What the corpus says about The American President (1995)

You are a clerk at Video Culture, a video store. A customer just finished The American President (1995) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about The American President (1995) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · Aaron Sorkin Top 5s and ‘The Trial of the Chicago 7’ · 1:02:11 · Amanda Dobbins (0.80)] The American President ⇒ The West Wing (TV series) (the host's read) · lineage · The film is a test case for the West Wing, sharing actors like Martin Sheen and ideals. · "it is a lot of ways a test case for the West Wing"
[The Big Picture · Aaron Sorkin Top 5s and ‘The Trial of the Chicago 7’ · 1:03:23 · Amanda Dobbins (0.60)] The American President ↔ Malice · craft · The president's declarative speech is compared with Alec Baldwin's 'I am God' kicker. · "I think I am the president is only rivaled by, I am God, Alec Baldwin's kicker at the end of that film."
[The Big Picture · Aaron Sorkin Top 5s and ‘The Trial of the Chicago 7’ · 1:05:18 · Sean Fennessey (0.55)] The American President ↔ Aaron Sorkin · theme · The film is Sorkin's broadest political work, and a training ground for the West Wing. · "it's his broadest political work, which in some ways to me means that it's the best"
[The Rewatchables · ‘The War of the Roses’ · 0:06:45 · Amanda Dobbins (0.60)] Michael Douglas ↔ The American President · career · For the younger speaker the first Michael Douglas movie was The American President, which made his dark turns a shock. · "the 1st Michael Douglas movie I saw was the American president."
[The Big Picture · ‘Captain Marvel’ Is a ’90s Nostalgia Play. Did It Work? | Exit Survey · 0:40:17 · Amanda Dobbins (0.70)] Annette Bening ↔ The American President · career · Amanda adds The American President as a 90s movie Sean did not mention, deeply problematic but loved. · "A 90s movie that you didn't mention is the American president, which is deeply problematic, but also I love it"
[The Big Picture · Aaron Sorkin Top 5s and ‘The Trial of the Chicago 7’ · 1:06:26 · Sean Fennessey (0.60)] The American President ↔ Rob Reiner · people · Rob Reiner directed it and A Few Good Men; he will come up again. · "Another in the in the Rob Reiner Hall of Fame"
[The Big Picture · Aaron Sorkin Top 5s and ‘The Trial of the Chicago 7’ · 0:35:28 · Amanda Dobbins (0.70)] The American President · fun · The president really should not date a lobbyist. · "The president shouldn't date a lobbyist."
[The Big Picture · Aaron Sorkin Top 5s and ‘The Trial of the Chicago 7’ · 0:36:24 · Amanda Dobbins (0.70)] The American President · fun · Amanda showed the VHS to a Republican friend's dad at a sleepover: too liberal for him. · "I just remember him saying, he's too liberal for me."
[The Big Picture · Aaron Sorkin Top 5s and ‘The Trial of the Chicago 7’ · 1:11:03 · Amanda Dobbins (0.65)] Sports Night (TV series) ⇒ The West Wing (TV series) (the host's read) · lineage · Whole plot lines were tested in Sports Night and reused on the West Wing, written simultaneously. · "just whole plot lines are tested out on spot on Sports Night and then repurposed on the West Wing."
[The Big Picture · Aaron Sorkin Top 5s and ‘The Trial of the Chicago 7’ · 1:26:29 · Amanda Dobbins (0.60)] The West Wing (TV series) ↔ A Few Good Men · craft · Cruise and Nicholson are the best single Sorkin performances, but the West Wing ensemble is best because Sorkin could write for them. · "Tom Cruise and Jack Nicholson are the best single Sorkin performances"
[speaker] Amanda Dobbins · latest sketch, The Big Picture · ‘Mamma Mia!’ Meets ‘The Strangers'! It’s a Movie Swap! · Loves The Strangers' withholding craft and a good tense horror film without gore, but likes fun, communal movies like Mamma Mia. She dislikes supernatural or gory horror, which irritates her more than it scares her. She is a sucker for stars and for Googling a movie mid-recording. · stances: The Strangers is scary because of what it doesn't show or explain; Ending explanation weakens it; no answer would be better; Prefers 'withholding' filmmaking; Defends Mamma Mia as joyful and intentional
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with The American President (1995); name it the way the line names it. Don't recommend The American President (1995) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.