What the corpus says about Satyricon (1969)

You are a clerk at Video Culture, a video store. A customer just finished Satyricon (1969) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Satyricon (1969) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[Blank Check · The Last Temptation of Christ · 2:02:07 · David Sims (0.40)] The Last Temptation of Christ ↔ Satyricon · industry · Collider's list of films with a lone director nomination includes Satyricon and Last Temptation. · "Collider says there are 7 movies."
[Blank Check · The Lost World: Jurassic Park · 0:03:19 · unknown (0.30)] Jaws ↔ Satyricon · industry · Spielberg famously missed a best director nomination for Jaws when Fellini got a surprise nomination, probably for Satyricon. · "Fellini for like Satyricon."
[Blank Check · Raiders of the Lost Ark · 3:01:39 · Brian Michael Bendis (0.90)] Raiders of the Lost Ark ↔ Jaws · programming · Bendis lives in Portland, where Raiders and Jaws play theaters every summer; his kids found both still work. · "I'm here in Portland where Raiders and Jaws plays on theaters, at least once a summer."
[Blank Check · The Last Temptation of Christ · 2:14:40 · David Sims (0.40)] Tucker: The Man and His Dream ↔ The Last Temptation of Christ · programming · Scorsese and Coppola released passion projects the same weekend. · "Just interesting that Marty and Francis on the same weekend released like passion projects"
[The Rewatchables · ‘Friday the 13th’ · 0:46:35 · unknown (0.35)] Jaws ⇒ Friday the 13th (the host's read) · lineage · Friday took Jaws' device of music for a villain you cannot see. · "the Jaws music for the villain you can't see."
[Blank Check · The Last Temptation of Christ · 0:44:30 · David Sims (0.40)] Barbara Hershey ⇒ The Last Temptation of Christ (the host's read) · lineage · Hershey also planted the book in Scorsese's head and told him to let her audition as Mary Magdalene. · "But it's planted in his head by her."
[The Rewatchables · ‘Twister’ · 0:54:51 · Chris Ryan (0.50)] Jaws ⇒ Twister (the host's read) · lineage · Jonas is the Jaws-mayor archetype, a money-motivated antagonist that became a stock character in every movie. · "The mayor in Jaws is the character that kind of pushes against our lead person."
[Blank Check · The Last Temptation of Christ · 0:45:07 · David Sims (0.50)] The Robe ⇒ The Last Temptation of Christ (the host's read) · lineage · The Robe is the first Christ movie Scorsese remembers seeing. · "The 1st Christ movie he remembers seeing is the robe."
[The Rewatchables · 'Mission: Impossible' · 0:46:08 · Chris Ryan (0.30)] Mission: Impossible ↔ Jaws · lineage · A political awards category was suggested, recalling a Jaws episode on Amity's campaign. · "between this and you outlining Quince campaign in Amity for the Jaws rewatchables, we should have some sort of political category here."
[Blank Check · The Last Temptation of Christ · 1:52:21 · Griffin Newman (0.40)] Peter Gabriel ↔ The Last Temptation of Christ · lineage · Gabriel's score is claimed to shape how every Middle East-set film sounds. · "But like every movie set in the Middle East now sounds like this because of this score."
[The Big Picture · The 1990 Movie Draft · 1:34:36 · unknown (0.40)] Jaws ⇒ Arachnophobia (the host's read) · lineage · Arachnophobia is Jaws with spiders. · "it's sort of like Jaws, but with spiders"
[Blank Check · The Last Temptation of Christ · 1:07:01 · David Sims (0.40)] The Last Temptation of Christ ↔ Ishtar · theme · Per Miriam Bale, it shares many Moroccan locations with Ishtar, shot around the same time. · "Yes, it shares a lot of locations with Ishtar, which was made around the same time."
[Blank Check · Empire of the Sun · 0:25:32 · Bilge Ebiri (0.90)] Jaws ↔ Lincoln · theme · The slaps in Jaws and Lincoln show the shift from identifying with the slapped child to the anxious parent. · "So it's very much like almost like the humiliation of a little boy who's been slapped."
[Blank Check · The Last Temptation of Christ · 1:43:14 · David Sims (0.50)] The Last Temptation of Christ ↔ Star Trek: The Next Generation, 'The Inner Light' · theme · Jesus lives a whole accelerated lifetime in a vision, like Picard living 50 years on a village. · "You can't not think of the inner light, the most famous episode of this of that show."
[The Rewatchables · A CR Month Mailbag! · 1:27:19 · unknown (0.50)] To Live and Die in L.A. ↔ Jaws · theme · Scenes that gloss over a shocking event: the Reagan-building explosion in To Live and Die in L.A., the Kintner boy in Jaws, Loomis in Halloween. · "a guy explodes in the same building that that Ronald Reagan is giving a speech at, then the next scene is like, they don't even reference it."
[Blank Check · The Last Temptation of Christ · 1:49:12 · Griffin Newman (0.30)] The Last Temptation of Christ ↔ X2 · theme · Judas recognizing the child angel as Satan is jokingly tied to creepy-girl villains in Resident Evil and X2's White Queen. · "Have you ever seen Resident Evil?"
[Blank Check — Patreon · The Lego Batman Movie · 0:58:26 · Griffin Newman (0.50)] The Lego Batman Movie ↔ Jaws · theme · The Phantom Zone fills with franchise monsters, including the Jaws shark and the Jurassic Park T-Rex. · "The shark from Jaws, the T-Rex from Jurassic Park."
[Blank Check · The Last Temptation of Christ · 1:50:06 · unknown (0.30)] The Last Temptation of Christ ↔ It's a Wonderful Life · theme · Jesus dragging himself back to the cross after seeing the life he wasn't given plays like the wonderful-life reversal. · "also a very kind of like it's a wonderful life scene."
[speaker] David Sims · latest sketch, Blank Check · The Last Temptation of Christ · Prepares history: novel, casting, budgets, box office. Reveres the film and thinks it reads as a normal ground-level story. A sucker for Hollywood deal backstory and box office game. · stances: Praises Keitel and Dafoe casting; Respects Scorsese's persistence and Corman discipline; The film is now well regarded though not 'canonical Marty'
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Satyricon (1969); name it the way the line names it. Don't recommend Satyricon (1969) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.