What the corpus says about American Pie (1999)

You are a clerk at Video Culture, a video store. A customer just finished American Pie (1999) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about American Pie (1999) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · 1. ‘Bring It On’ and ‘Donnie Darko’ | Mission Accomplished · 0:22:48 · Brian Raftery (0.95)] Bring It On ↔ American Pie · lineage · It followed American Pie, 10 Things I Hate About You and She's All That. · "It arrived not long after hits like American Pie, 10 Things I Hate About You, and She's All That."
[Blank Check — Patreon · The Ice Storm · 0:15:20 · unknown (0.30)] The Ice Storm ↔ American Pie · contrast · Seen at 13 next to American Pie, the two give wildly different messages about sex. · "Those are very different messages about sex in America."
[The Big Picture · 1. ‘Bring It On’ and ‘Donnie Darko’ | Mission Accomplished · 0:02:59 · Brian Raftery (0.90)] Bring It On ↔ Erin Brockovich · theme · Both fit 2000's optimistic can-do spirit; Brockovich is called the most 2000 movie. · "which is probably the most 2000 movie to actually come out in the year 2000."
[The Rewatchables · ‘The Ice Storm’ · 0:50:18 · Bill Simmons (0.60)] The Ice Storm ⇒ Swingtown (TV) (the host's read) · programming · Swingtown tried to tap the key party idea but belonged on Cinemax. · "That show has to be on Cinemax."
[The Big Picture · 1. ‘Bring It On’ and ‘Donnie Darko’ | Mission Accomplished · 0:07:47 · Brian Raftery (0.95)] Donnie Darko ↔ Bring It On · theme · Both feature suburban teen leads but take opposite views of American adolescence. · "Like bring it on, its main characters are suburban teens."
[The Rewatchables · ‘The Ice Storm’ · 1:09:25 · Bill Simmons (0.60)] Brokeback Mountain ↔ The Ice Storm · programming · Simmons eyes Brokeback Mountain as a contender for Fucked Up Family February 2023. · "Brokeback Mountain is definitely one of the contenders."
[The Big Picture · 1. ‘Bring It On’ and ‘Donnie Darko’ | Mission Accomplished · 0:11:31 · Brian Raftery (0.85)] Bring It On ↔ The Breakfast Club · theme · Hughes-era teen movies, like Bring It On, carry grown-up ideas about class, capitalism and sexism. · "it's that they've all got some pretty grown up ideas on their mind."
[The Rewatchables · ‘The Ice Storm’ · 1:26:54 · Sean Fennessey (0.50)] The Ice Storm ↔ The Squid and the Whale · programming · Fennessey says Squid and the Whale was the biggest near-miss for Fucked Up Family February. · "I think was probably the biggest one that could have made it."
[The Big Picture · 1. ‘Bring It On’ and ‘Donnie Darko’ | Mission Accomplished · 0:12:37 · Brian Raftery (0.90)] Jessica Bendinger ⇒ Bring It On (the maker said so: her own interview, quoted on the show) · theme · Her hip hop journalism at Spin shaped the film's theme of white kids imitating black artists. · "Years later, when she got into the world of cheerleading, she saw that pattern repeating itself."
[The Rewatchables · ‘The Ice Storm’ · 1:27:53 · Bill Simmons (0.50)] The Ice Storm ↔ Pulp Fiction · programming · Next episodes will cover two famous movies; Ryan and Simmons tease Pulp Fiction. · "I've been watching a lot of pulp fiction lately."
[The Big Picture · 1. ‘Bring It On’ and ‘Donnie Darko’ | Mission Accomplished · 0:22:54 · Brian Raftery (0.95)] Bring It On ↔ She's All That · theme · Like those films it had teen angst but stayed hopeful about life. · "Movies that had plenty of teen angst, but that were ultimately pretty hopeful about life in general."
[Blank Check — Patreon · The Ice Storm · 1:07:49 · unknown (0.40)] Swingtown (TV) ↔ The Ice Storm · programming · CBS's Swingtown was a third of the way to interesting and watered the key-party era down. · "Wasn't that good, but it was sort of like a 3rd of the way to being interesting."
[The Big Picture · 1. ‘Bring It On’ and ‘Donnie Darko’ | Mission Accomplished · 0:43:25 · Brian Raftery (0.95)] Bring It On ↔ Donnie Darko · theme · Both work as time machines to specific moments: carefree Y2K-to-9/11, and fall 2001 fear. · "Bring it on, documents that carefree blip between Y2K and 911."
[The Rewatchables · ‘The Ice Storm’ · 0:08:18 · Chris Ryan (0.50)] Rick Moody's novel ⇒ The Ice Storm (the host's read) · lineage · Based on Rick Moody's 1994 book; the author cried at the end of a cut and said they got it. · "It's based on Rick Moody's 1994 book, who saw a cut of it and cried at the end and was like, my God, they got it."
[The Big Picture · 1. ‘Bring It On’ and ‘Donnie Darko’ | Mission Accomplished · 0:19:46 · Brian Raftery (0.90)] Aqua ↔ Bring It On · craft · The studio's marketing team set the Bring It On trailer to the Aqua song 'Happy Boys and Girls'. · "the studio made a lively, colorful trailer, set to the Aqua song Happy Boys and Girls."
[The Rewatchables · ‘The Ice Storm’ · 0:12:44 · Bill Simmons (0.90)] The Brady Bunch Movie ⇒ The Ice Storm (the host's read) · lineage · Simmons traces a mid-90s wave of 70s nostalgia (Brady Bunch movies, Reality Bites) that led to harder looks like Ice Storm. · "They make the Brady Bunch movie, which is a parody of the Brady Bunch."
[The Rewatchables · ‘The Ice Storm’ · 0:13:48 · Bill Simmons (0.80)] The Ice Storm ↔ Nixon · lineage · Simmons says the nostalgia turned to re-examination in the mid-90s, citing Oliver Stone's Nixon. · "So mid 90s, it starts to be like, hmm."
[speaker] Brian Raftery · latest sketch, The Big Picture · 5. ‘No Country for Old Men’ and ‘W.’ | Mission Accomplished · Loves slow-burn tension and scenes built on dialogue, naming the Ellis kitchen scene the best of the 2000s. Is drawn to films that capture their national moment. Has little patience for the word classic, and dry humor about presidents and haircuts. · stances: No Country for Old Men is about inevitability and powerlessness; Its 2007 release resonated with Bush-era anxiety; W. was undone by timing, not quality; Stone's late-2000s movies are best read through the decade's politics
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with American Pie (1999); name it the way the line names it. Don't recommend American Pie (1999) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.