What the corpus says about Mean Streets (1973)

The 52 lines php artisan corpus:ask hands a model, in the order it gets them, and nothing else. The model writes a clerk's answer from these and only these.

What was said about it (10)

[The Rewatchables · ‘Rocky’ · 0:10:16 · Chris Ryan (0.40)] Rocky ↔ Mean Streets · lineage · Rocky is essentially Stallone making Mean Streets. · "It's essentially like Stallone making mean streets."
[The Rewatchables · ‘Saturday Night Fever’ · 0:28:04 · Bill Simmons (0.85)] Saturday Night Fever ↔ Mean Streets · lineage · Ebert, read aloud, ties the film to Little Italy as Scorsese saw it in Mean Streets: characters with few aims and no way out. · "it reminds him of New York's Little Italy, as Martin Scorsese saw it"
[The Rewatchables · ‘Beverly Hills Cop’ · 0:32:22 · Sean Fennessey (0.40)] Beverly Hills Cop ↔ Mean Streets · lineage · The Detroit opening with the two guys in the truck has a Mean Streets moment that distinguishes it from other 80s blockbusters. · "I love the fact that they just like kind of have this mean streets moment in the beginning of this movie."
[The Big Picture · The ‘Babylon’ Watch-Along · 0:24:42 · unknown (0.30)] Mean Streets ⇒ Boogie Nights (the maker said so: the Boogie Nights commentary track) · lineage · Per the commentary track, Anderson lifted images from Mean Streets, Goodfellas and other Scorsese films for Boogie Nights. · "Paul Thomas Anderson explained how he just ripped off images he saw in Mean Streets or in Goodfellas"
[The Rewatchables · ‘Saturday Night Fever’ · 0:10:57 · Bill Simmons (0.80)] Saturday Night Fever ↔ Mean Streets · theme · 70s and 80s films tried to capture a city or group; Scorsese did it in Mean Streets with people who are not great either. · "like, you know, mean streets, Scorsese does that."
[Blank Check · The Last Temptation of Christ · 2:18:50 · Jamelle Bouie (0.40)] The Last Temptation of Christ ↔ Mean Streets · career · The Jesus figure runs through Scorsese's whole filmography back to Mean Streets. · "But what's like this Jesus is as central of this guy's entire filmography as anything?"
[Blank Check · Raging Bull · 1:56:08 · Griffin Newman or David Sims (0.40)] Raging Bull ↔ Mean Streets · people · Mean Streets feels like a director falling in love with De Niro, which carries through to this film. · "Well, you watch Mean Streets and it feels like watching a director fall in love."
[Blank Check · Look Who's Talking · 0:41:46 · unknown (0.30)] Look Who's Talking ↔ Mean Streets · aspiration · Heckerling saw the hit potential but wanted to make something like Mean Streets, not a cute family movie. · "I can see how this would be a hit, but I kind of want to do like mean streets."
[Blank Check · After Hours · 0:14:53 · unknown host (0.40)] Amy Robinson ↔ Mean Streets · credit · Robinson, After Hours co-producer, was the female lead in Mean Streets; that's how she knew Scorsese. · "His producing partner is Amy Robinson, who was the female lead in Mean Streets."
[Blank Check · After Hours · 2:01:17 · unknown host (0.35)] Verna Bloom ↔ Mean Streets · behind the scenes · Bloom helped get Mean Streets made; she was married to Jay Cocks. · "For getting Mean Streets made."

Films put beside it more than once (1)

[pairs] Mean Streets ↔ Saturday Night Fever · said 2 times in 1 episode

Fun items about it (1)

[The Big Picture · Physical Media Strikes Back · 0:24:40 · Tim Simons (0.55)] Mean Streets · fun · Found a copy of Mean Streets for $4 at a pawn shop on a vacation in Maine. · "I found a copy of Mean Streets for $4."

