What the corpus says about Julie & Julia (2009)

You are a clerk at Video Culture, a video store. A customer just finished Julie & Julia (2009) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Julie & Julia (2009) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[Blank Check — Patreon · You've Got Mail · 0:03:50 · Griffin Newman (0.60)] You've Got Mail ↔ Julie & Julia · theme · Ephron's last film is her overt food movie, though food runs through all her films. · "And obviously her last movie is her like overt food movie."
[Blank Check — Patreon · You've Got Mail · 0:43:52 · unknown (0.00)] Julie & Julia ↔ Nora Ephron · theme · Ephron grasped early how blogs worked and translated a personal weblog into narrative. · "I mean, even just making Julie and Julia into a movie from start to finish, like how cool blogs were and how important they were and how to translate the idea of a personal weblog into narrative or whatever."
[The Rewatchables · ‘Working Girl’ · 2:11:42 · unknown (0.40)] Working Girl ↔ You've Got Mail · lineage · You've Got Mail is a remake of an old story, showing remakes can work. · "that's a story that had already been made like 3 other times before it was made for the AOL era."
[Blank Check — Patreon · You've Got Mail · 0:30:40 · unknown (0.00)] When Harry Met Sally ⇒ You've Got Mail (the host's read) · lineage · The party scene where someone says they read the writer's piece is lifted from When Harry Met Sally. · "Which is also, which is a scene that's ultimately like lifted from when Harry met Sally."
[Blank Check — Patreon · You've Got Mail · 0:36:33 · Griffin Newman (0.60)] The Shop Around the Corner ⇒ You've Got Mail (the host's read) · lineage · Warner Brothers inherited the Turner library and the producer picked The Shop Around the Corner to remake. · "Lauren Schuler Donner looks at the library and goes, huh, shop around the corner."
[Blank Check — Patreon · You've Got Mail · 0:38:09 · Griffin Newman (0.50)] She Loves Me (stage musical) ⇒ You've Got Mail (the host's read) · lineage · Griffin lists the earlier versions the story had been through, including the musical. · "She loves me shop around the corner and in the summertime."
[Blank Check — Patreon · You've Got Mail · 0:38:59 · Griffin Newman (0.60)] Ninotchka ⇒ You've Got Mail (the host's read) · lineage · Ephron borrowed the idea of rivals who are two sides of one coin from a Lubitsch picture. · "I mean she's pulling from like a different Lubich movie, which is here are 2 people who are opposite sides of the coin, don't realize they get along that way."
[Blank Check — Patreon · Hanging Up · 0:14:03 · David Sims (0.40)] Hanging Up ↔ You've Got Mail · lineage · Hanging Up is the phone/cell-phone sibling of the Ephron sisters' earlier email movie. · "isn't it funny that there's a Nora Efron project to, like, in the infancy of email that's like an email movie?"
[Blank Check — Patreon · You've Got Mail · 0:04:07 · unknown (0.00)] You've Got Mail ↔ Sleepless in Seattle · theme · Another memorable Ephron food moment: the apple in Sleepless in Seattle. · "The Apple and sleepless in Seattle."
[Blank Check — Patreon · You've Got Mail · 0:04:09 · Griffin Newman (0.60)] You've Got Mail ↔ When Harry Met Sally · theme · Food scenes recur across Ephron's films: Katz's deli, the garnish here, the pie in Heartburn. · "And even obviously, like Cats's deli in... When Harry Met Sally and the Garnish here, like, and the pie in heartburn."
[speaker] Griffin Newman · latest sketch, Blank Check · The Last Temptation of Christ · Calls Last Temptation his college-era favorite Scorsese; loves Scorsese's smaller 80s and the film's closing transcendence and Gabriel score. Cannot stand fundamentalist outrage at it. A sucker for casting trivia and Tom Cruise-silliness. · stances: Hot take: Last Temptation structurally mirrors New York, New York as a better version; Outrage over the film is stupid; it is respectful to Jesus; Scorsese's smaller 80s work beats his later baroque phases
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Julie & Julia (2009); name it the way the line names it. Don't recommend Julie & Julia (2009) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.