What the corpus says about Hannibal (2001)

You are a clerk at Video Culture, a video store. A customer just finished Hannibal (2001) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Hannibal (2001) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[Blank Check · The Lost World: Jurassic Park · 0:26:18 · unknown (0.30)] Hannibal ↔ The Lost World: Jurassic Park · lineage · Like Crichton's Lost World, Harris wrote Hannibal under pressure from a studio wanting a sequel to a hit film adaptation. · "another example of this is Thomas Harris with Hannibal, whichever wants to make a Sansa Lamb sequel."
[Blank Check — Patreon · 2010: The Year We Make Contact · 0:18:44 · unknown (0.35)] Hannibal ↔ 2010: The Year We Make Contact · lineage · The sequel arriving a decade-plus later after audiences demanded it, over the original team's refusal, is called a real Hannibal situation. · "It's like a real Hannibal situation."
[The Rewatchables · ‘The Edge’ · 0:17:12 · Bill Simmons (0.75)] Anthony Hopkins ↔ Hannibal · career · Hannibal and Red Dragon are late-60s money grabs; Hannibal didn't work for Bill because Hopkins is much older. · "Which didn't work for me because he's so much older than he was in Silence of the Lambs, but it's a prequel."
[Blank Check — Patreon · Eclipse · 0:07:55 · David Sims (0.40)] David Slade ↔ Hannibal · career · Slade's TV work after Eclipse, called his best contribution to the culture, includes the Hannibal pilot. · "his best contribution to the culture was uh, uh, the, the Hannibal episodes."
[Blank Check · The Lost World: Jurassic Park · 0:27:00 · unknown (0.30)] Hannibal ↔ Anthony Hopkins · people · The book Hannibal set up plastic surgery so a different actor could play Lecter if Hopkins declined. · "they set up that Hamble Lecter had a lot of plastic surgery done so that they could have a different actor play the role if necessary."
[Blank Check — Patreon · Panic Room · 0:59:13 · David Sims (0.60)] Jodie Foster ↔ Hannibal · turned down · Foster turned down $15 million to be in Hannibal, calling it gross, and was attacked in the press. · "Jody Foster had famously to turn down $15 million to be in Hannibal because she thought it was."
[Blank Check — Patreon · Panic Room · 0:59:44 · unknown (0.40)] Julianne Moore ↔ Hannibal · replaced Foster · Julianne Moore replaced Foster as Starling. · "I mean, Julie Moore replaces."
[Blank Check · Dune · 2:54:20 · unknown (0.40)] 2001: A Space Odyssey ⇒ 2010: The Year We Make Contact (the host's read) · lineage · 2010 was made because the novel sequel existed, a movie made just because they had to. · "Because Arthur C. Clark had come out with a 2010 novel."
[Blank Check · The Lost World: Jurassic Park · 0:25:44 · unknown (0.30)] The Lost World ⇒ The Lost World: Jurassic Park (the host's read) · lineage · Crichton's sequel novel pays homage to Doyle's 1912 Lost World about an island of dinosaurs. · "the novelist has also decided to sort of pay homage to Arthur Conan Doyle's 1912 or whatever book, The Lost World."
[Blank Check — Patreon · 2010: The Year We Make Contact · 0:02:34 · unknown (0.40)] 2001: A Space Odyssey ⇒ 2010: The Year We Make Contact (the host's read) · lineage · 2010 is the sequel to 2001; the speaker's reaction to the Kubrick film is the benchmark throughout. · "And I said, oh, you know, 2010, the sequel to 2001 and they were like, the what?"
[Blank Check · The Lost World: Jurassic Park · 1:03:46 · unknown (0.30)] Jurassic Park ⇒ The Lost World: Jurassic Park (the host's read) · lineage · The hosts judge the sequel as normalizing the dinosaurs too fast and dropping the wonder-before-terror structure of the original. · "This movie normalizes the dinosaurs way too much."
