What the corpus says about Field of Dreams (1989)

The 19 lines php artisan corpus:ask hands a model, in the order it gets them, and nothing else. The model writes a clerk's answer from these and only these.

What was said about it (6)

  1. [The Rewatchables · ‘The Natural’ · 0:10:12 · Bill Simmons (0.50)] The Natural ↔ Field of Dreams · lineage · The Natural's ending, a catch with your son, echoes the wheat-field catch in Field of Dreams. · "And the concept of when I have a son someday will have a catch and then we'll be playing in the backyard."
  2. [The Rewatchables · ‘The Natural’ · 0:05:41 · Bill Simmons (0.70)] The Natural ↔ Field of Dreams · theme · Both belong to the pre-steroids era when fans believed in baseball heroes, fathers and sons. · "they belong to this era of baseball that was basically ruined by steroids"
  3. [The Rewatchables · ‘The Natural’ · 0:10:09 · Bill Simmons (0.60)] The Natural ↔ Field of Dreams · theme · The movie's father-and-son angle is the easy baseball move that Field of Dreams is also about. · "That's basically what field of dreams is about to."
  4. [The Rewatchables · ‘The Natural’ · 0:57:08 · Bill Simmons (0.60)] The Natural ↔ Field of Dreams · craft · Roy Hobbs's son and the Field of Dreams catcher are the worst throwing motions; the speaker names Tim Robbins's Bull Durham motion as worse-but-excused. · "I just can't excuse the Field of Dreams catcher."
  5. [The Rewatchables · ‘The Natural’ · 0:10:47 · Bill Simmons (0.60)] The Natural ↔ Field of Dreams · what-if · A 2015 remake would stay faithful to the dark book, since we now expect the worst of baseball heroes. · "if we made this movie in like 2015, I actually think they would have stayed faithful to the book"
  6. [The Big Picture · The 10 Most Misused Stars in Hollywood and the Gnarly Magic of ‘Send Help’ · 0:13:30 · Amanda Dobbins (0.50)] Field of Dreams ↔ Amy Madigan · industry · Madigan's Field of Dreams may not carry weight with British BAFTA voters. · "does field of dreams matter to British people?"

Films put beside it more than once (1)

  1. [pairs] Field of Dreams ↔ The Natural · said 5 times in 1 episode

One hop out: what recommends the films most often joined to it (8)

  1. [The Rewatchables · ‘The Natural’ · 1:46:33 · Bill Simmons (0.90)] The Natural ↔ Major League · programming · Major League and Field of Dreams are the next two Rewatchables. · "we're going to be doing Major League and Field of Dreams over the next couple weeks."
  2. [The Rewatchables · ‘The Natural’ · 1:46:38 · Bill Simmons (0.60)] The Natural ↔ Bull Durham · programming · Bull Durham is being saved for a magical time (heard as Boulder). · "Boulder, we're saving for when it's a really magical time."
  3. [The Rewatchables · ‘The Natural’ · 0:13:28 · Bill Simmons (0.70)] Bernard Malamud ⇒ The Natural (the host's read) · lineage · The film is adapted from his 1952 novel, but its ending is very different. · "Written in 1952 by Bernard Malamud."
  4. [The Rewatchables · ‘The Natural’ · 0:13:33 · Bill Simmons (0.60)] Eddie Waitkus ⇒ The Natural (the host's read) · lineage · The novel borrowed from the 1949 shooting of Eddie Waitkus of the Phillies. · "Borrowed from this bizarre shooting of Eddie Waitkiss in 1949 in the Phillies"
  5. [The Rewatchables · ‘The Natural’ · 0:14:00 · Bill Simmons (0.60)] Shoeless Joe Jackson ⇒ The Natural (the host's read) · lineage · The book's ending, with a boy saying it ain't true, Roy, is a clear Shoeless Joe Jackson rip-off. · "which is a clear shoeless Joe Jackson, rip off thing."
  6. [The Rewatchables · ‘The Natural’ · 0:14:21 · Bill Simmons (0.70)] The Odyssey (Homer) ⇒ The Natural (the host's read) · lineage · The movie maps onto Homer: Roy is Odysseus, Harriet and Memo play siren/Calypso figures, Iris is Penelope. · "So basically it's Roy Hobbs is Odysseus."
  7. [The Rewatchables · ‘The Natural’ · 0:16:36 · Mallory Rubin (0.80)] The Natural ↔ Arthurian legend · lineage · Roy is king, Wonderboy is Excalibur; the Fisher King, Percival and the Grail also fit. · "Wonder Boy is Excalibur."
  8. [The Rewatchables · ‘The Natural’ · 0:25:37 · Bill Simmons (0.70)] The Natural ↔ Major League · lineage · The 80s baseball movies (The Natural, Field of Dreams, Major League) follow the old-school rags-to-riches arc, Rocky as a baseball team. · "the natural field of dreams, major league with the old school kind of start to finish, rags to riches, rocky as a baseball team"

Who said it, by their latest sketch (2)

  1. [speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
  2. [speaker] Amanda Dobbins · latest sketch, The Big Picture · ‘Mamma Mia!’ Meets ‘The Strangers'! It’s a Movie Swap! · Loves The Strangers' withholding craft and a good tense horror film without gore, but likes fun, communal movies like Mamma Mia. She dislikes supernatural or gory horror, which irritates her more than it scares her. She is a sucker for stars and for Googling a movie mid-recording. · stances: The Strangers is scary because of what it doesn't show or explain; Ending explanation weakens it; no answer would be better; Prefers 'withholding' filmmaking; Defends Mamma Mia as joyful and intentional

