What the corpus says about Speed (1994)

What was said about it (9)

1. [The Rewatchables · ‘Twister’ · 1:46:54 · Bill Simmons (0.40)] Twister ↔ Speed · programming · Best double feature for Twister is the Jan de Bont pair with Speed. · "It's gotta be speed, right?"
2. [The Rewatchables · ‘Species’ · 1:15:50 · Bill Simmons (0.30)] Species ↔ Speed · craft · The mid-90s BMW convertible in Species reminds them of the car in Speed. · "What is homie driving in speed?"
3. [The Rewatchables · ‘A Bronx Tale’ · 1:27:18 · Bill Simmons (0.40)] A Bronx Tale ↔ Speed · verdict · Best movie bus drivers: this or Speed. · "It's just it's this or Annie and Speed."
4. [The Rewatchables · ‘Tombstone’ · 0:54:13 · Bill Simmons (0.40)] Speed ⇒ Twister (the host's read) · industry · Hollywood shifted after Speed; Twister marketed Paxton and others as future stars. · "The one that changed it was speed."
5. [The Rewatchables · ‘Species’ · 0:52:23 · Chris Ryan (0.40)] Andrzej Bartkowiak ↔ Speed · career · The same cinematographer shot Speed, a moment when great DPs took jobs like Species. · "He shot speed and it was just like that moment"
6. [The Rewatchables · ‘Twister’ · 0:26:19 · Chris Ryan (0.50)] Jan de Bont ↔ Speed · career · De Bont went from cinematographer on Die Hard to director of Speed, then Twister. · "director of speed."
7. [The Rewatchables · ‘Twister’ · 0:57:52 · Chris Ryan (0.30)] Alan Ruck ↔ Speed · career · Alan Ruck gives a movie a decade: Ferris, Speed, Twister, Spin City. · "He's giving us something every decade, man."
8. [Blank Check — Patreon · Alien: Resurrection · 0:25:54 · David Sims (0.60)] Joss Whedon ↔ Speed · career · Whedon did a substantial rewrite on Speed, which explains its fizzy dialogue. · "By all accounts, he did a pretty substantial rewrite."
9. [The Rewatchables · ‘Ferris Bueller’s Day Off’ · 0:15:03 · Sean Fennessey (0.40)] Alan Ruck ↔ Speed · people · Spotting Cameron on the bus in Speed was disorienting. · "I was like, what the hell is camera doing on this bus?"

Films put beside it more than once (1)

1. [pairs] Speed ↔ Twister · said 2 times in 2 episodes

One hop out: what recommends the films most often joined to it (24)