One hop out: what recommends the films most often joined to it (32)

[The Rewatchables · ‘Rocky’ · 1:44:41 · Chris Ryan (0.40)] Rocky ↔ Saturday Night Fever · programming · Watching Rocky made Chris Ryan want to watch Saturday Night Fever as a double feature. · "This movie made me want to watch Saturday Night Fever for some reason."
[The Rewatchables · ‘Beverly Hills Cop’ · 1:09:37 · Bill Simmons (0.50)] Beverly Hills Cop ⇒ Shawn Ryan (the host's read) · programming · Shawn Ryan tried a Beverly Hills Cop TV show; CBS made a pilot that didn't work. · "that CBS did a pilot for and apparently it didn't work."
[The Big Picture · The ‘Babylon’ Watch-Along · 0:24:42 · unknown (0.30)] Damien Chazelle ↔ Boogie Nights · lineage · A speaker likens Chazelle's visible influences to Paul Thomas Anderson openly ripping off Scorsese in Boogie Nights. · "when I watched the commentary track for boogie nights, and Paul Thomas Anderson explained how he just ripped off images he saw in Mean Streets or in Goodfellas or in all the Scorsese movies."
[Blank Check · Look Who's Talking · 2:00:10 · unknown (0.30)] Look Who's Talking ⇒ Baby's Day Out (the host's read) · lineage · The baby-escapes-in-a-towed-car sequence is claimed as the origin of Baby's Day Out. · "I feel like that entire, like the entirety of like baby's day out is based on that sequence in this movie."
[The Rewatchables · ‘Rocky’ · 1:44:35 · Van Lathan (0.45)] Rocky ↔ Raging Bull · programming · Another double-feature choice, Raging Bull, picked by one host. · "I go Raging Bull."
[The Rewatchables · ‘Saturday Night Fever’ · 0:51:04 · Jimmy Kimmel (0.70)] Saturday Night Fever ↔ Dance Fever · programming · Kimmel adds Dance Fever, the syndicated dance show, as a thing that aged well from the film's influence. · "I was going to throw in Denny Terrio's Dance Fever show"
[The Rewatchables · ‘Beverly Hills Cop’ · 1:09:39 · Bill Simmons (0.50)] Beverly Hills Cop ↔ Brandon T. Jackson · programming · In the pilot Brandon T. Jackson played Axel Foley's son. · "Brandon T. Jackson was Axel Foley's son."
[Blank Check · Star 80 · 0:02:45 · David Sims (0.50)] Star 80 ↔ Boogie Nights · theme · Star 80 produces the same turn-it-off discomfort as the firecracker scene in Boogie Nights. · "Combined with the firework, the firecracker scene in boogie nights."
[Blank Check · Look Who's Talking · 2:18:01 · David Sims (0.40)] Look Who's Talking ⇒ Look Who's Talking Too (the host's read) · lineage · The sequel keeps Willis, adds Roseanne for Joan Rivers, Damon Wayans, and Mel Brooks as Mr. Toilet. · "Roseanne Barr replaces Joan Rivers."
[Blank Check · Raging Bull · 1:55:42 · unknown host (0.30)] Raging Bull ⇒ The King of Comedy (the host's read) · lineage · King of Comedy is a part-2 of sorts about a delusional comedian, echoing LaMotta's stand-up, and is part of a De Niro trilogy with Taxi Driver. · "There's the king of comedy, the spiritual sequel to Raging Bull."
[The Rewatchables · ‘Saturday Night Fever’ · 1:26:36 · Jimmy Kimmel (0.80)] Saturday Night Fever ↔ Good Times · programming · Kimmel's live ABC recreation specials led to the Good Times mention. · "Oh, since we're talking about good times."
