What the corpus says about Once Upon a Time in Hollywood (2019)

The 60 lines php artisan corpus:ask hands a model, in the order it gets them, and nothing else. The model writes a clerk's answer from these and only these.

What was said about it (26)

[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 0:17:32 · unknown (0.00)] Pulp Fiction ⇒ Once Upon a Time in Hollywood (the host's read) · lineage · Marcellus's you-pride-only-hurts speech to Butch is the same speech Pacino gives DiCaprio in Once Upon a Time in Hollywood. · "And it's the same speech that Pacino gives DiCaprio at Rousseau and Frank in Once Upon a Time in Hollywood."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:16:14 · Bill Simmons (0.50)] Wanted: Dead or Alive ⇒ Once Upon a Time in Hollywood (the host's read) · lineage · Bounty Law is based on Steve McQueen's Wanted Dead or Alive. · "Bounty Lostar, which was based on Wanted Dead or Alive with Steve McQueen"
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:37:06 · Bill Simmons (0.50)] The Texas Chain Saw Massacre ⇒ Once Upon a Time in Hollywood (the host's read) · lineage · Tarantino wanted the Spahn Ranch sequence to feel like Texas Chain Saw Massacre. · "Tarantino wanted it to look like the Texas Chainsaw Massacre and had his crew research, Texas Chant, and the whole feel of it and how desolate it was."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:37:25 · Bill Simmons (0.50)] Apocalypse Now ⇒ Once Upon a Time in Hollywood (the host's read) · lineage · The dogs at Spahn Ranch play the role of the Duvall helicopters, constantly present and disorienting. · "He wanted the dogs to be the helicopters."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 1:09:23 · Chris Ryan (0.50)] Bob & Carol & Ted & Alice ⇒ Once Upon a Time in Hollywood (the maker said so) · lineage · Tarantino said Bob & Carol & Ted & Alice influenced the characters, looks, and scenery. · "Quinn said Bob and Carol and Ted Alice was a big influence on this movie"
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 0:17:38 · unknown (0.00)] Pulp Fiction ↔ Once Upon a Time in Hollywood · theme · Motifs echo across Tarantino's movies. · "It's so awesome to see the motifs echo across his movies."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:21:42 · Sean Fennessey (0.40)] Once Upon a Time in Hollywood ↔ Scent of a Woman · theme · Marvin's pitch resembles the Top Gun speech in Sleep With Me; the transcript garbles the title. · "That speech he gives is pure Tarantino. Like, that is not that much different than the actual speech"
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:44:05 · Chris Ryan (0.50)] The Hateful Eight ⇒ Once Upon a Time in Hollywood (the host's read) · theme · The slow pan out to the painting of Rick echoes the slow pan out to the Jesus statue in Hateful Eight. · "It's very similar to the beginning of Hateful 8, where there's this very slow panout and it's like a Jesus Christ statue."
[The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:45:20 · Amanda Dobbins (0.50)] Collateral ↔ Once Upon a Time in Hollywood · theme · Collateral is part of Amanda's movie map of Los Angeles, with Clueless and Once Upon a Time in Hollywood. · "my movie map of LA is probably like clueless collateral, uh, once upon a time in Hollywood"
[The Big Picture · The Future of ‘Star Wars,’ Marvel, Pixar, and Disney’s Movie Monopoly. Plus: Our Summer Movie Awards and Paul Downs Colaizzo on ‘Brittany Runs a Marathon’ | The Big Picture · 0:50:48 · Amanda Dobbins (0.40)] Once Upon a Time in Hollywood ↔ Inglourious Basterds · theme · Looking at the 2009 summer, which also had Inglourious Basterds, shows what this summer lacked. · "that was the summer of Inglorious Bastards, but also, um, you know, what what it had that this summer didn't have."
[The Big Picture · The 10 Most Misused Stars in Hollywood and the Gnarly Magic of ‘Send Help’ · 1:40:48 · Sean Fennessey (0.50)] Carousel ↔ Once Upon a Time in Hollywood · craft · Carousel's kitchen-counter fight scene is compared to the best acting the speaker has seen. · "where it was like, Julia Butters in Once Upon a Time in Hollywood, I was like, that's the best acting I've ever seen in my life."
[The Big Picture · The ‘Babylon’ Watch-Along · 0:59:20 · unknown (0.30)] Babylon ↔ Once Upon a Time in Hollywood · craft · Both films show Margot Robbie watching herself on screen in a movie theater. · "Yeah, also shout out to Margot Robbie watching herself on screen in movie theaters."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:07:26 · Sean Fennessey (0.50)] Once Upon a Time in Hollywood ↔ The Verdict · career · This period of Pitt (Moneyball, OUATIH) is likened to Newman's The Verdict and Color of Money stage. · "once upon a time in Hollywood is, like, almost like verdict, color of Money Newman."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:12:56 · Chris Ryan (0.60)] Once Upon a Time in Hollywood ↔ Inglourious Basterds · career · Ryan says Tarantino's project is historical correction, as in Basterds; a what-if movie. · "his project is history. Like his project is this like kind of almost like historical correction of a record"
