What the corpus says about The Good Son (1993)

You are a clerk at Video Culture, a video store. A customer just finished The Good Son (1993) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about The Good Son (1993) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Rewatchables · ‘Domestic Disturbance’ · 1:33:41 · Bill Simmons (0.40)] Domestic Disturbance ↔ The Good Son · programming · The Good Son (another from-hell movie, already done) is the following week's episode. · "Well, we did this out of sequence, but good, uh, the good sun, which we've already done is coming next week"
[The Rewatchables · ‘What About Bob?’ · 1:16:00 · Bill Simmons (0.70)] What About Bob? ↔ The Good Son · theme · Bill says the lake house is one thing, but the house in The Good Son was probably made up; leads to Culkin evil-kid horror. · "Here's here's where this game ends when you see the house from the good house from the good son."
[The Rewatchables · ‘Domestic Disturbance’ · 1:31:02 · unknown (0.30)] The Good Son ↔ Domestic Disturbance · what-if · A crossover where Culkin's Good Son killer meets this movie's villain. · "It would be kind of amazing if Culkin was doing good sun in this movie."
[The Rewatchables · ‘What About Bob?’ · 1:17:05 · Bill Simmons (0.70)] The Good Son ↔ Brightburn · evil-kid horror · Evil-kid horror lineage: The Good Son, The Omen, Orphan, and Brightburn (Superman-as-alien child). · "He made a movie called Brightburn. Oh, Brightburn's great."
[The Rewatchables · ‘Domestic Disturbance’ · 0:36:44 · Bill Simmons (0.40)] Roger Ebert ↔ The Good Son · verdict · Ebert's Domestic Disturbance rating is compared with his half-star for The Good Son. · "Last week, Good Son was a half star when we recorded that."
[Blank Check · Fearless · 2:50:02 · David Sims (0.50)] The Good Son ↔ Macaulay Culkin · dubbing · Culkin's swearing was overdubbed to protect his image. · "They had to overdub him swearing because they didn't want it to if they wanted to be able to say he's still like he is not sullied by the swear words."
[pairs] The Good Son ↔ Domestic Disturbance · said 2 times in 1 episode
[The Rewatchables · ‘Domestic Disturbance’ · 0:04:54 · Bill Simmons (0.50)] Fatal Attraction ⇒ Domestic Disturbance (the host's read) · lineage · Domestic Disturbance is the late, bad entry in the 'from hell' thriller cycle that began with Fatal Attraction. · "We had this really good run that starts with fatal fatal attraction into the 80s."
[The Rewatchables · ‘What About Bob?’ · 0:46:51 · Sean Fennessey (0.90)] What About Bob? ↔ Pacific Heights · lineage · Sean calls What About Bob? a logical successor to Pacific Heights, part of the late-80s/early-90s 'from hell' subgenre where a transactional acquaintance won't leave your life. · "Think of this movie as a logical successor to Pacific Heights. It is it is the same thing."
[The Rewatchables · ‘Domestic Disturbance’ · 0:05:18 · unknown (0.30)] Domestic Disturbance ↔ Changing Lanes · lineage · Changing Lanes is named as another 2000s 'from hell' picture (road rage from hell) alongside Domestic Disturbance. · "Oh yeah. With Sam Jackson and Ben Affleck, the road rage from hell."
[The Rewatchables · ‘What About Bob?’ · 1:12:11 · Van Lathan (0.60)] What About Bob? ↔ In Treatment · lineage · A 10-episode remake would be hard; In Treatment is the nearest show, tracking patients over years. · "I mean, in treatment was the show and treatment was kind of sort of like this."
[The Rewatchables · ‘Domestic Disturbance’ · 0:05:22 · Bill Simmons (0.40)] Domestic Disturbance ↔ One Hour Photo · lineage · One Hour Photo is cited as the 2000s photo-developer-from-hell entry in the same cycle. · "You get one hour photo with Robin Williams."
[The Rewatchables · ‘What About Bob?’ · 1:13:09 · Bill Simmons (0.60)] What About Bob? ↔ Meet the Fockers · lineage · Bill's sequel idea: Analyze That, Meet the Fockers. · "Analyze that, meet the Fokkers."
