What the corpus says about 48 Hrs. (1982)

The 47 lines php artisan corpus:ask hands a model, in the order it gets them, and nothing else. The model writes a clerk's answer from these and only these.

What was said about it (9)

  1. [The Rewatchables · ‘Domestic Disturbance’ · 0:55:07 · unknown (0.30)] Domestic Disturbance ↔ 48 Hrs. · craft · 48 Hrs. has the same joke about a bad guy liking shooting cops more than getting laid. · "48 hours has that with Ganz."
  2. [The Rewatchables · ‘Ferris Bueller’s Day Off’ · 0:37:28 · Chris Ryan (0.60)] 48 Hrs. ⇒ Ferris Bueller's Day Off (the host's read) · craft · Ferris's impersonation bit is the suburban white guy riff on Eddie Murphy in 48 Hrs. · "it's the suburban white guy riff on, on, uh, Eddie Murphy in torchies in 48 hours, right?"
  3. [The Rewatchables · ‘Beverly Hills Cop’ · 0:58:43 · Bill Simmons (0.60)] 48 Hrs. ↔ Beverly Hills Cop · contrast · The 48 Hrs. fight with Nolte is intense; BHC softens the formula so Eddie never gets roughed up. · "the fight scene between Eddie and Nick Nolte and how when you watch that, you're like, he's going to fucking kill him."
  4. [The Rewatchables · ‘Beverly Hills Cop’ · 0:16:11 · Bill Simmons (0.50)] 48 Hrs. ↔ Trading Places · career · Eddie did three huge films in a row and nearly got fired from 48 Hrs. · "It's also kind of amazing that he almost got fired from 48 hours."
  5. [The Rewatchables · ‘Beverly Hills Cop II’ · 0:18:26 · Bill Simmons (0.50)] Beverly Hills Cop II ↔ 48 Hrs. · Eddie Murphy run · The Rewatchables has covered 48 Hrs., Cop I, Cop II, Coming to America; only Trading Places is left; Simmons prefers 48 Hrs. personally. · "I think, the 48 hours is my personal favorite."
  6. [The Rewatchables · ‘Beverly Hills Cop’ · 1:08:38 · Wesley Morris (0.60)] Gilbert Hill ↔ 48 Hrs. · lineage · Giving Black actors the most powerful job in a nearly all-white movie with 30 seconds of screen time started with 48 Hrs. · "giving black people in a movie with no black people the most powerful job"
  7. [The Rewatchables · ‘Beverly Hills Cop’ · 1:26:31 · unknown (0.40)] Nick Nolte ↔ 48 Hrs. · contrast · Even in 48 Hrs. Nolte's girlfriend calls him three times, so the hero has a romantic life. · "Even in 48 hours, Nick Nulty's girlfriend is there to call him 3 times"
  8. [The Rewatchables · ‘Beverly Hills Cop’ · 1:26:38 · unknown (0.40)] Olivia Brown ↔ 48 Hrs. · contrast · In 48 Hrs. Eddie gets laid by Olivia Brown and it is his primary obsession, unlike here. · "And Eddie gets laid in that movie from Olivia Brown."
  9. [The Rewatchables · 'The Player' · 0:55:08 · Sean Fennessey (0.55)] Brion James ↔ 48 Hrs. · career · Sean corrects the Blade Runner guess: Brion James is the Ice Pick/Iceman villain in 48 Hrs. and Another 48 Hrs. · "He turns out to be the Iceman at the end of 48 hours too, another 48 hours."

One hop out: what recommends the films most often joined to it (33)

  1. [The Rewatchables · ‘Beverly Hills Cop’ · 1:09:37 · Bill Simmons (0.50)] Beverly Hills Cop ⇒ Shawn Ryan (the host's read) · programming · Shawn Ryan tried a Beverly Hills Cop TV show; CBS made a pilot that didn't work. · "that CBS did a pilot for and apparently it didn't work."