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:30:36 · unknown (0.40)] The Wolf of Wall Street ↔ Once Upon a Time in Hollywood · career · Wolf sits in DiCaprio's run of comic-dramatic roles alongside Once Upon a Time, Don't Look Up, Killers of the Flower Moon and One Battle. · "this movie is in the same league with, once upon a time in Hollywood, don't look up, Killers of the Flower Moon, or one bad after another, where he's getting a lot of laughs in the movie."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:20:19 · Chris Ryan (0.50)] Once Upon a Time in Hollywood ↔ Heat · people · Pacino's Marvin Schwarz scene is framed as a sequel to his Heat performance. · "I think it's actually Pacino's sequel performance from Heat."
[The Big Picture · Our Alternative Academy Awards | The Oscars Show · 0:33:47 · Amanda Dobbins (0.50)] Little Women ↔ Once Upon a Time in Hollywood · people · Both are examples of movies that would not have worked as well with different casts. · "Little Women and Once Upon a Time are interesting examples of movies that with different casts would not have worked as well."
[The Big Picture · Our Alternative Academy Awards | The Oscars Show · 0:32:34 · Sean Fennessey (0.60)] Uncut Gems ↔ Once Upon a Time in Hollywood · verdict · In best casting, Uncut Gems beats the big shiny ensembles (Little Women, Once Upon a Time) because of the unknown faces it found. · "Uncut gems because not just because of the people you know, but mostly because of the people you don't know."
[The Big Picture · The Future of ‘Star Wars,’ Marvel, Pixar, and Disney’s Movie Monopoly. Plus: Our Summer Movie Awards and Paul Downs Colaizzo on ‘Brittany Runs a Marathon’ | The Big Picture · 0:49:47 · Amanda Dobbins (0.40)] Once Upon a Time in Hollywood ↔ Avengers: Endgame · verdict · Once Upon a Time in Hollywood is a tier of one, with the rest of the summer far down. · "once upon a time in Hollywood is is like a tier of one to me."
[The Rewatchables · ‘Reservoir Dogs’ · 0:48:21 · Chris Ryan (0.50)] Django Unchained ↔ Once Upon a Time in Hollywood · industry · Once Upon a Time in Hollywood also has Django-esque flourishes. · "There's some very fun Django-esque flourishes in that movie too."
[The Big Picture · 300th Episode Ask-Us-Anything Mailbag Spectacular · 0:34:11 · Sean Fennessey (0.80)] 1917 ↔ Once Upon a Time in Hollywood · industry · A friend says 1917 may be the last big awards-worthy global release before the gate closed, alongside Joker, Once Upon a Time and Endgame. · "we might look back on 1917 as the last movie that got in before the gate closed"
[The Big Picture · The Snubs and Surprises of the 92nd Academy Award Nominations | The Oscars Show · 0:05:10 · Sean Fennessey (0.50)] 1917 ↔ Once Upon a Time in Hollywood · industry · Three films by already-celebrated directors (Tarantino, Scorsese, Mendes) each got ten nominations. · "3 people who made films who have been hugely recognized in the past Quentin Tarantino, Martin Scorsese and Sam Mendes."
[The Big Picture · The Future of ‘Star Wars,’ Marvel, Pixar, and Disney’s Movie Monopoly. Plus: Our Summer Movie Awards and Paul Downs Colaizzo on ‘Brittany Runs a Marathon’ | The Big Picture · 0:36:30 · Sean Fennessey (0.60)] Once Upon a Time in Hollywood ↔ Long Shot · industry · Counterprogramming may be dead, and fewer original films get made if they go only to streamers. · "The question is whether or not people will still make movies like that if nobody goes to see them in the theaters."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 1:14:58 · Chris Ryan (0.60)] Once Upon a Time in Hollywood ↔ Rosemary's Baby · what-if · Tarantino mapped Rick's career if he'd gotten the Cassavetes role in Rosemary's Baby. · "what happens if Rick Dalton gets the John Casavetti's role in Rosemary's baby"
[The Big Picture · Our Alternative Academy Awards | The Oscars Show · 0:49:28 · Wesley Morris (0.40)] Spider-Man: Far From Home ↔ Once Upon a Time in Hollywood · what-if · Amanda swaps Spider-Man's post-credits twist in for Once Upon a Time in Hollywood in the best ending category, then Sean declares the Hollywood ending the right choice. · "I think foolishly the answer is once upon a time in Hollywood, which is weird, but that probably was the right choice."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:23:39 · Bill Simmons (0.40)] Once Upon a Time in Hollywood ↔ The Graduate · needle-drop reference · Tarantino throws in Mrs. Robinson during the car scene. · "Tarantino throws at Mrs. Robinson."