[The Rewatchables · ‘Domestic Disturbance’ · 0:07:10 · unknown (0.30)] The Stepfather ⇒ Domestic Disturbance (the host's read) · lineage · Domestic Disturbance is a stepfather-from-hell movie, a premise already done by The Stepfather. · "Which, by the way, we'd already done with the stepfather with Terry Quinn."
[Blank Check · An Angel at My Table · 1:34:07 · unknown (0.30)] What About Bob? ↔ Frank Grimes · theme · Dreyfuss's therapist is likened to Frank Grimes, the lone person who sees the intolerable guy for what he is. · "He's the only one who understands that this person is intolerable."
[The Rewatchables · ‘Domestic Disturbance’ · 0:06:48 · unknown (0.30)] Domestic Disturbance ↔ Single White Female · theme · The cycle can be read as 80s-90s anxiety (AIDS, a foreign presence coming in) and class/yuppie fear. · "there's like the AIDS crisis and movies like single white female and this idea of like some foreign presence coming in and changing your life"
[The Rewatchables · ‘What About Bob?’ · 0:17:15 · Sean Fennessey (0.90)] What About Bob? ↔ Analyze This · theme · Both are silly-seeming comedies staffed by hugely accomplished crews, which makes them better. · "a ton of people that are incredibly accomplished working on a movie that seems really silly and it makes the movie that much better."
[The Rewatchables · ‘Domestic Disturbance’ · 0:11:56 · unknown (0.30)] Domestic Disturbance ↔ Zoolander · theme · Zoolander is now beloved, but the post-9/11 audience was not ready for a comedy. · "Even though the movie's beloved now."
[The Rewatchables · ‘What About Bob?’ · 1:09:39 · Van Lathan (0.60)] What About Bob? ↔ The Bourne Identity · theme · Bob's pretending to be someone else to track the doctor is likened to Jason Bourne or Ethan Hunt spycraft. · "Jason Bourne, like CIA detective skills to go in there and pretend to be somebody else, Ethan Hutt skills"
[The Rewatchables · ‘Domestic Disturbance’ · 0:17:46 · Chris Ryan (0.30)] Domestic Disturbance ↔ Domestic Disturbance · theme · The movie is mashed from TV-movie formulas: an ABC after school special about a first dad and his son. · "It's basically an ABC after school special of like the 1st dad trying to keep his relationship with his son."
[The Rewatchables · ‘What About Bob?’ · 0:35:13 · Sean Fennessey (0.70)] Michael Ballhaus ↔ What About Bob? · craft · Sean says Ballhaus shoots the scene of Siggy scaring Bob like a horror scene, with two heads in the frame, one in back and one in front. · "that's Michael Bauhaus. He's shooting that scene like it's a horror scene, you know, like the 2 heads in the frame, like one in the back and one in the front."
[The Rewatchables · ‘Domestic Disturbance’ · 1:09:56 · unknown (0.30)] Domestic Disturbance ↔ Cape Fear (Apple TV series) · theme · The movie's turn-your-brain-off logic is compared to Apple's Cape Fear. · "This is the entirety of Apple's Cape Fear right now."
[The Rewatchables · ‘What About Bob?’ · 0:45:12 · Van Lathan (0.70)] What About Bob? ↔ National Lampoon's Vacation · craft · Both reflect a time when comedies let protagonists do outrageous things; Clark Griswold kidnaps people at the end of Vacation. · "Well, vacation was like that too. Remember, at the end, Clark Chris, like he kidnaps people."
[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[speaker] David Sims · latest sketch, Blank Check · The Last Temptation of Christ · Prepares history: novel, casting, budgets, box office. Reveres the film and thinks it reads as a normal ground-level story. A sucker for Hollywood deal backstory and box office game. · stances: Praises Keitel and Dafoe casting; Respects Scorsese's persistence and Corman discipline; The film is now well regarded though not 'canonical Marty'
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with The Good Son (1993); name it the way the line names it. Don't recommend The Good Son (1993) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.