What the corpus says about The Blues Brothers (1980)

You are a clerk at Video Culture, a video store. A customer just finished The Blues Brothers (1980) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about The Blues Brothers (1980) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Rewatchables · ‘Thief’ · 1:08:05 · Bill Simmons (0.50)] The Blues Brothers ↔ Thief · theme · Joliet prison appears in Blues Brothers and then Thief. · "because you have Blues Brothers, and you and next year, Thief, with Willie Nelson shooting"
[The Rewatchables · ‘Ferris Bueller’s Day Off’ · 1:11:42 · Bill Simmons (0.80)] Ferris Bueller's Day Off ↔ The Blues Brothers · theme · Chez Louis is the same restaurant as in Blues Brothers and St. Elmo's Fire, a three-year span of iconic 80s restaurant movies. · "Same restaurant as the Blues Brothers, with Elwood and Jake."
[The Rewatchables · ‘Beverly Hills Cop II’ · 0:13:20 · Bill Simmons (0.50)] Beverly Hills Cop II ↔ Ferris Bueller's Day Off · lineage · The studio floated a TV series version like what happened with Ferris Bueller. · "they were talking about making it into a TV show, which was kind of like the way Ferris Bueller went and stuff like that."
[The Rewatchables · ‘Thief’ · 1:19:45 · Bill Simmons (0.60)] Thief ↔ Heat · programming · Rewatchable does Mann films: five done, others remaining. · "How many Michael Mann movies have we done now?"
[The Rewatchables · ‘Easy A’ · 0:12:38 · Amanda Dobbins (0.70)] Ferris Bueller's Day Off ⇒ Easy A (the maker said so) · lineage · Director Will Gluck has said Ferris Bueller is his favorite movie, and Olive's Mohawk and guitar bits echo it. · "I think the director, Will Gluck, has like talked about how Ferris Bueller is, I think, his favorite movie."
[The Rewatchables · ‘Thief’ · 1:19:48 · Bill Simmons (0.50)] Thief ↔ Public Enemies · programming · Remaining Mann candidates for future episodes. · "We got do, we got Manhunter, Black Hat, and Public Enemies left, I think."
[The Rewatchables · ‘Ferris Bueller’s Day Off’ · 1:14:56 · Bill Simmons (0.70)] Ferris Bueller's Day Off ⇒ The Ferris Bueller Show (TV, 1990) (the host's read) · lineage · A 1990 NBC series with Jennifer Aniston as Jeanie, which the hosts call bad. · "The Ferris Bueller Show, 1990, NBC."
[The Rewatchables · ‘Thief’ · 0:02:54 · Chris Ryan (0.50)] Thief ⇒ Heat (the host's read) · lineage · Thief is the notebook sketch for Mann's later work, with Heat sharing DNA. · "the building blocks for what you wind up seeing in heat and collateral and Miami Vice in so many of his films to come."
[The Rewatchables · ‘Weird Science’ · 1:24:16 · Bill Simmons (0.55)] Weird Science ↔ Ferris Bueller's Day Off · theme · Hughes always adds a sentimental scene at the end, like Ferris, and Weird Science's 'like me for me' speech. · "Like Hughes will always give you a little bit of green beans on the side."
[The Rewatchables · ‘Thief’ · 0:08:46 · Sean Fennessey (0.55)] Thief ↔ Blade Runner · lineage · Thief and Blade Runner mark a new era: neo-noir lone heroes in dystopian landscapes. · "Blade Runner also just feels like a new era."
[The Rewatchables · ‘Easy A’ · 1:42:25 · Shea Serrano (0.60)] Easy A ↔ Ferris Bueller's Day Off · theme · Characters like Olive, Beanie Feldstein in Book Smart and Ferris Bueller let parents trust they will be okay. · "Beanie Felstein and Booksmart, Ferris Bueller, these sorts of like, they're going to be okay."
[The Rewatchables · ‘Thief’ · 0:11:29 · Sean Fennessey (0.55)] Rififi ⇒ Thief (the host's read) · lineage · Thief draws on Bogart movies, Rififi, samurai movies, French New Wave. · "in thief, you can feel Humphrey Bogart movies, you can feel, Rafifi, you can feel samurai movies, you can feel French new wave."
[The Rewatchables · ‘Ferris Bueller’s Day Off’ · 0:04:37 · Chris Ryan (0.60)] Ferris Bueller's Day Off ↔ Michael Jordan documentary (The Last Dance) · theme · Chris frames Ferris and Cameron as Jordan and Pippen, and Rooney as Jerry Krause. · "Hey, Ferris is MJ and and Cameron's Pippin, but they do need each other."
[The Rewatchables · ‘Thief’ · 1:15:06 · Sean Fennessey (0.50)] Thief ⇒ Heat (the maker said so: the Siegel piece, Caan telling Pacino) · lineage · Caan said scenes cut from Thief went to Heat. · "All the scenes that weren't used in our picture came over to you guys."
[The Rewatchables · ‘Ferris Bueller’s Day Off’ · 0:05:32 · Sean Fennessey (0.50)] Ferris Bueller's Day Off ↔ Raiders of the Lost Ark / Indiana Jones · theme · Ferris is to high schoolers what Indiana Jones is to archaeologists, an aspirational model. · "Ferris Bueller is to high schoolers as Indiana Jones is to archaeologists."
[The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:53:56 · Chris Ryan (0.50)] Thief ↔ Ridley Scott · lineage · On the Rewatchables they joked about whether Mann invented wetting the streets, with Ridley Scott dumping water. · "Remember Ridley Scott just dumping water on the streets."
[The Rewatchables · ‘Ferris Bueller’s Day Off’ · 1:01:12 · Bill Simmons (0.70)] Ferris Bueller's Day Off ↔ Weird Science · theme · Shermer High is the location for Weird Science, Sixteen Candles, Breakfast Club, and Ferris. · "Shermer High is the location for weird science, um, 16 candles, Breakfast Club, and Ferris Bueller."
[The Rewatchables · ‘Thief’ · 0:06:18 · Bill Simmons (0.50)] Thief ↔ Escape from New York · theme · 1981 produced films that couldn't be made now. · "I wrote down 8 movies that I just don't think would ever happen now."
[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with The Blues Brothers (1980); name it the way the line names it. Don't recommend The Blues Brothers (1980) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.