Films put beside it more than once (5)

[pairs] Once Upon a Time in Hollywood ↔ 1917 · said 2 times in 2 episodes
[pairs] Once Upon a Time in Hollywood ↔ Inglourious Basterds · said 2 times in 2 episodes
[pairs] Once Upon a Time in Hollywood ↔ Heat · said 2 times in 1 episode
[pairs] Once Upon a Time in Hollywood ↔ The Wolf of Wall Street · said 2 times in 1 episode
[pairs] Once Upon a Time in Hollywood ↔ Pulp Fiction · said 2 times in 1 episode

Fun items about it (6)

[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:27:30 · Chris Ryan (0.50)] Once Upon a Time in Hollywood · fun · The Bruce Lee scene as unreliable narrator: the people around the fight vanish when the frame changes, signaling Cliff's false memory. · "you see that all of the people that were surrounding the fight have disappeared."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 1:13:50 · Bill Simmons (0.40)] Once Upon a Time in Hollywood · fun · Tarantino's 10-film plan and the idea of 300 minutes of Bounty Law: he has threatened to make five episodes of it, possibly on Netflix, though Leo may not agree. · "he's been threatening doing 5 episodes of bounty law. like for real."
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:29:30 · unknown (0.40)] Once Upon a Time in Hollywood · fun · The Bounty Law trailer breakdown, where Leo plays a day player opposite Tim Olyphant, will be near the top of his reel. · "But him in the trailer breaking down is that's going to be near the top of his reel at the end of his career."
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:45:03 · Sean Fennessey (0.50)] Once Upon a Time in Hollywood · fun · Fennessey says seeing Once Upon a Time at an ArcLight screening made it a forever movie, and says he feels the same hunger now for One Battle After Another. · "as soon as it was over, I was like forever movie."
[The Big Picture · The Future of ‘Star Wars,’ Marvel, Pixar, and Disney’s Movie Monopoly. Plus: Our Summer Movie Awards and Paul Downs Colaizzo on ‘Brittany Runs a Marathon’ | The Big Picture · 0:30:15 · Sean Fennessey (0.70)] Once Upon a Time in Hollywood · fun · Favorite scene is the out-of-time montage, with Cliff driving Leo home as LA changes in real time. · "just the out of time montage in Once upon a time in Hollywood, which is my favorite part of that movie now"
[The Big Picture · The Future of ‘Star Wars,’ Marvel, Pixar, and Disney’s Movie Monopoly. Plus: Our Summer Movie Awards and Paul Downs Colaizzo on ‘Brittany Runs a Marathon’ | The Big Picture · 0:30:32 · Amanda Dobbins (0.80)] Once Upon a Time in Hollywood · fun · Amanda's favorite scene is Brad Pitt on the roof, which she calls the lightning bottle moment for Brad Pitt season. · "I have Brad Pitt on the roof."

One hop out: what recommends the films most often joined to it (15)

