What the corpus says about Warriors of the Wind

You are a clerk at Video Culture, a video store. A customer just finished Warriors of the Wind and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Warriors of the Wind and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[Blank Check · Nausicaä of the Valley of the Wind · 1:24:25 · David Sims (0.50)] Nausicaä of the Valley of the Wind ⇒ Warriors of the Wind (the host's read) · craft · The 95 minute American cut dropped the environmental themes, renamed Nausicaä as Princess Zandra and turned the Ohmu into plain enemies. · "the film basically turns into an action adventure movie where like the environmentalist themes are kind of gone."
[Blank Check · Nausicaä of the Valley of the Wind · 1:24:41 · Griffin Newman (0.50)] Warriors of the Wind ⇒ Hayao Miyazaki (the host's read) · cause of policy · The butchered US version led Miyazaki to refuse any change to later American releases. · "this was so stupid that, uh, that's sort of, I think, the beginning of Miyazaki being like, I approve any, uh, American version."
[Blank Check · Nausicaä of the Valley of the Wind · 1:24:38 · David Sims (0.50)] Warriors of the Wind · fun · The 95 minute US cut has no listed cast, a heavy metal style poster where Nausicaä is the smallest figure, and renames her Princess Zandra. · "is called Princess Zandra, which is hilarious."
[Blank Check · Nausicaä of the Valley of the Wind · 1:11:15 · Griffin Newman (0.50)] Hideaki Anno ↔ Nausicaä of the Valley of the Wind · lineage · The Neon Genesis Evangelion creator started on this film, animating the God Warrior waking. · "one of the big guys from Neon Jellous, Neon Genesis Evangelian. Right, starts on this, right?"
[Blank Check · Nausicaä of the Valley of the Wind · 0:38:03 · Griffin Newman (0.50)] Nausicaä of the Valley of the Wind ↔ Starship Troopers · theme · Early in the film it reads as Miyazaki's people-versus-bugs movie, but its ending flips the Starship Troopers propaganda by having the heroine empathize with the bugs. · "Like this is his people versus Bugs movie."
[Blank Check · Nausicaä of the Valley of the Wind · 0:40:20 · Lulu Wang (0.85)] Nausicaä of the Valley of the Wind ↔ The Farewell · theme · Lulu Wang felt the same make-it-now pressure on her second film as Miyazaki did on his second film. · "I felt that way about the farewell, which is my 2nd film as well."
[Blank Check · Nausicaä of the Valley of the Wind · 1:28:42 · David Sims (0.50)] Nausicaä of the Valley of the Wind ↔ Dune · theme · Blasted world with creatures the people cannot understand, and Nausicaä as a feminine Fremen-like figure who learns to coexist with the land, versus industrial nations running roughshod. · "Nausicaa is sort of like the feminine, you know, like the feminine Dunehurst sort of like they can work the land."
[Blank Check · Nausicaä of the Valley of the Wind · 1:33:15 · David Sims (0.50)] Nausicaä of the Valley of the Wind ↔ Dune · theme · The promise that you can grow plants in a place everyone says you cannot is central to Dune and to Nausicaä's ending. · "And everyone's like, you can't grow anything on Dune."
[Blank Check · Nausicaä of the Valley of the Wind · 1:33:25 · Griffin Newman (0.50)] Nausicaä of the Valley of the Wind ↔ WALL-E · theme · Both end on the image of a single green sprout as proof that things can grow again. · "This ends with the very Wally image, which is like the last frame in the end credits is the one... little sprout, the one little leak."
[Blank Check · Nausicaä of the Valley of the Wind · 1:10:59 · David Sims (0.50)] Nausicaä of the Valley of the Wind ↔ Castle in the Sky · craft · Joe Hisashi's first Miyazaki score is described as like his Castle in the Sky score: electronic and pulsating. · "That's sort of, and it's much like his castle in the Sky Score."
[Blank Check · Nausicaä of the Valley of the Wind · 1:28:54 · David Sims (0.40)] Nausicaä of the Valley of the Wind ↔ Mad Max · craft · The apocalypse-world energy of the film is likened to Mad Max and to Mortal Engines. · "Let's get some energy vibes."
[speaker] David Sims · latest sketch, Blank Check · The Last Temptation of Christ · Prepares history: novel, casting, budgets, box office. Reveres the film and thinks it reads as a normal ground-level story. A sucker for Hollywood deal backstory and box office game. · stances: Praises Keitel and Dafoe casting; Respects Scorsese's persistence and Corman discipline; The film is now well regarded though not 'canonical Marty'
[speaker] Griffin Newman · latest sketch, Blank Check · The Last Temptation of Christ · Calls Last Temptation his college-era favorite Scorsese; loves Scorsese's smaller 80s and the film's closing transcendence and Gabriel score. Cannot stand fundamentalist outrage at it. A sucker for casting trivia and Tom Cruise-silliness. · stances: Hot take: Last Temptation structurally mirrors New York, New York as a better version; Outrage over the film is stupid; it is respectful to Jesus; Scorsese's smaller 80s work beats his later baroque phases
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Warriors of the Wind; name it the way the line names it. Don't recommend Warriors of the Wind itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.