  2. [The Rewatchables · ‘Beverly Hills Cop II’ · 0:10:45 · Bill Simmons (0.60)] Beverly Hills Cop II ↔ Police Academy 4 · lineage · Cop II was the only sequel in the 1987 domestic top 20-25; the next was Police Academy 4 at 44th. · "This is the only sequel in the top 20, top 25, where it's not until Police Academy 4, which was the 44th biggest movie that year."
  3. [The Rewatchables · ‘Domestic Disturbance’ · 1:33:41 · Bill Simmons (0.40)] Domestic Disturbance ↔ The Good Son · programming · The Good Son (another from-hell movie, already done) is the following week's episode. · "Well, we did this out of sequence, but good, uh, the good sun, which we've already done is coming next week"
  4. [The Rewatchables · ‘Beverly Hills Cop II’ · 0:13:20 · Bill Simmons (0.50)] Beverly Hills Cop II ↔ Ferris Bueller's Day Off · lineage · The studio floated a TV series version like what happened with Ferris Bueller. · "they were talking about making it into a TV show, which was kind of like the way Ferris Bueller went and stuff like that."
  5. [The Rewatchables · ‘The Color of Money’ · 0:51:05 · Chris Ryan (0.50)] The Color of Money ↔ Trading Places · craft · Men waving cash in each other's faces at a bar feels very Trading Places. · "it's like very trading places where it's just dudes waving shit in each other's faces."
  6. [The Rewatchables · ‘Beverly Hills Cop’ · 1:09:39 · Bill Simmons (0.50)] Beverly Hills Cop ↔ Brandon T. Jackson · programming · In the pilot Brandon T. Jackson played Axel Foley's son. · "Brandon T. Jackson was Axel Foley's son."
  7. [The Rewatchables · ‘Beverly Hills Cop II’ · 0:13:20 · Bill Simmons (0.50)] Beverly Hills Cop II ↔ Ferris Bueller's Day Off · lineage · The studio floated a TV series version like what happened with Ferris Bueller. · "they were talking about making it into a TV show, which was kind of like the way Ferris Bueller went and stuff like that."
  8. [The Rewatchables · ‘Domestic Disturbance’ · 0:04:54 · Bill Simmons (0.50)] Fatal Attraction ⇒ Domestic Disturbance (the host's read) · lineage · Domestic Disturbance is the late, bad entry in the 'from hell' thriller cycle that began with Fatal Attraction. · "We had this really good run that starts with fatal fatal attraction into the 80s."
  9. [The Rewatchables · ‘Easy A’ · 0:12:38 · Amanda Dobbins (0.70)] Ferris Bueller's Day Off ⇒ Easy A (the maker said so) · lineage · Director Will Gluck has said Ferris Bueller is his favorite movie, and Olive's Mohawk and guitar bits echo it. · "I think the director, Will Gluck, has like talked about how Ferris Bueller is, I think, his favorite movie."
  10. [The Rewatchables · ‘Beverly Hills Cop II’ · 0:07:52 · Chris Ryan (0.70)] 1970s cop movies ⇒ Beverly Hills Cop (the host's read) · lineage · The first film feels like an extension of 70s cop movies, especially the Detroit material, while the sequel feels glossy and 80s. · "There's a world in which that almost feels like an extension of like 70s cop movies."
  11. [The Rewatchables · ‘Beverly Hills Cop II’ · 1:05:28 · Craig Horlbeck (0.80)] Beverly Hills Cop II ↔ Austin Powers · lineage · Craig is unsure whether the sequel is better than the first, like Austin Powers. · "I don't know if the 2nd one's better than the first, like Austin Powers, but I enjoyed it very much."
  12. [The Rewatchables · ‘Domestic Disturbance’ · 0:05:18 · unknown (0.30)] Domestic Disturbance ↔ Changing Lanes · lineage · Changing Lanes is named as another 2000s 'from hell' picture (road rage from hell) alongside Domestic Disturbance. · "Oh yeah. With Sam Jackson and Ben Affleck, the road rage from hell."
  13. [The Rewatchables · ‘Ferris Bueller’s Day Off’ · 1:14:56 · Bill Simmons (0.70)] Ferris Bueller's Day Off ⇒ The Ferris Bueller Show (TV, 1990) (the host's read) · lineage · A 1990 NBC series with Jennifer Aniston as Jeanie, which the hosts call bad. · "The Ferris Bueller Show, 1990, NBC."
