What the corpus says about Sleeping with the Enemy

You are a clerk at Video Culture, a video store. A customer just finished Sleeping with the Enemy and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Sleeping with the Enemy and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Rewatchables · ‘The War of the Roses’ · 1:08:47 · unknown (0.30)] The War of the Roses ↔ Sleeping with the Enemy · theme · Other movie houses the speakers suggest as better than the Roses mansion. · "What about the sleeping with the enemy house that she ended up staying in?"
[Blank Check — Patreon · A Clockwork Orange · 1:53:25 · Griffin Newman (0.50)] A Clockwork Orange → Sleeping with the Enemy · craft · The speakers ask whether this was the first film to make a love of classical music a mark of evil; then joke about Sleeping with the Enemy. · "Is this the 1st movie to make, like, for classical, like a love of classical music, this person is actually really evil."
[The Rewatchables · ‘Domestic Disturbance’ · 0:08:02 · unknown (0.30)] Vince Vaughn ↔ Sleeping with the Enemy · career · A non-star going into one of these roles can vanish, as Patrick Bergin did after Sleeping with the Enemy. · "you turn out to be Patrick Bergen and sleeping with the enemy"
[The Rewatchables · A CR Month Mailbag! · 1:12:26 · unknown (0.40)] Patrick Bergin ↔ Sleeping with the Enemy · career · Bergin is a retroactive winner of the Buffalo Bill award: so distinct a villain he cannot be unwatched. · "But sleeping with the enemy, you just seen him going, right."
[Blank Check — Patreon · Fight Club · 2:43:02 · unknown (0.35)] A Clockwork Orange ↔ Fight Club · programming · Fight Club is called the Clockwork Orange of another generation, an Edge Lord pick. · "This is kind of the clockwork Orange for another generation."
[The Rewatchables · ‘The War of the Roses’ · 1:32:05 · Mallory Rubin (0.45)] The War of the Roses ↔ Body Heat · programming · Triple-feature pitch: Roses with Body Heat and Fatal Attraction. · "I do think we should be pairing this with both body heat and fatal attraction."
[The Big Picture · The Final Girl Film Canon and ‘Teenage Sex and Death at Camp Miasma’ · 0:22:08 · Adam Nayman (0.55)] A Clockwork Orange ⇒ Teenage Sex and Death at Camp Miasma (the host's read) · lineage · The contrapuntal needle drop descends from Singin' in the Rain in Clockwork Orange and Stuck in the Middle with You in Reservoir Dogs. · "all the way back to singing in the rain in Clockwork Orange or stuck in the middle with you in, in, in, in Reservoir dogs."
[The Rewatchables · ‘The War of the Roses’ · 1:32:10 · Mallory Rubin (0.45)] The War of the Roses ↔ Fatal Attraction · programming · Pair an erotic-thriller double with Roses for a full day of 80s marriage trouble. · "I think that should be like we get an erotic thriller with both of them and then we watch this"
[Blank Check — Patreon · A Clockwork Orange · 1:20:24 · unknown (0.30)] Anthony Burgess ⇒ A Clockwork Orange (the host's read) · lineage · The film adapts Burgess's novel, and Kubrick found he had to change very little. · "Kubrick reads the book and is like, I didn't have to do much."
[The Rewatchables · ‘The War of the Roses’ · 1:32:18 · unknown (0.30)] The War of the Roses ↔ Romancing the Stone · programming · The speakers pair Roses with Romancing the Stone for the other end of the Douglas/Turner spectrum. · "I was going to say romance in the stone just to get the other end of the spectrum."
[Blank Check — Patreon · A Clockwork Orange · 1:22:36 · Alex Ross Perry (0.60)] Vinyl ↔ A Clockwork Orange · lineage · The speakers note there is an unwatchable Warhol version of this same book. · "Well, of course, you know, you mentioned Warhol, but of course there's the unwatchable Warhol version of this book."
[The Rewatchables · ‘The War of the Roses’ · 1:32:43 · unknown (0.30)] The War of the Roses ↔ Mr. & Mrs. Smith · programming · Mr. & Mrs. Smith is the lighter double feature since the couple also wreck the house but it works out. · "Because they tear up the house in the same way, but then it kind of works out, at least in the movie."
[Blank Check — Patreon · A Clockwork Orange · 1:28:51 · Alex Ross Perry (0.80)] A Clockwork Orange ⇒ Her Smell (the maker said so: Alex Ross Perry, the writer of Her Smell, speaking on this episode) · lineage · The speaker says the film's five-act structure was a huge inspiration while writing Her Smell. · "This movie, I think, and this was a huge inspiration in when I was writing her smell."
[The Rewatchables · ‘The War of the Roses’ · 0:56:37 · unknown (0.30)] The War of the Roses ⇒ Game of Thrones (the host's read) · lineage · The actual historical Wars of the Roses was a big inspiration for Game of Thrones. · "Big inspiration for Game of Thrones."
[Blank Check · Star 80 · 0:33:34 · Julie Klausner (0.50)] Star 80 ↔ A Clockwork Orange · theme · Kael's charge that Clockwork Orange was prurient and pitied only Alex is applied to Star 80 and Snyder. · "I think the only sympathy that you see from the filmmaker is with Paul Snyder."
[The Rewatchables · ‘The War of the Roses’ · 1:37:30 · Craig Horlbeck (0.50)] The War of the Roses ↔ Gone Girl · lineage · Roses is described as a prequel to Gone Girl; it could have pivoted to Turner killing Douglas and going on the run. · "This movie's kind of a prequel to Gone Girl."
[Blank Check — Patreon · A Clockwork Orange · 0:47:02 · Alex Ross Perry (0.50)] Dr. Strangelove ↔ A Clockwork Orange · theme · Strangelove, 2001, and this film are the clearest examples of his theme of technology that hastens man's downfall. · "Dr. Strangelove in 2001. And this movie are very literal examples of that, of that theme for sure."
[The Big Picture · The 10 Best Horror Movies of the Decade | The Big Picture · 1:14:24 · unknown (Alexander or Karaszewski) (0.40)] The War of the Roses ⇒ Problem Child (the maker said so: the writer's own account on the show) · lineage · They had pitched Problem Child to be a grown-up dark comedy like The War of the Roses. · "talked about the War of the Roses"
[Blank Check — Patreon · A Clockwork Orange · 0:48:11 · Alex Ross Perry (0.60)] 2001: A Space Odyssey ↔ A Clockwork Orange · theme · The Ludovico technique takes the technology theme and makes it the main course. · "And the Ludovico technique in this movie is just that writ large, which is why I love this movie so much"
[The Rewatchables · ‘The War of the Roses’ · 0:02:41 · unknown (0.30)] The War of the Roses ↔ Kramer vs. Kramer · theme · Roses may be the more on-point childhood divorce movie than Kramer, and the two anchor any divorce-movie pantheon. · "But this might actually be the more on point childhood divorce movie for me."
[speaker] Griffin Newman · latest sketch, Blank Check · The Last Temptation of Christ · Calls Last Temptation his college-era favorite Scorsese; loves Scorsese's smaller 80s and the film's closing transcendence and Gabriel score. Cannot stand fundamentalist outrage at it. A sucker for casting trivia and Tom Cruise-silliness. · stances: Hot take: Last Temptation structurally mirrors New York, New York as a better version; Outrage over the film is stupid; it is respectful to Jesus; Scorsese's smaller 80s work beats his later baroque phases
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Sleeping with the Enemy; name it the way the line names it. Don't recommend Sleeping with the Enemy itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.