1. [The Rewatchables · ‘Twister’ · 0:08:25 · Bill Simmons (0.80)] Twister ↔ Apollo 13 · programming · The 1995 summer slate (Crimson Tide, Die Hard, Braveheart, Batman Forever, Apollo 13) was when Hollywood began slamming mid-May to July 4. · "Batman forever, Apollo 13th all before July 4th."
2. [The Rewatchables · ‘A Bronx Tale’ · 1:42:19 · Chris Ryan (0.60)] A Bronx Tale ↔ This Boy's Life · programming · Ryan's and Simmons' double-feature choice is This Boy's Life, not a fun night in. · "It's not a very pleasant one, but it's boys' life."
3. [The Rewatchables · ‘Species’ · 1:28:23 · Chris Ryan (0.40)] Species ↔ Mimic · programming · Double-feature pick: Mimic, the killer-cockroach movie from a couple of years later. · "I had mimic, the nearest Sorvino movie that came out a couple years later."
4. [The Rewatchables · ‘Twister’ · 0:08:38 · Bill Simmons (0.80)] Twister ↔ Mission: Impossible · programming · 1996 is when the studios locked in the early-May-to-July-4 summer blockbuster calendar: Twister, Mission: Impossible, The Rock, Eraser, Independence Day. · "So then you look at 96, May 10th, Twister."
5. [The Rewatchables · ‘A Bronx Tale’ · 1:42:31 · Sean Fennessey (0.50)] A Bronx Tale ↔ Rocco and His Brothers · programming · A Visconti-style Italian neorealist film is suggested as the other double feature. · "Give me some Visconti."
6. [The Rewatchables · ‘Species’ · 1:28:33 · Craig Horlbeck (0.40)] Species ↔ Amanda and the Alien · programming · Double-feature pick: a 1995 Cinemax-style movie about an alien learning its body and having sex. · "There's a movie called Amanda and the Alien."
7. [The Rewatchables · ‘Twister’ · 0:08:48 · Bill Simmons (0.80)] Twister ↔ Independence Day · programming · Independence Day (July 2) closes out the 1996 summer calendar that began with Twister. · "July 2nd Independence Day."
8. [The Rewatchables · ‘A Bronx Tale’ · 0:23:20 · Chris Ryan (0.60)] A Bronx Tale ⇒ The Sopranos (the host's read) · lineage · Ryan argues A Bronx Tale influenced The Sopranos more than any other movie, with Sonny and Tony Soprano close in how they hold the neighborhood. · "I think Bronx Tale... influenced the Sopranos more than any other movie, but I don't think people think that."
9. [The Rewatchables · ‘Species’ · 1:29:05 · Bill Simmons (0.30)] Species ↔ Under the Skin · programming · Proposed as a double feature, but it is an art film so Van upgrades it. · "Under the skin, as in Scarlett Johansson?"
10. [The Rewatchables · ‘Twister’ · 1:47:09 · Van Lathan (0.40)] Twister ↔ Deep Impact · programming · Deep Impact, same summer, is suggested as a disaster double feature and feels coded to Twister. · "Oh, no, this movie is deep impact coded to me."
11. [The Rewatchables · ‘A Bronx Tale’ · 1:32:47 · Sean Fennessey (0.70)] A Bronx Tale ↔ Goodfellas · lineage · Fennessey wonders whether the needle drops and the Pesci cameo are purposeful homage or accident. · "I just want to know how much of what he was doing was a purposeful homage to Goodfellas"
12. [The Rewatchables · ‘Species’ · 1:06:59 · Chris Ryan (0.40)] Species ↔ The X-Files · lineage · Madsen and Helgenberger could be Mulder and Scully in a Species TV series. · "you could talk me into Madson and Helgenberger being like Mulder and Scully"