  14. [The Rewatchables · ‘Beverly Hills Cop’ · 0:08:03 · unknown (0.40)] Beverly Hills Cop ↔ Dirty Harry · lineage · The film plays closer to a 70s crime movie like Dirty Harry or The Outfit than to an 80s action blockbuster. · "this movie's way closer to like Dirty Harry or the outfit or 7, like a 70s crime movie than it is like our idea of like 80s action blockbuster."
  15. [The Rewatchables · ‘Fletch’ · 1:11:17 · Chris Ryan (0.50)] Beverly Hills Cop II ↔ Fletch Lives · lineage · Chris cites Beverly Hills Cop 2 as a sequel better than its original; Fletch Lives joins 48 Hrs 2, Godfather 3 and Caddy Shack 2 as disappointing late-80s sequels. · "a really good example is Beverly Hills Cop 2, which is better than Beverly Hills Cop one."
  16. [The Rewatchables · ‘Domestic Disturbance’ · 0:05:22 · Bill Simmons (0.40)] Domestic Disturbance ↔ One Hour Photo · lineage · One Hour Photo is cited as the 2000s photo-developer-from-hell entry in the same cycle. · "You get one hour photo with Robin Williams."
  17. [The Rewatchables · ‘Weird Science’ · 1:24:16 · Bill Simmons (0.55)] Weird Science ↔ Ferris Bueller's Day Off · theme · Hughes always adds a sentimental scene at the end, like Ferris, and Weird Science's 'like me for me' speech. · "Like Hughes will always give you a little bit of green beans on the side."
  18. [The Rewatchables · ‘Beverly Hills Cop’ · 0:08:03 · unknown (0.40)] Beverly Hills Cop ↔ The Outfit · lineage · Grouped with Dirty Harry as a 70s crime-movie ancestor. · "this movie's way closer to like Dirty Harry or the outfit or 7, like a 70s crime movie"
  19. [The Rewatchables · ‘Beverly Hills Cop II’ · 1:00:18 · Chris Ryan (0.50)] Beverly Hills Cop II ⇒ The Rock (the host's read) · theme · The abandoned England/Scotland Yard concept with Sean Connery became the backbone of The Rock a decade later. · "initially written Beverly Hills Cop 2 to be Eddie Murphy in England, solving crimes with Sean Connery, actually, which basically, I think, winds up being like essentially the backbone for what the rock is 10 years later or whatever."
  20. [The Rewatchables · ‘Domestic Disturbance’ · 0:07:10 · unknown (0.30)] The Stepfather ⇒ Domestic Disturbance (the host's read) · lineage · Domestic Disturbance is a stepfather-from-hell movie, a premise already done by The Stepfather. · "Which, by the way, we'd already done with the stepfather with Terry Quinn."
  21. [The Rewatchables · ‘Easy A’ · 1:42:25 · Shea Serrano (0.60)] Easy A ↔ Ferris Bueller's Day Off · theme · Characters like Olive, Beanie Feldstein in Book Smart and Ferris Bueller let parents trust they will be okay. · "Beanie Felstein and Booksmart, Ferris Bueller, these sorts of like, they're going to be okay."
  22. [The Rewatchables · ‘Beverly Hills Cop’ · 0:08:19 · unknown (0.40)] Beverly Hills Cop ↔ Richard Roundtree · lineage · The film is called a blaxploitation movie with one of the few true movie-star performances, and Roundtree is named as the only true movie star of that era. · "black exploitation movie with like one of the few movie star performances."
  23. [The Rewatchables · ‘Beverly Hills Cop II’ · 0:07:16 · Chris Ryan (0.50)] Harold Faltermeyer ↔ Beverly Hills Cop II · craft · Faltermeyer's score opens the robbery with suspense before the comedy loosens up. · "It just kicks off with the, da, da, da, na, na, na, na, na, na, it's, it just feels, there's a little suspense in it."
