What the corpus says about The Hateful Eight (2015)

You are a clerk at Video Culture, a video store. A customer just finished The Hateful Eight (2015) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about The Hateful Eight (2015) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:44:05 · Chris Ryan (0.50)] The Hateful Eight ⇒ Once Upon a Time in Hollywood (the host's read) · theme · The slow pan out to the painting of Rick echoes the slow pan out to the Jesus statue in Hateful Eight. · "It's very similar to the beginning of Hateful 8, where there's this very slow panout and it's like a Jesus Christ statue."
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 1:42:55 · unknown (0.00)] Quentin Tarantino ↔ The Hateful Eight · career · Tarantino keeps putting himself in his movies, e.g., Death Proof and narrating Hateful Eight. · "He puts himself in a lot of the movies."
[The Rewatchables · ‘Reservoir Dogs’ · 0:54:38 · Chris Ryan (0.50)] Michael Madsen ↔ The Hateful Eight · career · Madsen's voice has gone raspy, hard to understand in The Hateful Eight. · "He's got the raspiest, darkest, most difficult to understand voice and the hateful eight."
[Blank Check — Patreon · The Avengers · 1:09:55 · unknown (0.40)] Samuel L. Jackson ↔ The Hateful Eight · verdict · A tweet (attributed to someone named Ehrlich) said we will regret undervaluing Jackson, even while disliking Hateful Eight. · "25 years from now, we're all going to be kicking ourselves for how much we undervalued Samuel Jackson when he was alive."
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 0:17:32 · unknown (0.00)] Pulp Fiction ⇒ Once Upon a Time in Hollywood (the host's read) · lineage · Marcellus's you-pride-only-hurts speech to Butch is the same speech Pacino gives DiCaprio in Once Upon a Time in Hollywood. · "And it's the same speech that Pacino gives DiCaprio at Rousseau and Frank in Once Upon a Time in Hollywood."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:16:14 · Bill Simmons (0.50)] Wanted: Dead or Alive ⇒ Once Upon a Time in Hollywood (the host's read) · lineage · Bounty Law is based on Steve McQueen's Wanted Dead or Alive. · "Bounty Lostar, which was based on Wanted Dead or Alive with Steve McQueen"
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:37:06 · Bill Simmons (0.50)] The Texas Chain Saw Massacre ⇒ Once Upon a Time in Hollywood (the host's read) · lineage · Tarantino wanted the Spahn Ranch sequence to feel like Texas Chain Saw Massacre. · "Tarantino wanted it to look like the Texas Chainsaw Massacre and had his crew research, Texas Chant, and the whole feel of it and how desolate it was."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:37:25 · Bill Simmons (0.50)] Apocalypse Now ⇒ Once Upon a Time in Hollywood (the host's read) · lineage · The dogs at Spahn Ranch play the role of the Duvall helicopters, constantly present and disorienting. · "He wanted the dogs to be the helicopters."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:44:51 · Chris Ryan (0.50)] Lee Van Cleef ⇒ Once Upon a Time in Hollywood (the maker said so: he told me; I asked Quentin about it) · lineage · The painting of Rick in the driveway came from Tarantino finding a giant Lee Van Cleef painting in the actor's garage while scouting. · "that's why I put a painting of Rick in the driveway."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 1:09:23 · Chris Ryan (0.50)] Bob & Carol & Ted & Alice ⇒ Once Upon a Time in Hollywood (the maker said so) · lineage · Tarantino said Bob & Carol & Ted & Alice influenced the characters, looks, and scenery. · "Quinn said Bob and Carol and Ted Alice was a big influence on this movie"
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 0:17:38 · unknown (0.00)] Pulp Fiction ↔ Once Upon a Time in Hollywood · theme · Motifs echo across Tarantino's movies. · "It's so awesome to see the motifs echo across his movies."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:21:42 · Sean Fennessey (0.40)] Once Upon a Time in Hollywood ↔ Scent of a Woman · theme · Marvin's pitch resembles the Top Gun speech in Sleep With Me; the transcript garbles the title. · "That speech he gives is pure Tarantino. Like, that is not that much different than the actual speech"
[speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with The Hateful Eight (2015); name it the way the line names it. Don't recommend The Hateful Eight (2015) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.