[The Rewatchables · ‘Beverly Hills Cop II’ · 0:07:52 · Chris Ryan (0.70)] 1970s cop movies ⇒ Beverly Hills Cop (the host's read) · lineage · The first film feels like an extension of 70s cop movies, especially the Detroit material, while the sequel feels glossy and 80s. · "There's a world in which that almost feels like an extension of like 70s cop movies."
[The Big Picture · The Top Five Movies of 2022 · 0:42:10 · Sean Fennessey (0.85)] Babylon ↔ Boogie Nights · theme · Sean says the Boogie Nights comparison for Babylon is apt, though he thinks the characterization is weaker. · "The Boogie Nights comparison has been made frequently."
[Blank Check · Look Who's Talking · 1:11:43 · unknown (0.30)] Kirstie Alley ↔ Look Who's Talking · theme · Her Cheers character is a man-written career woman chasing rich men; the film writes the same character with intelligence and compassion. · "this feels like the same character boat written like intelligently and compassionately."
[Blank Check · Raging Bull · 1:58:33 · Griffin Newman or David Sims (0.40)] Italianamerican ⇒ Raging Bull (the host's read) · lineage · Scorsese's parents fighting in Italianamerican and American Boy taught him the rhythm replicated in Raging Bull's family fight scenes. · "And so much of his parents fighting in Italian American is the feeling of the family fight scenes in this movie."
[The Rewatchables · ‘Saturday Night Fever’ · 0:17:23 · Bill Simmons (0.85)] Nik Cohn ⇒ Saturday Night Fever (the host's read) · lineage · The film comes from a 1976 New York magazine article, later admitted to be mostly fabricated. · "this article written by Nick Cohen"
[The Rewatchables · ‘Beverly Hills Cop’ · 0:08:03 · unknown (0.40)] Beverly Hills Cop ↔ Dirty Harry · lineage · The film plays closer to a 70s crime movie like Dirty Harry or The Outfit than to an 80s action blockbuster. · "this movie's way closer to like Dirty Harry or the outfit or 7, like a 70s crime movie than it is like our idea of like 80s action blockbuster."
[The Rewatchables · ‘The Big Chill’ · 0:22:01 · unknown (0.40)] The Big Chill ↔ Boogie Nights · craft · The Big Chill is like Boogie Nights: a movie where the song list in order basically plays like a jukebox. · "This is a movie where you can make a Spotify playlist of all the songs in order of when they're in the movie"
[Blank Check · Look Who's Talking · 2:14:39 · Hillary Busis (0.40)] Parenthood ↔ Look Who's Talking · theme · Parenthood, number seven that week, is a more mature parenting film; parenting movies are rarer than pregnancy movies. · "There's a lot more pregnancy movies than like actual parenting movies."
[Blank Check · Raging Bull · 1:08:55 · Griffin Newman or David Sims (0.40)] Rocky ⇒ Raging Bull (the maker said so) · theme · Scorsese shot in black and white to differentiate from Rocky-era bright red-white-and-blue boxing movies, and producer Winkler produced both. · "Number one, I want to differentiate from the Rockies and all the other sort of boxing movies right now."
[The Rewatchables · ‘Saturday Night Fever’ · 0:50:19 · Jimmy Kimmel (0.50)] Saturday Night Fever ⇒ Airplane! (the host's read) · lineage · Airplane! parodies this film's romance scene three years later with Robert Hays and Julie Hagerty. · "The airplane parody scene."