  24. [The Rewatchables · ‘Domestic Disturbance’ · 0:06:48 · unknown (0.30)] Domestic Disturbance ↔ Single White Female · theme · The cycle can be read as 80s-90s anxiety (AIDS, a foreign presence coming in) and class/yuppie fear. · "there's like the AIDS crisis and movies like single white female and this idea of like some foreign presence coming in and changing your life"
  25. [The Rewatchables · ‘Ferris Bueller’s Day Off’ · 0:04:37 · Chris Ryan (0.60)] Ferris Bueller's Day Off ↔ Michael Jordan documentary (The Last Dance) · theme · Chris frames Ferris and Cameron as Jordan and Pippen, and Rooney as Jerry Krause. · "Hey, Ferris is MJ and and Cameron's Pippin, but they do need each other."
  26. [The Rewatchables · ‘Beverly Hills Cop’ · 0:23:34 · Wesley Morris (0.70)] The French Connection ⇒ Beverly Hills Cop (the host's read) · lineage · Recast Popeye Doyle as Axel Foley and the movie barely changes; the apartments are essentially the same. · "Like you take the French connection and you recast Dean Hackman's, you make Popeye Doyle, Axel Foley."
  27. [The Rewatchables · ‘Beverly Hills Cop II’ · 0:38:34 · Bill Simmons (0.50)] Bob Seger ↔ Beverly Hills Cop II · craft · Seger's 'Shakedown' praised as an opening song drawn from the film's crime-in-the-city theme. · "the opening song of a movie being thematically drawn from the movie itself."
  28. [The Rewatchables · ‘Domestic Disturbance’ · 0:11:56 · unknown (0.30)] Domestic Disturbance ↔ Zoolander · theme · Zoolander is now beloved, but the post-9/11 audience was not ready for a comedy. · "Even though the movie's beloved now."
  29. [The Rewatchables · ‘Ferris Bueller’s Day Off’ · 0:05:32 · Sean Fennessey (0.50)] Ferris Bueller's Day Off ↔ Raiders of the Lost Ark / Indiana Jones · theme · Ferris is to high schoolers what Indiana Jones is to archaeologists, an aspirational model. · "Ferris Bueller is to high schoolers as Indiana Jones is to archaeologists."
  30. [The Rewatchables · ‘Beverly Hills Cop’ · 0:27:42 · unknown (0.40)] In the Heat of the Night ⇒ Beverly Hills Cop (the host's read) · lineage · Described as In the Heat of the Night meets Beverly Hills; both are fish-out-of-water movies. · "said that the Beverly Hills Cop is essentially in the heat of the night meets Beverly Hills."
  31. [The Rewatchables · ‘Beverly Hills Cop II’ · 0:40:56 · Bill Simmons (0.45)] George Michael ↔ Beverly Hills Cop II · craft · George Michael's 'I Want Your Sex' is called an amazing 80s song used perfectly in the film. · "It's used perfectly in this."
  32. [The Rewatchables · ‘Domestic Disturbance’ · 0:17:46 · Chris Ryan (0.30)] Domestic Disturbance ↔ Domestic Disturbance · theme · The movie is mashed from TV-movie formulas: an ABC after school special about a first dad and his son. · "It's basically an ABC after school special of like the 1st dad trying to keep his relationship with his son."
  33. [The Rewatchables · ‘Ferris Bueller’s Day Off’ · 1:01:12 · Bill Simmons (0.70)] Ferris Bueller's Day Off ↔ Weird Science · theme · Shermer High is the location for Weird Science, Sixteen Candles, Breakfast Club, and Ferris. · "Shermer High is the location for weird science, um, 16 candles, Breakfast Club, and Ferris Bueller."

