What the corpus says about The Godfather Part III (1990)

You are a clerk at Video Culture, a video store. A customer just finished The Godfather Part III (1990) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about The Godfather Part III (1990) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · The 1990 Movie Draft · 1:19:48 · Chris Ryan (0.85)] The Exorcist III ↔ The Godfather Part III · verdict · Chris likes Godfather Part III but Exorcist III is one of the great horror movies. · "I do like Godfather part three, but Exorcist 3 is one of the great horror movies I think ever made, honestly."
[The Big Picture · The 1990 Movie Draft · 1:12:32 · Sean Fennessey (0.85)] Gremlins 2: The New Batch ↔ The Godfather Part III · industry · Five 1990 sequels of New Hollywood films left Sean passing on those for the sequel slot. · "Not four, but 5 sequels to legendary iconic Hollywood, new Hollywood films."
[The Rewatchables · ‘Internal Affairs’ · 0:10:39 · Chris Ryan (0.40)] Andy Garcia ↔ The Godfather Part III · career · 1990 is also Garcia's year, with Godfather III getting him a supporting actor nomination. · "Because we have this and we have Godfather 3, which gets nominated for supporting actors."
[The Rewatchables · ‘Reality Bites’ 25th Anniversary · 0:06:05 · Bill Simmons (0.60)] Winona Ryder ↔ The Godfather Part III · career · Ryder's run of odd choices included falling out of Godfather 3, leading to the Sofia Coppola casting. · "And then from that point, she falls out of Godfather 3."
[Blank Check — Patreon · Return of the Podcast · 0:30:39 · unknown (0.00)] George Lucas ↔ The Godfather Part III · what-if · Speaker jokes that if people can fix Star Wars, someone should fix Godfather III, then Casablanca. · "Godfather 3 is bad."
[The Big Picture · The 1990 Movie Draft · 1:12:59 · Sean Fennessey (0.85)] Sean Fennessey ↔ Gremlins 2: The New Batch · programming · Pick 16 (round 6), category sequel: Passes on five sequels to New Hollywood classics for Joe Dante's satire. · "I taking gremlins to the new batch."
[The Big Picture · The 1990 Movie Draft · 1:19:46 · Chris Ryan (0.85)] Chris Ryan ↔ The Exorcist III · programming · Pick 18 (round 6), category sequel: Among the great horror movies; Blatty directing. · "Well, I'm going to be selecting Exorcist 3."
[The Big Picture · The 1990 Movie Draft · 1:14:48 · Sean Fennessey (0.85)] Gremlins 2: The New Batch ↔ Jordan Peele · programming · A Key and Peele sketch about Gremlins 2 shows why Peele is who he is. · "There's a legendary Key and Peel sketch about gremlins, too"
[The Big Picture · The 1990 Movie Draft · 1:20:00 · Chris Ryan (0.85)] The Exorcist ⇒ The Exorcist III (the host's read) · lineage · Blatty directed Exorcist III after the horror show of Exorcist II. · "after the horror show that happened with Exorcist II, directed Exorcist 3"
[The Big Picture · The 1990 Movie Draft · 1:13:51 · Sean Fennessey (0.85)] Gremlins 2: The New Batch ↔ Donald Trump · theme · The sequel is set in a Trump Tower-like skyscraper. · "the 2nd film is set basically in Trump Tower"
[The Big Picture · ‘Gladiator II’ Is Here. Are We Not Entertained? · 1:25:38 · Chris Ryan (0.70)] The Exorcist ⇒ The Exorcist III (the host's read) · lineage · Blatty returned to the world of The Exorcist thirteen years after the second film, with the original's evil. · "William Peter Blatties, you know, returned to the World of the Exorcist with a lot of the original kind of evil of the 1st one."
[The Big Picture · The 1990 Movie Draft · 1:20:35 · Chris Ryan (0.85)] The Exorcist III ↔ Wild at Heart · craft · Exorcist III has scenes about 8 percent stranger than usual Hollywood horror, like Wild at Heart. · "There are some scenes and some ways of doing things in this movie that are like 8% stranger, than your usual Hollywood horror movie"
[speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with The Godfather Part III (1990); name it the way the line names it. Don't recommend The Godfather Part III (1990) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.