[The Rewatchables · ‘Beverly Hills Cop’ · 0:08:03 · unknown (0.40)] Beverly Hills Cop ↔ The Outfit · lineage · Grouped with Dirty Harry as a 70s crime-movie ancestor. · "this movie's way closer to like Dirty Harry or the outfit or 7, like a 70s crime movie"
[The Rewatchables · ‘Thief’ · 0:20:32 · Bill Simmons (0.50)] Thief ↔ Boogie Nights · craft · Caan's collapse-into-tears move recalls Wahlberg breaking down in Boogie Nights. · "Wahlberg and Boogie Nights, like when he breaks down in the bedroom with his mom."
[Blank Check · Raging Bull · 1:55:47 · unknown host (0.30)] Raging Bull ↔ Taxi Driver · theme · The speaker groups Taxi Driver, Raging Bull and King of Comedy as De Niro plumbing damaged psychologies. · "It's part of a trilogy with Taxi Driver."
[The Rewatchables · ‘Saturday Night Fever’ · 0:50:52 · Jimmy Kimmel (0.80)] Saturday Night Fever ⇒ Mad Magazine's Saturday Night Fever parody (the host's read) · lineage · Kimmel says he read the Mad parody before he saw the movie. · "I think maybe I probably read the parody of the movie before I saw the movie."
[The Rewatchables · ‘Beverly Hills Cop’ · 0:08:19 · unknown (0.40)] Beverly Hills Cop ↔ Richard Roundtree · lineage · The film is called a blaxploitation movie with one of the few true movie-star performances, and Roundtree is named as the only true movie star of that era. · "black exploitation movie with like one of the few movie star performances."
[Blank Check · Raging Bull · 0:59:47 · Griffin Newman or David Sims (0.40)] Raging Bull ↔ Walk Hard: The Dewey Cox Story · craft · Schrader's draft intercut a whole life like the later Dewey Cox style that many biopics now follow, before Raging Bull used bookends and one flashback. · "Dewey Cox style originally was more the structure of the movie."
[The Rewatchables · ‘Saturday Night Fever’ · 1:17:52 · Bill Simmons (0.80)] Saturday Night Fever ⇒ Staying Alive (the host's read) · lineage · The sequel; the hosts agree it is a bad one but Simmons is glad it exists and thinks it did not ruin the original. · "I'm glad it exists."
[The Rewatchables · ‘Beverly Hills Cop’ · 0:23:34 · Wesley Morris (0.70)] The French Connection ⇒ Beverly Hills Cop (the host's read) · lineage · Recast Popeye Doyle as Axel Foley and the movie barely changes; the apartments are essentially the same. · "Like you take the French connection and you recast Dean Hackman's, you make Popeye Doyle, Axel Foley."
[Blank Check · Raging Bull · 1:33:33 · Griffin Newman or David Sims (0.40)] Raging Bull ↔ Midnight Cowboy · craft · Midnight Cowboy has an innocent at the center to balance Ratso; Raging Bull is the Rizzo movie with no such cushion. · "But this is the Razzo Rizzo movie, sort of, and again, another reason, they don't they can't make this today."
[The Rewatchables · ‘A Bronx Tale’ · 0:21:07 · Chris Ryan (0.40)] A Bronx Tale ↔ Saturday Night Fever · theme · Speaker puts Saturday Night Fever in the same Italian-movie situation. · "Oddly enough, I put Saturday Night Fever in that Italian movie situation"
[The Rewatchables · ‘Beverly Hills Cop’ · 0:27:42 · unknown (0.40)] In the Heat of the Night ⇒ Beverly Hills Cop (the host's read) · lineage · Described as In the Heat of the Night meets Beverly Hills; both are fish-out-of-water movies. · "said that the Beverly Hills Cop is essentially in the heat of the night meets Beverly Hills."