Who said it, by their latest sketch (4)

  1. [speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
  2. [speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
  3. [speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
  4. [speaker] Wesley Morris · latest sketch, The Rewatchables · ‘My Cousin Vinny’ · Loves Marisa Tomei, the grits scene, and the clothes; is a sucker for Fran Drescher. Dislikes car-driving-away endings and thinks the film has done harm by encouraging self-representation. · stances: Tomei deserved the Oscar; Race in courtroom movies matters, and this one is warmly integrated; The Nanny is basically Mona Lisa Vito

The shows' running bits (1)

  1. [bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

The whole prompt

As the model gets it, from app/Ai/Prompts/CorpusAsk.md 
You are a clerk at Video Culture, a video store. A customer just finished 48 Hrs. (1982) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about 48 Hrs. (1982) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Rewatchables · ‘Domestic Disturbance’ · 0:55:07 · unknown (0.30)] Domestic Disturbance ↔ 48 Hrs. · craft · 48 Hrs. has the same joke about a bad guy liking shooting cops more than getting laid. · "48 hours has that with Ganz."
[The Rewatchables · ‘Ferris Bueller’s Day Off’ · 0:37:28 · Chris Ryan (0.60)] 48 Hrs. ⇒ Ferris Bueller's Day Off (the host's read) · craft · Ferris's impersonation bit is the suburban white guy riff on Eddie Murphy in 48 Hrs. · "it's the suburban white guy riff on, on, uh, Eddie Murphy in torchies in 48 hours, right?"
[The Rewatchables · ‘Beverly Hills Cop’ · 0:58:43 · Bill Simmons (0.60)] 48 Hrs. ↔ Beverly Hills Cop · contrast · The 48 Hrs. fight with Nolte is intense; BHC softens the formula so Eddie never gets roughed up. · "the fight scene between Eddie and Nick Nolte and how when you watch that, you're like, he's going to fucking kill him."
[The Rewatchables · ‘Beverly Hills Cop’ · 0:16:11 · Bill Simmons (0.50)] 48 Hrs. ↔ Trading Places · career · Eddie did three huge films in a row and nearly got fired from 48 Hrs. · "It's also kind of amazing that he almost got fired from 48 hours."
[The Rewatchables · ‘Beverly Hills Cop II’ · 0:18:26 · Bill Simmons (0.50)] Beverly Hills Cop II ↔ 48 Hrs. · Eddie Murphy run · The Rewatchables has covered 48 Hrs., Cop I, Cop II, Coming to America; only Trading Places is left; Simmons prefers 48 Hrs. personally. · "I think, the 48 hours is my personal favorite."
[The Rewatchables · ‘Beverly Hills Cop’ · 1:08:38 · Wesley Morris (0.60)] Gilbert Hill ↔ 48 Hrs. · lineage · Giving Black actors the most powerful job in a nearly all-white movie with 30 seconds of screen time started with 48 Hrs. · "giving black people in a movie with no black people the most powerful job"
[The Rewatchables · ‘Beverly Hills Cop’ · 1:26:31 · unknown (0.40)] Nick Nolte ↔ 48 Hrs. · contrast · Even in 48 Hrs. Nolte's girlfriend calls him three times, so the hero has a romantic life. · "Even in 48 hours, Nick Nulty's girlfriend is there to call him 3 times"
[The Rewatchables · ‘Beverly Hills Cop’ · 1:26:38 · unknown (0.40)] Olivia Brown ↔ 48 Hrs. · contrast · In 48 Hrs. Eddie gets laid by Olivia Brown and it is his primary obsession, unlike here. · "And Eddie gets laid in that movie from Olivia Brown."
[The Rewatchables · 'The Player' · 0:55:08 · Sean Fennessey (0.55)] Brion James ↔ 48 Hrs. · career · Sean corrects the Blade Runner guess: Brion James is the Ice Pick/Iceman villain in 48 Hrs. and Another 48 Hrs. · "He turns out to be the Iceman at the end of 48 hours too, another 48 hours."
[The Rewatchables · ‘Beverly Hills Cop’ · 1:09:37 · Bill Simmons (0.50)] Beverly Hills Cop ⇒ Shawn Ryan (the host's read) · programming · Shawn Ryan tried a Beverly Hills Cop TV show; CBS made a pilot that didn't work. · "that CBS did a pilot for and apparently it didn't work."
