What the corpus says about She's All That (1999)

You are a clerk at Video Culture, a video store. A customer just finished She's All That (1999) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about She's All That (1999) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · 1. ‘Bring It On’ and ‘Donnie Darko’ | Mission Accomplished · 0:22:54 · Brian Raftery (0.95)] Bring It On ↔ She's All That · theme · Like those films it had teen angst but stayed hopeful about life. · "Movies that had plenty of teen angst, but that were ultimately pretty hopeful about life in general."
[The Rewatchables · ‘Easy A’ · 0:19:18 · Juliet Litman (0.55)] She's All That ↔ Easy A · contrast · Written through a male normative gaze, She's All That feels like a different world from Easy A, Clueless and Mean Girls. · "there's such a, like, kind of, um, normative gaze in She's All That that does not feel as present in some of the other movies we're discussing."
[The Rewatchables · ‘Mean Girls’ · 0:19:27 · Juliet Litman (0.50)] Mean Girls ↔ She's All That · verdict · Asked for a favorite high school movie, one guest picks She's All That, itself a ripoff of an earlier film. · "I like really loved she's all that."
[The Rewatchables · ‘Easy A’ · 0:19:34 · Juliet Litman (0.60)] She's All That ↔ Freddie Prinze Jr. · people · Juliet files She's All That as a Freddie Prinze Jr. movie, with Matthew Lillard a joy. · "like, that's like a Freddie Prince Jr. movie to me."
[The Big Picture · 1. ‘Bring It On’ and ‘Donnie Darko’ | Mission Accomplished · 0:22:48 · Brian Raftery (0.95)] Bring It On ↔ American Pie · lineage · It followed American Pie, 10 Things I Hate About You and She's All That. · "It arrived not long after hits like American Pie, 10 Things I Hate About You, and She's All That."
[The Rewatchables · ‘Easy A’ · 1:46:09 · Juliet Litman (0.50)] Easy A ↔ Marvin's Room · programming · Juliet's first coed theater outing was Marvin's Room, in contrast to seeing teen movies with friends. · "The 1st movie I saw with like boys and girls, like it was like a co-ed group outing was Marvin's room, which is so depressing."
[The Rewatchables · ‘Knocked Up’ · 0:03:48 · Bill Simmons (0.90)] Knocked Up ↔ Mean Girls · programming · Bill groups Knocked Up with Mean Girls, 40-Year-Old Virgin, Wedding Crashers, Sarah Marshall and Bridesmaids as the 'com-rom' cycle. · "Mean girls, 40 year old virgin, wedding crashers, knocked up, Sarah Marshall, EZA bridesmaids."
[The Big Picture · 1. ‘Bring It On’ and ‘Donnie Darko’ | Mission Accomplished · 0:02:59 · Brian Raftery (0.90)] Bring It On ↔ Erin Brockovich · theme · Both fit 2000's optimistic can-do spirit; Brockovich is called the most 2000 movie. · "which is probably the most 2000 movie to actually come out in the year 2000."
[The Rewatchables · ‘Easy A’ · 0:12:38 · Amanda Dobbins (0.70)] Ferris Bueller's Day Off ⇒ Easy A (the maker said so) · lineage · Director Will Gluck has said Ferris Bueller is his favorite movie, and Olive's Mohawk and guitar bits echo it. · "I think the director, Will Gluck, has like talked about how Ferris Bueller is, I think, his favorite movie."
[The Rewatchables · ‘Knocked Up’ · 0:03:37 · Bill Simmons (0.85)] Mean Girls ⇒ Knocked Up (the host's read) · lineage · Bill thinks Mean Girls may have been the first to figure out 'more funny than romantic, but also having the romance'. · "I feel like mean girls might have been the 1st one that figured out."
[The Big Picture · 1. ‘Bring It On’ and ‘Donnie Darko’ | Mission Accomplished · 0:07:47 · Brian Raftery (0.95)] Donnie Darko ↔ Bring It On · theme · Both feature suburban teen leads but take opposite views of American adolescence. · "Like bring it on, its main characters are suburban teens."
[The Rewatchables · ‘Easy A’ · 0:12:55 · Amanda Dobbins (0.70)] John Hughes ⇒ Easy A (the host's read) · lineage · Easy A is in open dialogue with Hughes: Olive says her life is not a John Hughes movie and the finale has a Hughes montage. · "But also she, like, literally says in the dialogue, my life isn't a John Hughes movie."
[The Rewatchables · ‘Mean Girls’ · 0:02:07 · Bill Simmons (0.85)] Fast Times at Ridgemont High ⇒ Mean Girls (the host's read) · lineage · Simmons proposes a championship-belt lineage of smart teen movies starting with Fast Times and running through Mean Girls. · "I feel like Fast Times at Ridgemont High was the 1st one."
[The Big Picture · 1. ‘Bring It On’ and ‘Donnie Darko’ | Mission Accomplished · 0:11:31 · Brian Raftery (0.85)] Bring It On ↔ The Breakfast Club · theme · Hughes-era teen movies, like Bring It On, carry grown-up ideas about class, capitalism and sexism. · "it's that they've all got some pretty grown up ideas on their mind."
