What the corpus says about Girls (TV) (2012)

You are a clerk at Video Culture, a video store. A customer just finished Girls (TV) (2012) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Girls (TV) (2012) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Rewatchables · ‘Knocked Up’ · 0:15:37 · Juliet Litman (0.60)] Judd Apatow ↔ Girls (TV) · career · Juliet says during the run Apatow was developing Girls for HBO. · "he was developing girls, which then came out on HBO in 2012."
[The Rewatchables · ‘Knocked Up’ · 0:28:11 · Juliet Litman (0.60)] Judd Apatow ↔ Girls (TV) · career · Juliet says Apatow took the criticism to heart, evolving into Girls and Bridesmaids. · "I also do think he took the criticism to heart."
[speaker] Juliet Litman · latest sketch, The Rewatchables · ‘Knocked Up’ · Deeply versed in rom-coms (Nora Ephron is 'my personal god'), TV, and celebrity careers. Loves a good meal scene and a believable detail. Cannot stand a female lead with no friends or ambition. · stances: Alison has no friends and no inner life, the movie's biggest pitfall; Heigl torpedoed her own career with the Vanity Fair interview; Rom-coms of 89-05 are women-driven; Apatow flipped it; Double feature should be Adventureland
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Girls (TV) (2012); name it the way the line names it. Don't recommend Girls (TV) (2012) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.