[The Rewatchables · ‘Beverly Hills Cop II’ · 0:10:45 · Bill Simmons (0.60)] Beverly Hills Cop II ↔ Police Academy 4 · lineage · Cop II was the only sequel in the 1987 domestic top 20-25; the next was Police Academy 4 at 44th. · "This is the only sequel in the top 20, top 25, where it's not until Police Academy 4, which was the 44th biggest movie that year."
[The Rewatchables · ‘Domestic Disturbance’ · 1:33:41 · Bill Simmons (0.40)] Domestic Disturbance ↔ The Good Son · programming · The Good Son (another from-hell movie, already done) is the following week's episode. · "Well, we did this out of sequence, but good, uh, the good sun, which we've already done is coming next week"
[The Rewatchables · ‘Beverly Hills Cop II’ · 0:13:20 · Bill Simmons (0.50)] Beverly Hills Cop II ↔ Ferris Bueller's Day Off · lineage · The studio floated a TV series version like what happened with Ferris Bueller. · "they were talking about making it into a TV show, which was kind of like the way Ferris Bueller went and stuff like that."
[The Rewatchables · ‘The Color of Money’ · 0:51:05 · Chris Ryan (0.50)] The Color of Money ↔ Trading Places · craft · Men waving cash in each other's faces at a bar feels very Trading Places. · "it's like very trading places where it's just dudes waving shit in each other's faces."
[The Rewatchables · ‘Beverly Hills Cop’ · 1:09:39 · Bill Simmons (0.50)] Beverly Hills Cop ↔ Brandon T. Jackson · programming · In the pilot Brandon T. Jackson played Axel Foley's son. · "Brandon T. Jackson was Axel Foley's son."
[The Rewatchables · ‘Beverly Hills Cop II’ · 0:13:20 · Bill Simmons (0.50)] Beverly Hills Cop II ↔ Ferris Bueller's Day Off · lineage · The studio floated a TV series version like what happened with Ferris Bueller. · "they were talking about making it into a TV show, which was kind of like the way Ferris Bueller went and stuff like that."
[The Rewatchables · ‘Domestic Disturbance’ · 0:04:54 · Bill Simmons (0.50)] Fatal Attraction ⇒ Domestic Disturbance (the host's read) · lineage · Domestic Disturbance is the late, bad entry in the 'from hell' thriller cycle that began with Fatal Attraction. · "We had this really good run that starts with fatal fatal attraction into the 80s."
[The Rewatchables · ‘Easy A’ · 0:12:38 · Amanda Dobbins (0.70)] Ferris Bueller's Day Off ⇒ Easy A (the maker said so) · lineage · Director Will Gluck has said Ferris Bueller is his favorite movie, and Olive's Mohawk and guitar bits echo it. · "I think the director, Will Gluck, has like talked about how Ferris Bueller is, I think, his favorite movie."
[The Rewatchables · ‘Beverly Hills Cop II’ · 0:07:52 · Chris Ryan (0.70)] 1970s cop movies ⇒ Beverly Hills Cop (the host's read) · lineage · The first film feels like an extension of 70s cop movies, especially the Detroit material, while the sequel feels glossy and 80s. · "There's a world in which that almost feels like an extension of like 70s cop movies."
[The Rewatchables · ‘Beverly Hills Cop II’ · 1:05:28 · Craig Horlbeck (0.80)] Beverly Hills Cop II ↔ Austin Powers · lineage · Craig is unsure whether the sequel is better than the first, like Austin Powers. · "I don't know if the 2nd one's better than the first, like Austin Powers, but I enjoyed it very much."
[The Rewatchables · ‘Domestic Disturbance’ · 0:05:18 · unknown (0.30)] Domestic Disturbance ↔ Changing Lanes · lineage · Changing Lanes is named as another 2000s 'from hell' picture (road rage from hell) alongside Domestic Disturbance. · "Oh yeah. With Sam Jackson and Ben Affleck, the road rage from hell."
[The Rewatchables · ‘Ferris Bueller’s Day Off’ · 1:14:56 · Bill Simmons (0.70)] Ferris Bueller's Day Off ⇒ The Ferris Bueller Show (TV, 1990) (the host's read) · lineage · A 1990 NBC series with Jennifer Aniston as Jeanie, which the hosts call bad. · "The Ferris Bueller Show, 1990, NBC."
