What the corpus says about Pain and Glory (2019)

You are a clerk at Video Culture, a video store. A customer just finished Pain and Glory (2019) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Pain and Glory (2019) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · Our Alternative Academy Awards | The Oscars Show · 1:37:50 · Wesley Morris (0.40)] Pain and Glory ↔ Matador · contrast · After rewatching Matador before interviewing Banderas, Pain and Glory looks completely different in tone. · "It's like him unplugged and I feel like he's an electric director, not an acoustic director."
[Blank Check — Patreon · The Fifth Annual Blank Check Awards · 0:57:41 · Griffin Newman (0.50)] Pain and Glory ↔ Cats · anecdote · Griffin first saw the Cats trailer on his phone in the hallway outside the Pain and Glory screening, so the two are wrapped together in his head. · "And so like that and pain and glory have been like wrapped up in my head."
[The Big Picture · The Snubs and Surprises of the 92nd Academy Award Nominations | The Oscars Show · 0:14:28 · Amanda Dobbins (0.50)] Pain and Glory ↔ Antonio Banderas · people · Banderas's nomination made the speaker want to rewatch Pain and Glory. · "made me want to watch it again, seeing him get recognized here."
[Blank Check — Patreon · The Fifth Annual Blank Check Awards · 0:57:07 · Griffin Newman (0.50)] Antonio Banderas ↔ Pain and Glory · verdict · Banderas is Griffin's best actor winner; he saw an early screening and cats trailer dropped the same day. · "Banderas, I will always have close to my heart because I saw pain and glory."
[The Big Picture · Our Alternative Academy Awards | The Oscars Show · 1:38:14 · Wesley Morris (0.40)] Pain and Glory · fun · Wesley compares Almodovar and Banderas going acoustic: they decided not to pay the electric bill and went for a ballad. · "they've both like just decided not to pay the electric bill on this one and to just go for something, something else, like a ballad."
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:20:17 · Sean Fennessey (0.70)] Cats ↔ Les Mis · programming · Both are Tom Hooper musicals everyone pretends are in the Oscar conversation until release. · "it was the same feeling that we had with Les Mis, the last big Tom Hooper musical."
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:25:11 · Sean Fennessey (0.80)] Cats ↔ The Wife · programming · Their producer says Cats will be the new The Wife: a long-running running bit on the Oscar show. · "cats is the new, the wife, right?"
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:18:56 · Sean Fennessey (0.80)] Andrew Lloyd Webber ⇒ Cats (the host's read) · lineage · Cats is Universal's adaptation of Webber's stage musical. · "Universal's adaptation of Andrew Lloyd Weber's musical"
[speaker] Griffin Newman · latest sketch, Blank Check · The Last Temptation of Christ · Calls Last Temptation his college-era favorite Scorsese; loves Scorsese's smaller 80s and the film's closing transcendence and Gabriel score. Cannot stand fundamentalist outrage at it. A sucker for casting trivia and Tom Cruise-silliness. · stances: Hot take: Last Temptation structurally mirrors New York, New York as a better version; Outrage over the film is stupid; it is respectful to Jesus; Scorsese's smaller 80s work beats his later baroque phases
[speaker] Wesley Morris · latest sketch, The Rewatchables · ‘My Cousin Vinny’ · Loves Marisa Tomei, the grits scene, and the clothes; is a sucker for Fran Drescher. Dislikes car-driving-away endings and thinks the film has done harm by encouraging self-representation. · stances: Tomei deserved the Oscar; Race in courtroom movies matters, and this one is warmly integrated; The Nanny is basically Mona Lisa Vito
[speaker] Amanda Dobbins · latest sketch, The Big Picture · ‘Mamma Mia!’ Meets ‘The Strangers'! It’s a Movie Swap! · Loves The Strangers' withholding craft and a good tense horror film without gore, but likes fun, communal movies like Mamma Mia. She dislikes supernatural or gory horror, which irritates her more than it scares her. She is a sucker for stars and for Googling a movie mid-recording. · stances: The Strangers is scary because of what it doesn't show or explain; Ending explanation weakens it; no answer would be better; Prefers 'withholding' filmmaking; Defends Mamma Mia as joyful and intentional
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Pain and Glory (2019); name it the way the line names it. Don't recommend Pain and Glory (2019) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.