[The Rewatchables · ‘Easy A’ · 0:52:04 · Amanda Dobbins (0.70)] The Scarlet Letter (Demi Moore version) ⇒ Easy A (the host's read) · lineage · The movie nods to the Scarlet Letter and its puritanical heritage; Olive jokes about watching the Demi Moore version. · "does its best or at least at times nods to the Scarlet letter and kind of like, you know, the puritanical heritage"
[The Rewatchables · ‘Mean Girls’ · 0:07:10 · Amanda Dobbins (0.60)] Clueless ⇒ Mean Girls (the host's read) · lineage · Clueless brought the teen genre back and made it female; Mean Girls inherits that more female guiding hand. · "Clueless brought the genre back and I think people missed it."
[The Big Picture · 1. ‘Bring It On’ and ‘Donnie Darko’ | Mission Accomplished · 0:12:37 · Brian Raftery (0.90)] Jessica Bendinger ⇒ Bring It On (the maker said so: her own interview, quoted on the show) · theme · Her hip hop journalism at Spin shaped the film's theme of white kids imitating black artists. · "Years later, when she got into the world of cheerleading, she saw that pattern repeating itself."
[The Rewatchables · ‘Easy A’ · 0:56:33 · Juliet Litman (0.50)] Election ⇒ Easy A (the host's read) · lineage · Olive's unbothered, stronger-than-the-bully stance continues the Tracy Flick character through Book Smart's Beanie Feldstein. · "the Tracy Flick character that we have seen just grow and grow all the way up to like the most recently book smart with Beanie Felsian's character."
[The Rewatchables · ‘Mean Girls’ · 1:16:45 · Amanda Dobbins (0.40)] Mean Girls ↔ Election · lineage · A hypothetical 'Mean Girls 2020' would have an election vibe like Tracy Flick. · "I feel like that has like an election vibe, like the Tracy Flick."
[The Big Picture · 1. ‘Bring It On’ and ‘Donnie Darko’ | Mission Accomplished · 0:43:25 · Brian Raftery (0.95)] Bring It On ↔ Donnie Darko · theme · Both work as time machines to specific moments: carefree Y2K-to-9/11, and fall 2001 fear. · "Bring it on, documents that carefree blip between Y2K and 911."
[The Rewatchables · ‘Easy A’ · 0:13:40 · Amanda Dobbins (0.70)] Easy A ↔ Mean Girls · theme · Both are self-aware teen comedies that know the tropes, though Easy A is far less vicious. · "You know, like in a way that mean girls does, though it's far less vicious than mean girls."
[The Big Picture · Oscar Nomination Predictions, ‘Mean Girls,’ and ‘All of Us Strangers’ · 0:52:22 · Sean Fennessey (0.50)] Mean Girls ⇒ Mean Girls (the host's read) · lineage · The new film reuses the original's iconic lines and jokes nearly verbatim, which Sean found a little flat because no joke lands when you know it is coming. · "they really do it verbatim, like, and so that's weird with a joke."
[The Big Picture · 1. ‘Bring It On’ and ‘Donnie Darko’ | Mission Accomplished · 0:19:46 · Brian Raftery (0.90)] Aqua ↔ Bring It On · craft · The studio's marketing team set the Bring It On trailer to the Aqua song 'Happy Boys and Girls'. · "the studio made a lively, colorful trailer, set to the Aqua song Happy Boys and Girls."
[The Rewatchables · ‘Easy A’ · 0:31:19 · Amanda Dobbins (0.45)] Easy A ↔ Book Smart · theme · Book Smart (like Easy A) has supportive parents who show up, played by Will Forte and Lisa Kudrow. · "Like we saw this in book and book smart."
[The Rewatchables · ‘Easy A’ · 0:13:40 · Amanda Dobbins (0.70)] Easy A ↔ Mean Girls · theme · Both are self-aware teen comedies that know the tropes, though Easy A is far less vicious. · "You know, like in a way that mean girls does, though it's far less vicious than mean girls."
[The Rewatchables · ‘Easy A’ · 0:49:20 · Juliet Litman (0.60)] Easy A ↔ One Tree Hill · theme · Mary Ann's clean-teen Christianity recalls the virgin-professing 'clean teens' of One Tree Hill. · "And that also reminded me of one Tree Hill, where they had the clean teens"
[The Rewatchables · ‘Mean Girls’ · 0:04:15 · Bill Simmons (0.80)] Mean Girls ↔ Cruel Intentions · theme · Cruel Intentions is argued to be a smart teen movie because it comments on the genre; Simmons says it is an adult movie using teens, coming on Rewatchables 99. · "That's actually an adult movie that's using teens, which is what makes it so weird and uncomfortable."
[speaker] Juliet Litman · latest sketch, The Rewatchables · ‘Knocked Up’ · Deeply versed in rom-coms (Nora Ephron is 'my personal god'), TV, and celebrity careers. Loves a good meal scene and a believable detail. Cannot stand a female lead with no friends or ambition. · stances: Alison has no friends and no inner life, the movie's biggest pitfall; Heigl torpedoed her own career with the Vanity Fair interview; Rom-coms of 89-05 are women-driven; Apatow flipped it; Double feature should be Adventureland
[speaker] Brian Raftery · latest sketch, The Big Picture · 5. ‘No Country for Old Men’ and ‘W.’ | Mission Accomplished · Loves slow-burn tension and scenes built on dialogue, naming the Ellis kitchen scene the best of the 2000s. Is drawn to films that capture their national moment. Has little patience for the word classic, and dry humor about presidents and haircuts. · stances: No Country for Old Men is about inevitability and powerlessness; Its 2007 release resonated with Bush-era anxiety; W. was undone by timing, not quality; Stone's late-2000s movies are best read through the decade's politics
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with She's All That (1999); name it the way the line names it. Don't recommend She's All That (1999) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.