey (0.85)] All the President's Men ↔ Network · theme · Both are comfort rewatches though not comforting: the pros get the job done and do not fail. · "there's something about, you know, they're going to get the job done that is comforting to me." [The Rewatchables · ‘The Insider’ · 0:39:53 · Bill Simmons (0.30)] Robert Redford ↔ The Insider · lineage · The golf-range scene where the hero realizes he is followed is likened to a Redford footstep scene. · "That's the Redford, it's so good." [The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:56:00 · Sean Fennessey (0.50)] The Insider ↔ Sydney Pollack · lineage · The Insider is described as a Sydney Pollack movie with more tension, angst and masculinity. · "this is a Sydney Pollock movie." [The Rewatchables · ‘The Insider’ · 0:22:48 · Bill Simmons (0.50)] The Insider ↔ JFK · theme · JFK became the assassination movie though half of it is false, whereas The Insider really captures its specific moment with the cigarette industry. · "This movie really does capture this specific moment with the cigarette industry that played out with the lawsuits and everything." [The Rewatchables · ‘The Insider’ · 0:26:41 · Bill Simmons (0.45)] The Insider ↔ The Blair Witch Project · theme · Both are 1999 movies that could not happen a few years later because the internet changed things. · "I think that's a similar thing that just 4 years later, that movie doesn't happen." [The Rewatchables · ‘The Insider’ · 1:12:51 · Chris Ryan (0.30)] The Insider ↔ Pump Up the Volume · theme · Smoking riffs: Christian Slater as a good screen smoker in Heathers and Pump Up the Volume. · "Christian Slater, really good smoker." [The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:55:48 · Chris Ryan (0.30)] The Insider ↔ The Pelican Brief · theme · Joking pair of journalism movies that brought down administrations or cigarettes. · "Pelican Breeds good point." [The Rewatchables · ‘The Insider’ · 0:08:27 · Chris Ryan (0.60)] The Insider ↔ The Last of the Mohicans · craft · The Insider is where Mann starts making wild formal decisions, after the romantic landscape painting of Mohicans and the urban Heat. · "And then Insider marks where man starts making all these really wild formal decisions." [speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license [speaker] David Sims · latest sketch, Blank Check · The Last Temptation of Christ · Prepares history: novel, casting, budgets, box office. Reveres the film and thinks it reads as a normal ground-level story. A sucker for Hollywood deal backstory and box office game. · stances: Praises Keitel and Dafoe casting; Respects Scorsese's persistence and Corman discipline; The film is now well regarded though not 'canonical Marty' [bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten) [bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick) Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Spotlight (2015); name it the way the line names it. Don't recommend Spotlight (2015) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them. Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact. You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here. Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.