13. [The Rewatchables · ‘Twister’ · 0:05:47 · Chris Ryan (0.50)] Twister ↔ Jurassic Park · lineage · Twister is aesthetically closer to Jurassic Park than to superhero movies, prizing intelligence over strength and wonder over fixing things. · "I think it's more aesthetically closer to like Jurassic Park."
14. [The Rewatchables · ‘A Bronx Tale’ · 0:02:23 · Bill Simmons (0.80)] A Bronx Tale ↔ Boyz n the Hood · theme · Both appear on Simmons' list of eight father-son movies. · "Bronx Tale, Kramer versus Kramer. He got game, Field of Dreams, Catch me if you can, the Godfather, Lion King, and Boys in the Hood."
15. [The Rewatchables · ‘Species’ · 1:12:56 · Bill Simmons (0.30)] Alien ⇒ Species (the maker said so) · lineage · Giger thought Species ripped off too many other alien movies, such as the chest-burster. · "He thought the movie ripped off too many other alien movies"
16. [The Rewatchables · ‘Twister’ · 0:54:51 · Chris Ryan (0.50)] Jaws ⇒ Twister (the host's read) · lineage · Jonas is the Jaws-mayor archetype, a money-motivated antagonist that became a stock character in every movie. · "The mayor in Jaws is the character that kind of pushes against our lead person."
17. [The Rewatchables · ‘A Bronx Tale’ · 0:02:37 · Chris Ryan (0.40)] A Bronx Tale ↔ He Got Game · theme · Both are listed among the best father-son movies, with He Got Game the speaker's favorite. · "He got game is my favorite father-son movie."
18. [The Rewatchables · ‘Species’ · 0:11:36 · Chris Ryan (0.50)] Species ↔ Congo · theme · Species belongs to a 90s subgenre the speaker calls scientist fiction, alongside Congo, Outbreak, Sneakers, Sphere and Mimic. · "Um, so it's a little bit sci-fi, a little bit adventury, but Congo, outbreak, sneakers, sphere, species, mimic."
19. [The Rewatchables · ‘Twister’ · 1:30:51 · Chris Ryan (0.40)] Twister ↔ The Poseidon Adventure · lineage · Disaster movies had two golden runs, the 70s (Poseidon Adventure, Towering Inferno) and the 90s, and Twister belongs to the second. · "The 70s, we had this awesome run, Poseidon adventure and all those movies."
20. [The Rewatchables · ‘A Bronx Tale’ · 0:02:57 · Bill Simmons (0.50)] Catch Me If You Can ↔ A Bronx Tale · theme · Catch Me If You Can is argued to be sneakily a father-son film. · "I think that's like the sneaky theme in that movie."
21. [The Rewatchables · ‘Species’ · 0:11:48 · unknown (0.30)] Species ↔ Michael Crichton · theme · The subgenre is described as getting a little Crichton in your life. · "Yeah, get a little Crichton in your life."
22. [The Rewatchables · ‘Twister’ · 0:43:59 · Bill Simmons (0.40)] Twister ↔ The Shining · theme · The drive-in tornado scene works because a tornado tears the screen while the audience watches The Shining, a frightening movie with a real threat behind it. · "there's something coming behind that that's actually fucking frightening and it just starts ripping."
23. [The Rewatchables · ‘A Bronx Tale’ · 0:04:24 · Sean Fennessey (0.40)] At Close Range ↔ A Bronx Tale · theme · At Close Range is named as an amazing father-son movie where both are criminals. · "That's an amazing father-son movie."
24. [The Rewatchables · ‘Species’ · 0:45:58 · Chris Ryan (0.30)] Species ↔ Borat · theme · Aliens and outsiders watching hotel-room TV to learn the culture is a gimmick that works in Borat, Big and Species. · "Borat, Big, this movie."