[The Rewatchables · ‘Beverly Hills Cop’ · 0:08:03 · unknown (0.40)] Beverly Hills Cop ↔ Dirty Harry · lineage · The film plays closer to a 70s crime movie like Dirty Harry or The Outfit than to an 80s action blockbuster. · "this movie's way closer to like Dirty Harry or the outfit or 7, like a 70s crime movie than it is like our idea of like 80s action blockbuster."
[The Rewatchables · ‘Fletch’ · 1:11:17 · Chris Ryan (0.50)] Beverly Hills Cop II ↔ Fletch Lives · lineage · Chris cites Beverly Hills Cop 2 as a sequel better than its original; Fletch Lives joins 48 Hrs 2, Godfather 3 and Caddy Shack 2 as disappointing late-80s sequels. · "a really good example is Beverly Hills Cop 2, which is better than Beverly Hills Cop one."
[The Rewatchables · ‘Domestic Disturbance’ · 0:05:22 · Bill Simmons (0.40)] Domestic Disturbance ↔ One Hour Photo · lineage · One Hour Photo is cited as the 2000s photo-developer-from-hell entry in the same cycle. · "You get one hour photo with Robin Williams."
[The Rewatchables · ‘Weird Science’ · 1:24:16 · Bill Simmons (0.55)] Weird Science ↔ Ferris Bueller's Day Off · theme · Hughes always adds a sentimental scene at the end, like Ferris, and Weird Science's 'like me for me' speech. · "Like Hughes will always give you a little bit of green beans on the side."
[The Rewatchables · ‘Beverly Hills Cop’ · 0:08:03 · unknown (0.40)] Beverly Hills Cop ↔ The Outfit · lineage · Grouped with Dirty Harry as a 70s crime-movie ancestor. · "this movie's way closer to like Dirty Harry or the outfit or 7, like a 70s crime movie"
[The Rewatchables · ‘Beverly Hills Cop II’ · 1:00:18 · Chris Ryan (0.50)] Beverly Hills Cop II ⇒ The Rock (the host's read) · theme · The abandoned England/Scotland Yard concept with Sean Connery became the backbone of The Rock a decade later. · "initially written Beverly Hills Cop 2 to be Eddie Murphy in England, solving crimes with Sean Connery, actually, which basically, I think, winds up being like essentially the backbone for what the rock is 10 years later or whatever."
[The Rewatchables · ‘Domestic Disturbance’ · 0:07:10 · unknown (0.30)] The Stepfather ⇒ Domestic Disturbance (the host's read) · lineage · Domestic Disturbance is a stepfather-from-hell movie, a premise already done by The Stepfather. · "Which, by the way, we'd already done with the stepfather with Terry Quinn."
[The Rewatchables · ‘Easy A’ · 1:42:25 · Shea Serrano (0.60)] Easy A ↔ Ferris Bueller's Day Off · theme · Characters like Olive, Beanie Feldstein in Book Smart and Ferris Bueller let parents trust they will be okay. · "Beanie Felstein and Booksmart, Ferris Bueller, these sorts of like, they're going to be okay."
[The Rewatchables · ‘Beverly Hills Cop’ · 0:08:19 · unknown (0.40)] Beverly Hills Cop ↔ Richard Roundtree · lineage · The film is called a blaxploitation movie with one of the few true movie-star performances, and Roundtree is named as the only true movie star of that era. · "black exploitation movie with like one of the few movie star performances."
[The Rewatchables · ‘Beverly Hills Cop II’ · 0:07:16 · Chris Ryan (0.50)] Harold Faltermeyer ↔ Beverly Hills Cop II · craft · Faltermeyer's score opens the robbery with suspense before the comedy loosens up. · "It just kicks off with the, da, da, da, na, na, na, na, na, na, it's, it just feels, there's a little suspense in it."
