What the corpus says about James and the Giant Peach (1996)

You are a clerk at Video Culture, a video store. A customer just finished James and the Giant Peach (1996) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about James and the Giant Peach (1996) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[Blank Check · Wendell & Wild · 2:11:42 · Griffin Newman (0.50)] James and the Giant Peach ↔ Wendell and Wild · verdict · Peach is ranked third over Wendell & Wild because it is more straightforward and rewatchable. · "Peaches third."
[Blank Check — Patreon · The Nightmare Before Christmas · 1:40:45 · Michael Rianda (0.50)] The Nightmare Before Christmas ⇒ James and the Giant Peach (the host's read) · industry · The film's long tail made Disney try stop motion again, back to back with Peach, before Laika and others. · "James and the Giant Peach is almost made like right back to back with this movie"
[Blank Check · Wendell & Wild · 1:09:37 · unclear (Griffin Newman or David Sims) (0.40)] Lane Smith ⇒ James and the Giant Peach (the host's read) · lineage · Selick brought Lane Smith's artwork to life as the look of James and the Giant Peach. · "James and the Giant Peachy got Lane Smith."
[Blank Check · The Lost World: Jurassic Park · 0:58:08 · unknown (0.30)] Pete Postlethwaite ↔ James and the Giant Peach · childhood memory · A host remembers him as the man who gives James the bag of magic worms and narrates the film. · "He's the guy who gives James, the bag of magic worms, and James and the giant P."
[Blank Check — Patreon · The Nightmare Before Christmas · 1:45:36 · Michael Rianda (0.60)] The Nightmare Before Christmas ↔ The Haunted Mansion (Disney ride) · programming · The film's iconography now powers a seasonal Haunted Mansion overlay. · "the haunted mansion ride is like so amazing."
[Blank Check · Wendell & Wild · 0:53:45 · Griffin Newman (0.50)] Jordan Peele ⇒ Wendell and Wild (the maker said so: Selick's account of seeing Key and Peele) · lineage · Selick saw Key and Peele on Comedy Central and realized they were Wendell and Wild. · "then it hit me, Wendell and Wild."
[Blank Check · Wendell & Wild · 1:32:50 · David Sims (0.50)] Wendell and Wild ↔ The Nightmare Before Christmas · theme · Nightmare has one major objective everyone is on; Wendell & Wild is just so much plot. · "Night before Christmas has like one major objective that everyone's right on."
[Blank Check · Wendell & Wild · 1:09:45 · Griffin Newman (0.50)] Pablo Lobato ⇒ Wendell and Wild (the host's read) · lineage · Selick picked a flat, cutout caricature style that should not be adaptable to 3D and asked the team to build it. · "Wendolyn Wilde, Argentinian artist, Pablo Lobato, is the big inspiration for the look of a lot of these guys."
[Blank Check — Patreon · The Nightmare Before Christmas · 0:03:55 · Griffin Newman (0.55)] The Nightmare Before Christmas ↔ The Wizard of Oz · theme · The film's cult growth into mainstream pop culture is compared to Oz. · "in that sort of Wizard of Oz conversation of like movies that came out, did okay at the time and are now just like so deeply woven into the tapestry of pop culture"
[Blank Check · Wendell & Wild · 1:32:50 · David Sims (0.50)] Wendell and Wild ↔ The Nightmare Before Christmas · theme · Nightmare has one major objective everyone is on; Wendell & Wild is just so much plot. · "Night before Christmas has like one major objective that everyone's right on."
[Blank Check — Patreon · The Nightmare Before Christmas · 0:52:14 · Griffin Newman (0.50)] The Nightmare Before Christmas ↔ Henry Selick · theme · Jack's arc is read as the animators themselves trying to make commercial art. · "how much Jack is an analog for these guys trying to figure out how to make commercial art"
[Blank Check · Wendell & Wild · 1:16:53 · David Sims (0.50)] Wendell and Wild ↔ Beetlejuice · craft · Wendell and Wild are Beetlejuice-like in that the story is really about the human teen (Lydia/Kat) and they are the colorful characters. · "They're Beetlejuicy in the movie in that it's like, well, it's really about Lydia."