Who said it, by their latest sketch (4)

1. [speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
2. [speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
3. [speaker] David Sims · latest sketch, Blank Check · The Last Temptation of Christ · Prepares history: novel, casting, budgets, box office. Reveres the film and thinks it reads as a normal ground-level story. A sucker for Hollywood deal backstory and box office game. · stances: Praises Keitel and Dafoe casting; Respects Scorsese's persistence and Corman discipline; The film is now well regarded though not 'canonical Marty'
4. [speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license

The shows' running bits (1)

1. [bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

The whole prompt

You are a clerk at Video Culture, a video store. A customer just finished Speed (1994) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Speed (1994) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Rewatchables · ‘Twister’ · 1:46:54 · Bill Simmons (0.40)] Twister ↔ Speed · programming · Best double feature for Twister is the Jan de Bont pair with Speed. · "It's gotta be speed, right?"
[The Rewatchables · ‘Species’ · 1:15:50 · Bill Simmons (0.30)] Species ↔ Speed · craft · The mid-90s BMW convertible in Species reminds them of the car in Speed. · "What is homie driving in speed?"
[The Rewatchables · ‘A Bronx Tale’ · 1:27:18 · Bill Simmons (0.40)] A Bronx Tale ↔ Speed · verdict · Best movie bus drivers: this or Speed. · "It's just it's this or Annie and Speed."
[The Rewatchables · ‘Tombstone’ · 0:54:13 · Bill Simmons (0.40)] Speed ⇒ Twister (the host's read) · industry · Hollywood shifted after Speed; Twister marketed Paxton and others as future stars. · "The one that changed it was speed."
[The Rewatchables · ‘Species’ · 0:52:23 · Chris Ryan (0.40)] Andrzej Bartkowiak ↔ Speed · career · The same cinematographer shot Speed, a moment when great DPs took jobs like Species. · "He shot speed and it was just like that moment"
[The Rewatchables · ‘Twister’ · 0:26:19 · Chris Ryan (0.50)] Jan de Bont ↔ Speed · career · De Bont went from cinematographer on Die Hard to director of Speed, then Twister. · "director of speed."
[The Rewatchables · ‘Twister’ · 0:57:52 · Chris Ryan (0.30)] Alan Ruck ↔ Speed · career · Alan Ruck gives a movie a decade: Ferris, Speed, Twister, Spin City. · "He's giving us something every decade, man."
[Blank Check — Patreon · Alien: Resurrection · 0:25:54 · David Sims (0.60)] Joss Whedon ↔ Speed · career · Whedon did a substantial rewrite on Speed, which explains its fizzy dialogue. · "By all accounts, he did a pretty substantial rewrite."
[The Rewatchables · ‘Ferris Bueller’s Day Off’ · 0:15:03 · Sean Fennessey (0.40)] Alan Ruck ↔ Speed · people · Spotting Cameron on the bus in Speed was disorienting. · "I was like, what the hell is camera doing on this bus?"
[pairs] Speed ↔ Twister · said 2 times in 2 episodes
[The Rewatchables · ‘Twister’ · 0:08:25 · Bill Simmons (0.80)] Twister ↔ Apollo 13 · programming · The 1995 summer slate (Crimson Tide, Die Hard, Braveheart, Batman Forever, Apollo 13) was when Hollywood began slamming mid-May to July 4. · "Batman forever, Apollo 13th all before July 4th."
[The Rewatchables · ‘A Bronx Tale’ · 1:42:19 · Chris Ryan (0.60)] A Bronx Tale ↔ This Boy's Life · programming · Ryan's and Simmons' double-feature choice is This Boy's Life, not a fun night in. · "It's not a very pleasant one, but it's boys' life."
[The Rewatchables · ‘Species’ · 1:28:23 · Chris Ryan (0.40)] Species ↔ Mimic · programming · Double-feature pick: Mimic, the killer-cockroach movie from a couple of years later. · "I had mimic, the nearest Sorvino movie that came out a couple years later."
[The Rewatchables · ‘Twister’ · 0:08:38 · Bill Simmons (0.80)] Twister ↔ Mission: Impossible · programming · 1996 is when the studios locked in the early-May-to-July-4 summer blockbuster calendar: Twister, Mission: Impossible, The Rock, Eraser, Independence Day. · "So then you look at 96, May 10th, Twister."
[The Rewatchables · ‘A Bronx Tale’ · 1:42:31 · Sean Fennessey (0.50)] A Bronx Tale ↔ Rocco and His Brothers · programming · A Visconti-style Italian neorealist film is suggested as the other double feature. · "Give me some Visconti."
[The Rewatchables · ‘Species’ · 1:28:33 · Craig Horlbeck (0.40)] Species ↔ Amanda and the Alien · programming · Double-feature pick: a 1995 Cinemax-style movie about an alien learning its body and having sex. · "There's a movie called Amanda and the Alien."
[The Rewatchables · ‘Twister’ · 0:08:48 · Bill Simmons (0.80)] Twister ↔ Independence Day · programming · Independence Day (July 2) closes out the 1996 summer calendar that began with Twister. · "July 2nd Independence Day."
[The Rewatchables · ‘A Bronx Tale’ · 0:23:20 · Chris Ryan (0.60)] A Bronx Tale ⇒ The Sopranos (the host's read) · lineage · Ryan argues A Bronx Tale influenced The Sopranos more than any other movie, with Sonny and Tony Soprano close in how they hold the neighborhood. · "I think Bronx Tale... influenced the Sopranos more than any other movie, but I don't think people think that."