[The Rewatchables · ‘Domestic Disturbance’ · 0:06:48 · unknown (0.30)] Domestic Disturbance ↔ Single White Female · theme · The cycle can be read as 80s-90s anxiety (AIDS, a foreign presence coming in) and class/yuppie fear. · "there's like the AIDS crisis and movies like single white female and this idea of like some foreign presence coming in and changing your life"
[The Rewatchables · ‘Ferris Bueller’s Day Off’ · 0:04:37 · Chris Ryan (0.60)] Ferris Bueller's Day Off ↔ Michael Jordan documentary (The Last Dance) · theme · Chris frames Ferris and Cameron as Jordan and Pippen, and Rooney as Jerry Krause. · "Hey, Ferris is MJ and and Cameron's Pippin, but they do need each other."
[The Rewatchables · ‘Beverly Hills Cop’ · 0:23:34 · Wesley Morris (0.70)] The French Connection ⇒ Beverly Hills Cop (the host's read) · lineage · Recast Popeye Doyle as Axel Foley and the movie barely changes; the apartments are essentially the same. · "Like you take the French connection and you recast Dean Hackman's, you make Popeye Doyle, Axel Foley."
[The Rewatchables · ‘Beverly Hills Cop II’ · 0:38:34 · Bill Simmons (0.50)] Bob Seger ↔ Beverly Hills Cop II · craft · Seger's 'Shakedown' praised as an opening song drawn from the film's crime-in-the-city theme. · "the opening song of a movie being thematically drawn from the movie itself."
[The Rewatchables · ‘Domestic Disturbance’ · 0:11:56 · unknown (0.30)] Domestic Disturbance ↔ Zoolander · theme · Zoolander is now beloved, but the post-9/11 audience was not ready for a comedy. · "Even though the movie's beloved now."
[The Rewatchables · ‘Ferris Bueller’s Day Off’ · 0:05:32 · Sean Fennessey (0.50)] Ferris Bueller's Day Off ↔ Raiders of the Lost Ark / Indiana Jones · theme · Ferris is to high schoolers what Indiana Jones is to archaeologists, an aspirational model. · "Ferris Bueller is to high schoolers as Indiana Jones is to archaeologists."
[The Rewatchables · ‘Beverly Hills Cop’ · 0:27:42 · unknown (0.40)] In the Heat of the Night ⇒ Beverly Hills Cop (the host's read) · lineage · Described as In the Heat of the Night meets Beverly Hills; both are fish-out-of-water movies. · "said that the Beverly Hills Cop is essentially in the heat of the night meets Beverly Hills."
[The Rewatchables · ‘Beverly Hills Cop II’ · 0:40:56 · Bill Simmons (0.45)] George Michael ↔ Beverly Hills Cop II · craft · George Michael's 'I Want Your Sex' is called an amazing 80s song used perfectly in the film. · "It's used perfectly in this."
[The Rewatchables · ‘Domestic Disturbance’ · 0:17:46 · Chris Ryan (0.30)] Domestic Disturbance ↔ Domestic Disturbance · theme · The movie is mashed from TV-movie formulas: an ABC after school special about a first dad and his son. · "It's basically an ABC after school special of like the 1st dad trying to keep his relationship with his son."
[The Rewatchables · ‘Ferris Bueller’s Day Off’ · 1:01:12 · Bill Simmons (0.70)] Ferris Bueller's Day Off ↔ Weird Science · theme · Shermer High is the location for Weird Science, Sixteen Candles, Breakfast Club, and Ferris. · "Shermer High is the location for weird science, um, 16 candles, Breakfast Club, and Ferris Bueller."
[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[speaker] Wesley Morris · latest sketch, The Rewatchables · ‘My Cousin Vinny’ · Loves Marisa Tomei, the grits scene, and the clothes; is a sucker for Fran Drescher. Dislikes car-driving-away endings and thinks the film has done harm by encouraging self-representation. · stances: Tomei deserved the Oscar; Race in courtroom movies matters, and this one is warmly integrated; The Nanny is basically Mona Lisa Vito
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with 48 Hrs. (1982); name it the way the line names it. Don't recommend 48 Hrs. (1982) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.