[Blank Check — Patreon · 2010: The Year We Make Contact · 0:17:20 · unknown (0.40)] 2010: Odyssey Two (novel) ⇒ 2010: The Year We Make Contact (the host's read) · lineage · The film exists because Clarke published the sequel novel. · "Arthur C. Clark, of course, did publish a sequel to 2001 called 2010."
[Blank Check · The Lost World: Jurassic Park · 1:24:22 · unknown (0.30)] King Kong ⇒ The Lost World: Jurassic Park (the host's read) · theme · The T-Rex escaping a boat into a city is called a predictable King Kong move. · "We've all seen King Kong."
[Blank Check — Patreon · 2010: The Year We Make Contact · 0:18:58 · unknown (0.30)] The Silence of the Lambs ↔ 2010: The Year We Make Contact · lineage · Jokes that Clarke's sequel is a straightforward explainer while Thomas Harris went for the most hateful story imaginable. · "But of course, I would say Arthur C. Clark wrote a pretty sort of straightforward sci-fi sequel book that does try to explain what was going on in 2001, whereas Thomas Harris ripped his guts open"
[Blank Check · The Lost World: Jurassic Park · 0:38:20 · unknown (0.30)] The Lost World: Jurassic Park ↔ The Pink Panther · craft · The sequel feels like deleted scenes from the first film with wraparound Goldblum footage, like the Pink Panther movie built from cut scenes after Peter Sellers died. · "this just feels like deleted scenes from the 1st Jurassic Park with some wraparound footage of Goldberg."
[Blank Check — Patreon · 2001: A Space Odyssey · 0:11:43 · Jordan Hoffman (0.70)] 2001: A Space Odyssey ⇒ 2010: The Year We Make Contact (the host's read) · lineage · The film has a sequel, and Clarke wrote three sequel novels. · "Obviously, the sequel exists."
[Blank Check · The Lost World: Jurassic Park · 0:52:24 · Griffin Newman (0.40)] The Lost World: Jurassic Park ↔ John Williams · craft · A host credits Williams for holding back his main Jurassic Park theme in the score until the end credits. · "Williams, to his credit, does not use his theme until the credits."
[Blank Check — Patreon · 2010: The Year We Make Contact · 0:06:48 · unknown (0.35)] 2010: The Year We Make Contact ↔ Interstellar · theme · The speaker finds 2010 closer in feel to Interstellar than to 2001. · "I found it interesting that in a lot of ways this movie feels less like dumb 2001 to me and more like dumb interstellar."
[Blank Check — Patreon · Guardians of the Galaxy · 1:22:33 · unknown (0.30)] Jeff Goldblum ↔ The Lost World: Jurassic Park · craft · The Lost World shows why that second-lead model fails when he becomes the lead. · "And that's why Lost World is not a great idea."
[Blank Check — Patreon · 2010: The Year We Make Contact · 0:07:48 · unknown (0.35)] 2010: The Year We Make Contact ↔ Creed · theme · The Zarathustra cue at the end is likened to Gonna Fly Now at the end of Creed: a movie that earned the right to the cue. · "It almost feels like fucking gonna fly now playing at the end of Creed where you're like, the movie's worked this hard to earn the right."
[Blank Check — Patreon · 2010: The Year We Make Contact · 0:28:11 · unknown (0.40)] 2010: Odyssey Two (novel) ⇒ 2010: The Year We Make Contact (the maker said so) · theme · Dr. Chandra is Indian in the book; the film made him American, per Balaban. · "Bob Balaban said they changed his nationalities from Indian to American because they thought it would be confusing to have another nationality who've got the Russians and the Americans up there."
[speaker] David Sims · latest sketch, Blank Check · The Last Temptation of Christ · Prepares history: novel, casting, budgets, box office. Reveres the film and thinks it reads as a normal ground-level story. A sucker for Hollywood deal backstory and box office game. · stances: Praises Keitel and Dafoe casting; Respects Scorsese's persistence and Corman discipline; The film is now well regarded though not 'canonical Marty'
[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Hannibal (2001); name it the way the line names it. Don't recommend Hannibal (2001) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.