[The Rewatchables · ‘Species’ · 1:29:05 · Bill Simmons (0.30)] Species ↔ Under the Skin · programming · Proposed as a double feature, but it is an art film so Van upgrades it. · "Under the skin, as in Scarlett Johansson?"
[The Rewatchables · ‘Twister’ · 1:47:09 · Van Lathan (0.40)] Twister ↔ Deep Impact · programming · Deep Impact, same summer, is suggested as a disaster double feature and feels coded to Twister. · "Oh, no, this movie is deep impact coded to me."
[The Rewatchables · ‘A Bronx Tale’ · 1:32:47 · Sean Fennessey (0.70)] A Bronx Tale ↔ Goodfellas · lineage · Fennessey wonders whether the needle drops and the Pesci cameo are purposeful homage or accident. · "I just want to know how much of what he was doing was a purposeful homage to Goodfellas"
[The Rewatchables · ‘Species’ · 1:06:59 · Chris Ryan (0.40)] Species ↔ The X-Files · lineage · Madsen and Helgenberger could be Mulder and Scully in a Species TV series. · "you could talk me into Madson and Helgenberger being like Mulder and Scully"
[The Rewatchables · ‘Twister’ · 0:05:47 · Chris Ryan (0.50)] Twister ↔ Jurassic Park · lineage · Twister is aesthetically closer to Jurassic Park than to superhero movies, prizing intelligence over strength and wonder over fixing things. · "I think it's more aesthetically closer to like Jurassic Park."
[The Rewatchables · ‘A Bronx Tale’ · 0:02:23 · Bill Simmons (0.80)] A Bronx Tale ↔ Boyz n the Hood · theme · Both appear on Simmons' list of eight father-son movies. · "Bronx Tale, Kramer versus Kramer. He got game, Field of Dreams, Catch me if you can, the Godfather, Lion King, and Boys in the Hood."
[The Rewatchables · ‘Species’ · 1:12:56 · Bill Simmons (0.30)] Alien ⇒ Species (the maker said so) · lineage · Giger thought Species ripped off too many other alien movies, such as the chest-burster. · "He thought the movie ripped off too many other alien movies"
[The Rewatchables · ‘Twister’ · 0:54:51 · Chris Ryan (0.50)] Jaws ⇒ Twister (the host's read) · lineage · Jonas is the Jaws-mayor archetype, a money-motivated antagonist that became a stock character in every movie. · "The mayor in Jaws is the character that kind of pushes against our lead person."
[The Rewatchables · ‘A Bronx Tale’ · 0:02:37 · Chris Ryan (0.40)] A Bronx Tale ↔ He Got Game · theme · Both are listed among the best father-son movies, with He Got Game the speaker's favorite. · "He got game is my favorite father-son movie."
[The Rewatchables · ‘Species’ · 0:11:36 · Chris Ryan (0.50)] Species ↔ Congo · theme · Species belongs to a 90s subgenre the speaker calls scientist fiction, alongside Congo, Outbreak, Sneakers, Sphere and Mimic. · "Um, so it's a little bit sci-fi, a little bit adventury, but Congo, outbreak, sneakers, sphere, species, mimic."
[The Rewatchables · ‘Twister’ · 1:30:51 · Chris Ryan (0.40)] Twister ↔ The Poseidon Adventure · lineage · Disaster movies had two golden runs, the 70s (Poseidon Adventure, Towering Inferno) and the 90s, and Twister belongs to the second. · "The 70s, we had this awesome run, Poseidon adventure and all those movies."
[The Rewatchables · ‘A Bronx Tale’ · 0:02:57 · Bill Simmons (0.50)] Catch Me If You Can ↔ A Bronx Tale · theme · Catch Me If You Can is argued to be sneakily a father-son film. · "I think that's like the sneaky theme in that movie."
[The Rewatchables · ‘Species’ · 0:11:48 · unknown (0.30)] Species ↔ Michael Crichton · theme · The subgenre is described as getting a little Crichton in your life. · "Yeah, get a little Crichton in your life."
[The Rewatchables · ‘Twister’ · 0:43:59 · Bill Simmons (0.40)] Twister ↔ The Shining · theme · The drive-in tornado scene works because a tornado tears the screen while the audience watches The Shining, a frightening movie with a real threat behind it. · "there's something coming behind that that's actually fucking frightening and it just starts ripping."
[The Rewatchables · ‘A Bronx Tale’ · 0:04:24 · Sean Fennessey (0.40)] At Close Range ↔ A Bronx Tale · theme · At Close Range is named as an amazing father-son movie where both are criminals. · "That's an amazing father-son movie."
[The Rewatchables · ‘Species’ · 0:45:58 · Chris Ryan (0.30)] Species ↔ Borat · theme · Aliens and outsiders watching hotel-room TV to learn the culture is a gimmick that works in Borat, Big and Species. · "Borat, Big, this movie."
[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
[speaker] David Sims · latest sketch, Blank Check · The Last Temptation of Christ · Prepares history: novel, casting, budgets, box office. Reveres the film and thinks it reads as a normal ground-level story. A sucker for Hollywood deal backstory and box office game. · stances: Praises Keitel and Dafoe casting; Respects Scorsese's persistence and Corman discipline; The film is now well regarded though not 'canonical Marty'
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Speed (1994); name it the way the line names it. Don't recommend Speed (1994) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.