What the corpus says about Godzilla: King of the Monsters (2019)

You are a clerk at Video Culture, a video store. A customer just finished Godzilla: King of the Monsters (2019) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Godzilla: King of the Monsters (2019) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · The Future of ‘Star Wars,’ Marvel, Pixar, and Disney’s Movie Monopoly. Plus: Our Summer Movie Awards and Paul Downs Colaizzo on ‘Brittany Runs a Marathon’ | The Big Picture · 0:45:52 · Sean Fennessey (0.60)] Godzilla: King of the Monsters ↔ Godzilla vs. Kong · industry · Another Godzilla movie is already planned, directed by Adam Wingard, which makes the big-studio release odd. · "it's Godzilla versus King Kong, which is, I think, coming next summer by Adam Wingard."
[The Big Picture · The Future of ‘Star Wars,’ Marvel, Pixar, and Disney’s Movie Monopoly. Plus: Our Summer Movie Awards and Paul Downs Colaizzo on ‘Brittany Runs a Marathon’ | The Big Picture · 0:46:01 · Sean Fennessey (0.50)] Godzilla: King of the Monsters ↔ Kong: Skull Island · industry · The previous two films in the series did well, yet audiences passed on this one. · "The previous 2 films in the series did really well. King Kong, Skull Island, and Godzilla, and people were like, eh, I'm good."
[The Big Picture · Our Alternative Academy Awards | The Oscars Show · 0:52:11 · Wesley Morris (0.40)] The Lighthouse ↔ Godzilla: King of the Monsters · trailer vs movie · Sean says watch the Godzilla trailer three times rather than the movie, and Lighthouse over any of it. · "This is a very good trailer for a very bad movie."
[The Big Picture · The Future of ‘Star Wars,’ Marvel, Pixar, and Disney’s Movie Monopoly. Plus: Our Summer Movie Awards and Paul Downs Colaizzo on ‘Brittany Runs a Marathon’ | The Big Picture · 0:44:57 · Chris Ryan (0.40)] Godzilla: King of the Monsters · fun · A host was the King of the Monsters meme lord for two months and still never saw it; nobody they know did either. · "I was like the KOM meme lord for like 2 months."
[The Big Picture · ‘Ghostbusters: Afterlife,’ ‘Tick, Tick ... Boom!,' and Our Top Five Feel-Good Movies · 0:14:17 · Sean Fennessey (0.70)] Ghostbusters: Afterlife ↔ Godzilla vs. Kong · theme · Podcasters are becoming storytelling vectors, as in a character named Podcast. · "There is a character named podcast in a movie."
[Blank Check — Patreon · The Fifth Annual Blank Check Awards · 1:31:10 · Ben Hosley (0.45)] The Lighthouse ↔ Dark Waters · theme · Golden Mops (Ben's movies-that-made-him-cry/wet): traditional pick is The Lighthouse, 'drenched in farts'; Dark Waters a dark horse. · "Dark water should also be a dark horse pick."
[The Big Picture · The Snubs and Surprises of the 92nd Academy Award Nominations | The Oscars Show · 0:24:54 · Amanda Dobbins (0.40)] Jarin Blaschke ↔ The Lighthouse · craft · A24's lone nomination went to the Lighthouse cinematography, which a host puts down to voters liking showy black and white. · "Because cinema, you know, people like showy black and white. It's real, like more is more."
[The Big Picture · The Snubs and Surprises of the 92nd Academy Award Nominations | The Oscars Show · 0:25:09 · Sean Fennessey (0.45)] The Lighthouse ↔ Ford v Ferrari · craft · A24's lone nomination went to the Lighthouse cinematography while Ford v Ferrari missed. · "for Ford versus Ferrari to not be recognized in that category and for A24 is one nomination to be in one of the strangest movies of the year"
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
[speaker] Wesley Morris · latest sketch, The Rewatchables · ‘My Cousin Vinny’ · Loves Marisa Tomei, the grits scene, and the clothes; is a sucker for Fran Drescher. Dislikes car-driving-away endings and thinks the film has done harm by encouraging self-representation. · stances: Tomei deserved the Oscar; Race in courtroom movies matters, and this one is warmly integrated; The Nanny is basically Mona Lisa Vito
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Godzilla: King of the Monsters (2019); name it the way the line names it. Don't recommend Godzilla: King of the Monsters (2019) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.