The shows' running bits (2)

  1. [bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
  2. [bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

The whole prompt

As the model gets it, from app/Ai/Prompts/CorpusAsk.md
You are a clerk at Video Culture, a video store. A customer just finished Field of Dreams (1989) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Field of Dreams (1989) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Rewatchables · ‘The Natural’ · 0:10:12 · Bill Simmons (0.50)] The Natural ↔ Field of Dreams · lineage · The Natural's ending, a catch with your son, echoes the wheat-field catch in Field of Dreams. · "And the concept of when I have a son someday will have a catch and then we'll be playing in the backyard."
[The Rewatchables · ‘The Natural’ · 0:05:41 · Bill Simmons (0.70)] The Natural ↔ Field of Dreams · theme · Both belong to the pre-steroids era when fans believed in baseball heroes, fathers and sons. · "they belong to this era of baseball that was basically ruined by steroids"
[The Rewatchables · ‘The Natural’ · 0:10:09 · Bill Simmons (0.60)] The Natural ↔ Field of Dreams · theme · The movie's father-and-son angle is the easy baseball move that Field of Dreams is also about. · "That's basically what field of dreams is about to."
[The Rewatchables · ‘The Natural’ · 0:57:08 · Bill Simmons (0.60)] The Natural ↔ Field of Dreams · craft · Roy Hobbs's son and the Field of Dreams catcher are the worst throwing motions; the speaker names Tim Robbins's Bull Durham motion as worse-but-excused. · "I just can't excuse the Field of Dreams catcher."
[The Rewatchables · ‘The Natural’ · 0:10:47 · Bill Simmons (0.60)] The Natural ↔ Field of Dreams · what-if · A 2015 remake would stay faithful to the dark book, since we now expect the worst of baseball heroes. · "if we made this movie in like 2015, I actually think they would have stayed faithful to the book"
[The Big Picture · The 10 Most Misused Stars in Hollywood and the Gnarly Magic of ‘Send Help’ · 0:13:30 · Amanda Dobbins (0.50)] Field of Dreams ↔ Amy Madigan · industry · Madigan's Field of Dreams may not carry weight with British BAFTA voters. · "does field of dreams matter to British people?"
[pairs] Field of Dreams ↔ The Natural · said 5 times in 1 episode
[The Rewatchables · ‘The Natural’ · 1:46:33 · Bill Simmons (0.90)] The Natural ↔ Major League · programming · Major League and Field of Dreams are the next two Rewatchables. · "we're going to be doing Major League and Field of Dreams over the next couple weeks."
[The Rewatchables · ‘The Natural’ · 1:46:38 · Bill Simmons (0.60)] The Natural ↔ Bull Durham · programming · Bull Durham is being saved for a magical time (heard as Boulder). · "Boulder, we're saving for when it's a really magical time."
[The Rewatchables · ‘The Natural’ · 0:13:28 · Bill Simmons (0.70)] Bernard Malamud ⇒ The Natural (the host's read) · lineage · The film is adapted from his 1952 novel, but its ending is very different. · "Written in 1952 by Bernard Malamud."
[The Rewatchables · ‘The Natural’ · 0:13:33 · Bill Simmons (0.60)] Eddie Waitkus ⇒ The Natural (the host's read) · lineage · The novel borrowed from the 1949 shooting of Eddie Waitkus of the Phillies. · "Borrowed from this bizarre shooting of Eddie Waitkiss in 1949 in the Phillies"
[The Rewatchables · ‘The Natural’ · 0:14:00 · Bill Simmons (0.60)] Shoeless Joe Jackson ⇒ The Natural (the host's read) · lineage · The book's ending, with a boy saying it ain't true, Roy, is a clear Shoeless Joe Jackson rip-off. · "which is a clear shoeless Joe Jackson, rip off thing."
[The Rewatchables · ‘The Natural’ · 0:14:21 · Bill Simmons (0.70)] The Odyssey (Homer) ⇒ The Natural (the host's read) · lineage · The movie maps onto Homer: Roy is Odysseus, Harriet and Memo play siren/Calypso figures, Iris is Penelope. · "So basically it's Roy Hobbs is Odysseus."
[The Rewatchables · ‘The Natural’ · 0:16:36 · Mallory Rubin (0.80)] The Natural ↔ Arthurian legend · lineage · Roy is king, Wonderboy is Excalibur; the Fisher King, Percival and the Grail also fit. · "Wonder Boy is Excalibur."
[The Rewatchables · ‘The Natural’ · 0:25:37 · Bill Simmons (0.70)] The Natural ↔ Major League · lineage · The 80s baseball movies (The Natural, Field of Dreams, Major League) follow the old-school rags-to-riches arc, Rocky as a baseball team. · "the natural field of dreams, major league with the old school kind of start to finish, rags to riches, rocky as a baseball team"
[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[speaker] Amanda Dobbins · latest sketch, The Big Picture · ‘Mamma Mia!’ Meets ‘The Strangers'! It’s a Movie Swap! · Loves The Strangers' withholding craft and a good tense horror film without gore, but likes fun, communal movies like Mamma Mia. She dislikes supernatural or gory horror, which irritates her more than it scares her. She is a sucker for stars and for Googling a movie mid-recording. · stances: The Strangers is scary because of what it doesn't show or explain; Ending explanation weakens it; no answer would be better; Prefers 'withholding' filmmaking; Defends Mamma Mia as joyful and intentional
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Field of Dreams (1989); name it the way the line names it. Don't recommend Field of Dreams (1989) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.