[The Big Picture · The Tom Cruise Hall of Fame · 1:40:22 · unclear (one of the hosts) (0.30)] 1917 ↔ Roger Deakins · craft · A host likens the question of cutting Top Gun to a past Big Picture episode, a podcast celebrating Roger Deakins's cinematography on 1917, that asked whether to cut 1917. · "should we cut 1917 from a Roger Deacons podcast celebrating his work on 1917"
[The Rewatchables · ‘Thief’ · 1:19:45 · Bill Simmons (0.60)] Thief ↔ Heat · programming · Rewatchable does Mann films: five done, others remaining. · "How many Michael Mann movies have we done now?"
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 2:37:26 · unknown (0.00)] Pulp Fiction ↔ Inglourious Basterds · programming · Inglourious Basterds paired for its short-story structure; Once Upon a Time for bookending Tarantino's career. · "I have bastards because I feel like structurally it's it's got some the short story aspect of his very, it locks in together."
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 2:37:16 · unknown (0.00)] Pulp Fiction ↔ Black Sabbath · programming · Best double features: Black Sabbath (anthology), Saturday Night Fever, Inglourious Basterds, Once Upon a Time in Hollywood. · "So you get an anthology movie."
[The Rewatchables · ‘Margin Call’ · 1:23:57 · Brian Koppelman (0.85)] Margin Call ↔ The Wolf of Wall Street · programming · Koppelman's double-feature picks are Wolf of Wall Street or Sweet Smell of Success. · "Either wolf of Wall Street or sweet smell of success."
[The Big Picture · The Snubs and Surprises of the 92nd Academy Award Nominations | The Oscars Show · 0:53:35 · Sean Fennessey (0.60)] Roger Deakins ↔ 1917 · craft · Next episode covers 1917 and the life's work of Roger Deakins. · "we'll also be talking about the life's work of one great man named Roger Deacons."
[The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:13:26 · Amanda Dobbins (0.40)] Heat ↔ The Rewatchables · programming · Chris listened to the Reheat Rewatchables episode, celebrating 100 episodes, the morning of recording. · "I also listened to the reheat this morning"
[The Rewatchables · ‘Reservoir Dogs’ · 1:13:11 · Bill Simmons (0.50)] Reservoir Dogs ↔ Inglourious Basterds · programming · The Inglourious Basterds spelling is a Tarantino flourish; Reservoir Dogs' title is also odd. · "It's my flourish."
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 2:37:26 · unknown (0.00)] Pulp Fiction ↔ Inglourious Basterds · programming · Inglourious Basterds paired for its short-story structure; Once Upon a Time for bookending Tarantino's career. · "I have bastards because I feel like structurally it's it's got some the short story aspect of his very, it locks in together."
[The Rewatchables · ‘Margin Call’ · 0:25:01 · Brian Koppelman (0.90)] Boiler Room ⇒ The Wolf of Wall Street (the host's read) · lineage · Koppelman says Boiler Room informed Wolf, being the fictional version of Jordan Belfort's story. · "Boiler Room really informed Wolf of Wall Street because Boiler Room was the fictional version of Jordan's story"
[The Big Picture · 300th Episode Ask-Us-Anything Mailbag Spectacular · 2:07:39 · Garrett Bradley (0.90)] Heat ↔ Time · programming · Bradley's last great thing was rewatching Heat, which prompted talk of the 90s. · "I rewatched Heat"
[Blank Check · Raiders of the Lost Ark · 2:20:35 · unknown (0.40)] Raiders of the Lost Ark ↔ Inglourious Basterds · theme · The Ark ending is a mini alternate-history course correction, like Inglourious Basterds. · "this is me creating an alternate history where there is like some modicum of like a microcosm representation of a course correction"
[The Rewatchables · ‘Misery’ · 0:59:07 · Bill Simmons (0.70)] Pulp Fiction ⇒ Misery (the host's read) · programming · Butch's Girlfriend Award for weak link of the film is borrowed from Pulp Fiction. · "The Butch's girlfriend Award, Butch's girlfriend from Pulp Fiction."
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:16:54 · unknown (0.40)] The Wolf of Wall Street ⇒ One Battle After Another (the host's read) · lineage · Scorsese influenced PTA, and the uncomfortable-laughter humor of Wolf is very PTA. · "Scorsese is a huge influence on all filmmakers, including PTA, and there is a, like, a really screwed up level to the humor in this movie that is that is very PTA as well"
[The Rewatchables · ‘The Insider’ · 0:08:22 · Chris Ryan (0.60)] The Last of the Mohicans ↔ Heat · lineage · Heat is described as the urban version of Last of the Mohicans, a step in Mann's progression toward The Insider. · "Then you've got heat, which in some ways is the urban version of Last of the Mohicans."

Who said it, by their latest sketch (5)

[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
[speaker] Amanda Dobbins · latest sketch, The Big Picture · ‘Mamma Mia!’ Meets ‘The Strangers'! It’s a Movie Swap! · Loves The Strangers' withholding craft and a good tense horror film without gore, but likes fun, communal movies like Mamma Mia. She dislikes supernatural or gory horror, which irritates her more than it scares her. She is a sucker for stars and for Googling a movie mid-recording. · stances: The Strangers is scary because of what it doesn't show or explain; Ending explanation weakens it; no answer would be better; Prefers 'withholding' filmmaking; Defends Mamma Mia as joyful and intentional
[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[speaker] Wesley Morris · latest sketch, The Rewatchables · ‘My Cousin Vinny’ · Loves Marisa Tomei, the grits scene, and the clothes; is a sucker for Fran Drescher. Dislikes car-driving-away endings and thinks the film has done harm by encouraging self-representation. · stances: Tomei deserved the Oscar; Race in courtroom movies matters, and this one is warmly integrated; The Nanny is basically Mona Lisa Vito

The shows' running bits (3)