[Blank Check — Patreon · The Nightmare Before Christmas · 1:41:48 · Griffin Newman (0.50)] The Nightmare Before Christmas ↔ Toy Story · theme · The first breakthrough film in each form of animation becomes the template: CGI follows Toy Story, stop motion stays creepy. · "And then the CGI becomes so defined by Toy Story."
[Blank Check · Wendell & Wild · 1:28:33 · David Sims (0.40)] Wendell and Wild ↔ Coraline · craft · The kindness shown to Kat, with quiet sadness, is likened to the boredom sequences in Coraline. · "it's it's similar to the sort of the boredom sequences and core line where, uh, Everyone's kind to cat."
[Blank Check — Patreon · The Nightmare Before Christmas · 1:57:52 · Griffin Newman (0.50)] The Nightmare Before Christmas ↔ The King of Comedy · theme · Jack and Santa Claus are read as Rupert Pupkin and Jerry Langford (transcribed Pumpkin/Lanford). · "the relationship between Jack and Santa Claus, excuse me, is just Rupert Pumpkin and Jerry Lanford."
[Blank Check · Wendell & Wild · 1:52:28 · Griffin Newman (0.50)] Wendell and Wild ↔ Avatar · craft · Big sci-fi blockbusters like Inception and Avatar earn their virtuoso final acts with an hour of clumsy exposition; Wendell & Wild operates the same way. · "And they're things like Inception or Avatar, where you're like, you know what?"
[Blank Check — Patreon · The Nightmare Before Christmas · 0:31:42 · David Sims (0.40)] Danny Elfman ↔ The Nightmare Before Christmas · craft · Elfman wrote songs off Burton's story beats with no script, and the script came after. · "Burton is basically describing the story beats, and Elfman is writing songs off of the story beats"
[Blank Check · Wendell & Wild · 1:53:13 · Griffin Newman (0.50)] Wendell and Wild ↔ Inception · craft · The whole movie spends its running time on clumsy rules-exposition so the final act can pay off, like Inception. · "the whole movie is Inception style explaining to you, well, this is a kick, and this is a totem"
[Blank Check — Patreon · The Nightmare Before Christmas · 0:49:28 · Griffin Newman (0.40)] Joe Ranft ↔ The Nightmare Before Christmas · craft · Ranft is counted among the five people credited with shaping the film's story. · "Thompson, Joe Ramped, Elfman, Selleck, Burton, all can be given a fair amount of credit for the shaping of this film."
[Blank Check · Wendell & Wild · 2:12:32 · Griffin Newman (0.60)] Wendell and Wild ↔ Glass Onion: A Knives Out Mystery · craft · Griffin hoped a second viewing would work like Glass Onion, with setup gaining meaning, but it did not. · "I was curious if watching it a 2nd time, it would have like a glass onion effect"
[speaker] Griffin Newman · latest sketch, Blank Check · The Last Temptation of Christ · Calls Last Temptation his college-era favorite Scorsese; loves Scorsese's smaller 80s and the film's closing transcendence and Gabriel score. Cannot stand fundamentalist outrage at it. A sucker for casting trivia and Tom Cruise-silliness. · stances: Hot take: Last Temptation structurally mirrors New York, New York as a better version; Outrage over the film is stupid; it is respectful to Jesus; Scorsese's smaller 80s work beats his later baroque phases
[speaker] Michael Rianda · latest sketch, Blank Check — Patreon · The Nightmare Before Christmas · Loves hand-made animation with visible thumbprints, Ren and Stimpy, The Simpsons, experimental animators and Pixar's manifesto culture. Can't stand CG-printed stop-motion faces and celebrity casting. A sucker for the Willy-Wonka feel of a stop-motion set. · stances: Animators are inwardly little artists chafing at studios; Treat a movie like a jailbreak; Celebrity casting doesn't matter; Hand-made imperfections make stop motion magic
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with James and the Giant Peach (1996); name it the way the line names it. Don't recommend James and the Giant Peach (1996) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.