[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

The whole prompt

As the model gets it, from app/Ai/Prompts/CorpusAsk.md

You are a clerk at Video Culture, a video store. A customer just finished Once Upon a Time in Hollywood (2019) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Once Upon a Time in Hollywood (2019) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 0:17:32 · unknown (0.00)] Pulp Fiction ⇒ Once Upon a Time in Hollywood (the host's read) · lineage · Marcellus's you-pride-only-hurts speech to Butch is the same speech Pacino gives DiCaprio in Once Upon a Time in Hollywood. · "And it's the same speech that Pacino gives DiCaprio at Rousseau and Frank in Once Upon a Time in Hollywood."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:16:14 · Bill Simmons (0.50)] Wanted: Dead or Alive ⇒ Once Upon a Time in Hollywood (the host's read) · lineage · Bounty Law is based on Steve McQueen's Wanted Dead or Alive. · "Bounty Lostar, which was based on Wanted Dead or Alive with Steve McQueen"
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:37:06 · Bill Simmons (0.50)] The Texas Chain Saw Massacre ⇒ Once Upon a Time in Hollywood (the host's read) · lineage · Tarantino wanted the Spahn Ranch sequence to feel like Texas Chain Saw Massacre. · "Tarantino wanted it to look like the Texas Chainsaw Massacre and had his crew research, Texas Chant, and the whole feel of it and how desolate it was."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:37:25 · Bill Simmons (0.50)] Apocalypse Now ⇒ Once Upon a Time in Hollywood (the host's read) · lineage · The dogs at Spahn Ranch play the role of the Duvall helicopters, constantly present and disorienting. · "He wanted the dogs to be the helicopters."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 1:09:23 · Chris Ryan (0.50)] Bob & Carol & Ted & Alice ⇒ Once Upon a Time in Hollywood (the maker said so) · lineage · Tarantino said Bob & Carol & Ted & Alice influenced the characters, looks, and scenery. · "Quinn said Bob and Carol and Ted Alice was a big influence on this movie"
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 0:17:38 · unknown (0.00)] Pulp Fiction ↔ Once Upon a Time in Hollywood · theme · Motifs echo across Tarantino's movies. · "It's so awesome to see the motifs echo across his movies."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:21:42 · Sean Fennessey (0.40)] Once Upon a Time in Hollywood ↔ Scent of a Woman · theme · Marvin's pitch resembles the Top Gun speech in Sleep With Me; the transcript garbles the title. · "That speech he gives is pure Tarantino. Like, that is not that much different than the actual speech"
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:44:05 · Chris Ryan (0.50)] The Hateful Eight ⇒ Once Upon a Time in Hollywood (the host's read) · theme · The slow pan out to the painting of Rick echoes the slow pan out to the Jesus statue in Hateful Eight. · "It's very similar to the beginning of Hateful 8, where there's this very slow panout and it's like a Jesus Christ statue."
[The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:45:20 · Amanda Dobbins (0.50)] Collateral ↔ Once Upon a Time in Hollywood · theme · Collateral is part of Amanda's movie map of Los Angeles, with Clueless and Once Upon a Time in Hollywood. · "my movie map of LA is probably like clueless collateral, uh, once upon a time in Hollywood"
[The Big Picture · The Future of ‘Star Wars,’ Marvel, Pixar, and Disney’s Movie Monopoly. Plus: Our Summer Movie Awards and Paul Downs Colaizzo on ‘Brittany Runs a Marathon’ | The Big Picture · 0:50:48 · Amanda Dobbins (0.40)] Once Upon a Time in Hollywood ↔ Inglourious Basterds · theme · Looking at the 2009 summer, which also had Inglourious Basterds, shows what this summer lacked. · "that was the summer of Inglorious Bastards, but also, um, you know, what what it had that this summer didn't have."
[The Big Picture · The 10 Most Misused Stars in Hollywood and the Gnarly Magic of ‘Send Help’ · 1:40:48 · Sean Fennessey (0.50)] Carousel ↔ Once Upon a Time in Hollywood · craft · Carousel's kitchen-counter fight scene is compared to the best acting the speaker has seen. · "where it was like, Julia Butters in Once Upon a Time in Hollywood, I was like, that's the best acting I've ever seen in my life."
[The Big Picture · The ‘Babylon’ Watch-Along · 0:59:20 · unknown (0.30)] Babylon ↔ Once Upon a Time in Hollywood · craft · Both films show Margot Robbie watching herself on screen in a movie theater. · "Yeah, also shout out to Margot Robbie watching herself on screen in movie theaters."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:07:26 · Sean Fennessey (0.50)] Once Upon a Time in Hollywood ↔ The Verdict · career · This period of Pitt (Moneyball, OUATIH) is likened to Newman's The Verdict and Color of Money stage. · "once upon a time in Hollywood is, like, almost like verdict, color of Money Newman."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:12:56 · Chris Ryan (0.60)] Once Upon a Time in Hollywood ↔ Inglourious Basterds · career · Ryan says Tarantino's project is historical correction, as in Basterds; a what-if movie. · "his project is history. Like his project is this like kind of almost like historical correction of a record"
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:30:36 · unknown (0.40)] The Wolf of Wall Street ↔ Once Upon a Time in Hollywood · career · Wolf sits in DiCaprio's run of comic-dramatic roles alongside Once Upon a Time, Don't Look Up, Killers of the Flower Moon and One Battle. · "this movie is in the same league with, once upon a time in Hollywood, don't look up, Killers of the Flower Moon, or one bad after another, where he's getting a lot of laughs in the movie."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:20:19 · Chris Ryan (0.50)] Once Upon a Time in Hollywood ↔ Heat · people · Pacino's Marvin Schwarz scene is framed as a sequel to his Heat performance. · "I think it's actually Pacino's sequel performance from Heat."
[The Big Picture · Our Alternative Academy Awards | The Oscars Show · 0:33:47 · Amanda Dobbins (0.50)] Little Women ↔ Once Upon a Time in Hollywood · people · Both are examples of movies that would not have worked as well with different casts. · "Little Women and Once Upon a Time are interesting examples of movies that with different casts would not have worked as well."
[The Big Picture · Our Alternative Academy Awards | The Oscars Show · 0:32:34 · Sean Fennessey (0.60)] Uncut Gems ↔ Once Upon a Time in Hollywood · verdict · In best casting, Uncut Gems beats the big shiny ensembles (Little Women, Once Upon a Time) because of the unknown faces it found. · "Uncut gems because not just because of the people you know, but mostly because of the people you don't know."
[The Big Picture · The Future of ‘Star Wars,’ Marvel, Pixar, and Disney’s Movie Monopoly. Plus: Our Summer Movie Awards and Paul Downs Colaizzo on ‘Brittany Runs a Marathon’ | The Big Picture · 0:49:47 · Amanda Dobbins (0.40)] Once Upon a Time in Hollywood ↔ Avengers: Endgame · verdict · Once Upon a Time in Hollywood is a tier of one, with the rest of the summer far down. · "once upon a time in Hollywood is is like a tier of one to me."
[The Rewatchables · ‘Reservoir Dogs’ · 0:48:21 · Chris Ryan (0.50)] Django Unchained ↔ Once Upon a Time in Hollywood · industry · Once Upon a Time in Hollywood also has Django-esque flourishes. · "There's some very fun Django-esque flourishes in that movie too."
[The Big Picture · 300th Episode Ask-Us-Anything Mailbag Spectacular · 0:34:11 · Sean Fennessey (0.80)] 1917 ↔ Once Upon a Time in Hollywood · industry · A friend says 1917 may be the last big awards-worthy global release before the gate closed, alongside Joker, Once Upon a Time and Endgame. · "we might look back on 1917 as the last movie that got in before the gate closed"
[The Big Picture · The Snubs and Surprises of the 92nd Academy Award Nominations | The Oscars Show · 0:05:10 · Sean Fennessey (0.50)] 1917 ↔ Once Upon a Time in Hollywood · industry · Three films by already-celebrated directors (Tarantino, Scorsese, Mendes) each got ten nominations. · "3 people who made films who have been hugely recognized in the past Quentin Tarantino, Martin Scorsese and Sam Mendes."
[The Big Picture · The Future of ‘Star Wars,’ Marvel, Pixar, and Disney’s Movie Monopoly. Plus: Our Summer Movie Awards and Paul Downs Colaizzo on ‘Brittany Runs a Marathon’ | The Big Picture · 0:36:30 · Sean Fennessey (0.60)] Once Upon a Time in Hollywood ↔ Long Shot · industry · Counterprogramming may be dead, and fewer original films get made if they go only to streamers. · "The question is whether or not people will still make movies like that if nobody goes to see them in the theaters."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 1:14:58 · Chris Ryan (0.60)] Once Upon a Time in Hollywood ↔ Rosemary's Baby · what-if · Tarantino mapped Rick's career if he'd gotten the Cassavetes role in Rosemary's Baby. · "what happens if Rick Dalton gets the John Casavetti's role in Rosemary's baby"
[The Big Picture · Our Alternative Academy Awards | The Oscars Show · 0:49:28 · Wesley Morris (0.40)] Spider-Man: Far From Home ↔ Once Upon a Time in Hollywood · what-if · Amanda swaps Spider-Man's post-credits twist in for Once Upon a Time in Hollywood in the best ending category, then Sean declares the Hollywood ending the right choice. · "I think foolishly the answer is once upon a time in Hollywood, which is weird, but that probably was the right choice."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:23:39 · Bill Simmons (0.40)] Once Upon a Time in Hollywood ↔ The Graduate · needle-drop reference · Tarantino throws in Mrs. Robinson during the car scene. · "Tarantino throws at Mrs. Robinson."
[pairs] Once Upon a Time in Hollywood ↔ 1917 · said 2 times in 2 episodes
[pairs] Once Upon a Time in Hollywood ↔ Inglourious Basterds · said 2 times in 2 episodes
[pairs] Once Upon a Time in Hollywood ↔ Heat · said 2 times in 1 episode
[pairs] Once Upon a Time in Hollywood ↔ The Wolf of Wall Street · said 2 times in 1 episode
[pairs] Once Upon a Time in Hollywood ↔ Pulp Fiction · said 2 times in 1 episode
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:27:30 · Chris Ryan (0.50)] Once Upon a Time in Hollywood · fun · The Bruce Lee scene as unreliable narrator: the people around the fight vanish when the frame changes, signaling Cliff's false memory. · "you see that all of the people that were surrounding the fight have disappeared."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 1:13:50 · Bill Simmons (0.40)] Once Upon a Time in Hollywood · fun · Tarantino's 10-film plan and the idea of 300 minutes of Bounty Law: he has threatened to make five episodes of it, possibly on Netflix, though Leo may not agree. · "he's been threatening doing 5 episodes of bounty law. like for real."
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:29:30 · unknown (0.40)] Once Upon a Time in Hollywood · fun · The Bounty Law trailer breakdown, where Leo plays a day player opposite Tim Olyphant, will be near the top of his reel. · "But him in the trailer breaking down is that's going to be near the top of his reel at the end of his career."
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:45:03 · Sean Fennessey (0.50)] Once Upon a Time in Hollywood · fun · Fennessey says seeing Once Upon a Time at an ArcLight screening made it a forever movie, and says he feels the same hunger now for One Battle After Another. · "as soon as it was over, I was like forever movie."
[The Big Picture · The Future of ‘Star Wars,’ Marvel, Pixar, and Disney’s Movie Monopoly. Plus: Our Summer Movie Awards and Paul Downs Colaizzo on ‘Brittany Runs a Marathon’ | The Big Picture · 0:30:15 · Sean Fennessey (0.70)] Once Upon a Time in Hollywood · fun · Favorite scene is the out-of-time montage, with Cliff driving Leo home as LA changes in real time. · "just the out of time montage in Once upon a time in Hollywood, which is my favorite part of that movie now"
[The Big Picture · The Future of ‘Star Wars,’ Marvel, Pixar, and Disney’s Movie Monopoly. Plus: Our Summer Movie Awards and Paul Downs Colaizzo on ‘Brittany Runs a Marathon’ | The Big Picture · 0:30:32 · Amanda Dobbins (0.80)] Once Upon a Time in Hollywood · fun · Amanda's favorite scene is Brad Pitt on the roof, which she calls the lightning bottle moment for Brad Pitt season. · "I have Brad Pitt on the roof."
[The Big Picture · The Tom Cruise Hall of Fame · 1:40:22 · unclear (one of the hosts) (0.30)] 1917 ↔ Roger Deakins · craft · A host likens the question of cutting Top Gun to a past Big Picture episode, a podcast celebrating Roger Deakins's cinematography on 1917, that asked whether to cut 1917. · "should we cut 1917 from a Roger Deacons podcast celebrating his work on 1917"
[The Rewatchables · ‘Thief’ · 1:19:45 · Bill Simmons (0.60)] Thief ↔ Heat · programming · Rewatchable does Mann films: five done, others remaining. · "How many Michael Mann movies have we done now?"
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 2:37:26 · unknown (0.00)] Pulp Fiction ↔ Inglourious Basterds · programming · Inglourious Basterds paired for its short-story structure; Once Upon a Time for bookending Tarantino's career. · "I have bastards because I feel like structurally it's it's got some the short story aspect of his very, it locks in together."
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 2:37:16 · unknown (0.00)] Pulp Fiction ↔ Black Sabbath · programming · Best double features: Black Sabbath (anthology), Saturday Night Fever, Inglourious Basterds, Once Upon a Time in Hollywood. · "So you get an anthology movie."
[The Rewatchables · ‘Margin Call’ · 1:23:57 · Brian Koppelman (0.85)] Margin Call ↔ The Wolf of Wall Street · programming · Koppelman's double-feature picks are Wolf of Wall Street or Sweet Smell of Success. · "Either wolf of Wall Street or sweet smell of success."
[The Big Picture · The Snubs and Surprises of the 92nd Academy Award Nominations | The Oscars Show · 0:53:35 · Sean Fennessey (0.60)] Roger Deakins ↔ 1917 · craft · Next episode covers 1917 and the life's work of Roger Deakins. · "we'll also be talking about the life's work of one great man named Roger Deacons."
[The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:13:26 · Amanda Dobbins (0.40)] Heat ↔ The Rewatchables · programming · Chris listened to the Reheat Rewatchables episode, celebrating 100 episodes, the morning of recording. · "I also listened to the reheat this morning"
[The Rewatchables · ‘Reservoir Dogs’ · 1:13:11 · Bill Simmons (0.50)] Reservoir Dogs ↔ Inglourious Basterds · programming · The Inglourious Basterds spelling is a Tarantino flourish; Reservoir Dogs' title is also odd. · "It's my flourish."
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 2:37:26 · unknown (0.00)] Pulp Fiction ↔ Inglourious Basterds · programming · Inglourious Basterds paired for its short-story structure; Once Upon a Time for bookending Tarantino's career. · "I have bastards because I feel like structurally it's it's got some the short story aspect of his very, it locks in together."
[The Rewatchables · ‘Margin Call’ · 0:25:01 · Brian Koppelman (0.90)] Boiler Room ⇒ The Wolf of Wall Street (the host's read) · lineage · Koppelman says Boiler Room informed Wolf, being the fictional version of Jordan Belfort's story. · "Boiler Room really informed Wolf of Wall Street because Boiler Room was the fictional version of Jordan's story"
[The Big Picture · 300th Episode Ask-Us-Anything Mailbag Spectacular · 2:07:39 · Garrett Bradley (0.90)] Heat ↔ Time · programming · Bradley's last great thing was rewatching Heat, which prompted talk of the 90s. · "I rewatched Heat"
[Blank Check · Raiders of the Lost Ark · 2:20:35 · unknown (0.40)] Raiders of the Lost Ark ↔ Inglourious Basterds · theme · The Ark ending is a mini alternate-history course correction, like Inglourious Basterds. · "this is me creating an alternate history where there is like some modicum of like a microcosm representation of a course correction"
[The Rewatchables · ‘Misery’ · 0:59:07 · Bill Simmons (0.70)] Pulp Fiction ⇒ Misery (the host's read) · programming · Butch's Girlfriend Award for weak link of the film is borrowed from Pulp Fiction. · "The Butch's girlfriend Award, Butch's girlfriend from Pulp Fiction."
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:16:54 · unknown (0.40)] The Wolf of Wall Street ⇒ One Battle After Another (the host's read) · lineage · Scorsese influenced PTA, and the uncomfortable-laughter humor of Wolf is very PTA. · "Scorsese is a huge influence on all filmmakers, including PTA, and there is a, like, a really screwed up level to the humor in this movie that is that is very PTA as well"
[The Rewatchables · ‘The Insider’ · 0:08:22 · Chris Ryan (0.60)] The Last of the Mohicans ↔ Heat · lineage · Heat is described as the urban version of Last of the Mohicans, a step in Mann's progression toward The Insider. · "Then you've got heat, which in some ways is the urban version of Last of the Mohicans."
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
[speaker] Amanda Dobbins · latest sketch, The Big Picture · ‘Mamma Mia!’ Meets ‘The Strangers'! It’s a Movie Swap! · Loves The Strangers' withholding craft and a good tense horror film without gore, but likes fun, communal movies like Mamma Mia. She dislikes supernatural or gory horror, which irritates her more than it scares her. She is a sucker for stars and for Googling a movie mid-recording. · stances: The Strangers is scary because of what it doesn't show or explain; Ending explanation weakens it; no answer would be better; Prefers 'withholding' filmmaking; Defends Mamma Mia as joyful and intentional
[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[speaker] Wesley Morris · latest sketch, The Rewatchables · ‘My Cousin Vinny’ · Loves Marisa Tomei, the grits scene, and the clothes; is a sucker for Fran Drescher. Dislikes car-driving-away endings and thinks the film has done harm by encouraging self-representation. · stances: Tomei deserved the Oscar; Race in courtroom movies matters, and this one is warmly integrated; The Nanny is basically Mona Lisa Vito
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Once Upon a Time in Hollywood (2019); name it the way the line names it. Don't recommend Once Upon a Time in Hollywood (2019) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.