Who said it, by their latest sketch (5)

[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
[speaker] Jamelle Bouie · latest sketch, Blank Check · The Last Temptation of Christ · Raised churchgoing in the South, studied religious history, and loves how the film captures the strangeness of the ancient Near East and the humanizing of Judas and Pilate. Dislikes fundamentalist readings; a sucker for Scorsese, Duke Ellington and weird snacks. · stances: Film is faithful to modern biblical studies and the real alienness of first-century Judea; Fundamentalist outrage is ironic because the film is flattering to Jesus' radicalism; Pilate as bureaucrat is the best revelation
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[speaker] Tim Simons · latest sketch, Blank Check · Fearless · Adores Bradley Whitford, Jeff Bridges, and unbridled positivity about moviegoing. Lover of old movies he has not seen yet. Can be contrarian ('movie MAGA mode') about near-consensus films and U2. Moved by performance and craft more than plot. · stances: Fearless is uniformly excellent, the first 30 and last 20 minutes transcendent; Jeff Bridges is peak, subtle and singular; the Fearless ending locks all puzzle pieces; nitpicks consensus classics

The shows' running bits (3)

[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

The whole prompt

As the model gets it, from app/Ai/Prompts/CorpusAsk.md

You are a clerk at Video Culture, a video store. A customer just finished Mean Streets (1973) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Mean Streets (1973) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Rewatchables · ‘Rocky’ · 0:10:16 · Chris Ryan (0.40)] Rocky ↔ Mean Streets · lineage · Rocky is essentially Stallone making Mean Streets. · "It's essentially like Stallone making mean streets."
[The Rewatchables · ‘Saturday Night Fever’ · 0:28:04 · Bill Simmons (0.85)] Saturday Night Fever ↔ Mean Streets · lineage · Ebert, read aloud, ties the film to Little Italy as Scorsese saw it in Mean Streets: characters with few aims and no way out. · "it reminds him of New York's Little Italy, as Martin Scorsese saw it"
[The Rewatchables · ‘Beverly Hills Cop’ · 0:32:22 · Sean Fennessey (0.40)] Beverly Hills Cop ↔ Mean Streets · lineage · The Detroit opening with the two guys in the truck has a Mean Streets moment that distinguishes it from other 80s blockbusters. · "I love the fact that they just like kind of have this mean streets moment in the beginning of this movie."
[The Big Picture · The ‘Babylon’ Watch-Along · 0:24:42 · unknown (0.30)] Mean Streets ⇒ Boogie Nights (the maker said so: the Boogie Nights commentary track) · lineage · Per the commentary track, Anderson lifted images from Mean Streets, Goodfellas and other Scorsese films for Boogie Nights. · "Paul Thomas Anderson explained how he just ripped off images he saw in Mean Streets or in Goodfellas"
[The Rewatchables · ‘Saturday Night Fever’ · 0:10:57 · Bill Simmons (0.80)] Saturday Night Fever ↔ Mean Streets · theme · 70s and 80s films tried to capture a city or group; Scorsese did it in Mean Streets with people who are not great either. · "like, you know, mean streets, Scorsese does that."
[Blank Check · The Last Temptation of Christ · 2:18:50 · Jamelle Bouie (0.40)] The Last Temptation of Christ ↔ Mean Streets · career · The Jesus figure runs through Scorsese's whole filmography back to Mean Streets. · "But what's like this Jesus is as central of this guy's entire filmography as anything?"
[Blank Check · Raging Bull · 1:56:08 · Griffin Newman or David Sims (0.40)] Raging Bull ↔ Mean Streets · people · Mean Streets feels like a director falling in love with De Niro, which carries through to this film. · "Well, you watch Mean Streets and it feels like watching a director fall in love."
[Blank Check · Look Who's Talking · 0:41:46 · unknown (0.30)] Look Who's Talking ↔ Mean Streets · aspiration · Heckerling saw the hit potential but wanted to make something like Mean Streets, not a cute family movie. · "I can see how this would be a hit, but I kind of want to do like mean streets."
[Blank Check · After Hours · 0:14:53 · unknown host (0.40)] Amy Robinson ↔ Mean Streets · credit · Robinson, After Hours co-producer, was the female lead in Mean Streets; that's how she knew Scorsese. · "His producing partner is Amy Robinson, who was the female lead in Mean Streets."
[Blank Check · After Hours · 2:01:17 · unknown host (0.35)] Verna Bloom ↔ Mean Streets · behind the scenes · Bloom helped get Mean Streets made; she was married to Jay Cocks. · "For getting Mean Streets made."
[pairs] Mean Streets ↔ Saturday Night Fever · said 2 times in 1 episode
[The Big Picture · Physical Media Strikes Back · 0:24:40 · Tim Simons (0.55)] Mean Streets · fun · Found a copy of Mean Streets for $4 at a pawn shop on a vacation in Maine. · "I found a copy of Mean Streets for $4."
[The Rewatchables · ‘Rocky’ · 1:44:41 · Chris Ryan (0.40)] Rocky ↔ Saturday Night Fever · programming · Watching Rocky made Chris Ryan want to watch Saturday Night Fever as a double feature. · "This movie made me want to watch Saturday Night Fever for some reason."
[The Rewatchables · ‘Beverly Hills Cop’ · 1:09:37 · Bill Simmons (0.50)] Beverly Hills Cop ⇒ Shawn Ryan (the host's read) · programming · Shawn Ryan tried a Beverly Hills Cop TV show; CBS made a pilot that didn't work. · "that CBS did a pilot for and apparently it didn't work."
[The Big Picture · The ‘Babylon’ Watch-Along · 0:24:42 · unknown (0.30)] Damien Chazelle ↔ Boogie Nights · lineage · A speaker likens Chazelle's visible influences to Paul Thomas Anderson openly ripping off Scorsese in Boogie Nights. · "when I watched the commentary track for boogie nights, and Paul Thomas Anderson explained how he just ripped off images he saw in Mean Streets or in Goodfellas or in all the Scorsese movies."
[Blank Check · Look Who's Talking · 2:00:10 · unknown (0.30)] Look Who's Talking ⇒ Baby's Day Out (the host's read) · lineage · The baby-escapes-in-a-towed-car sequence is claimed as the origin of Baby's Day Out. · "I feel like that entire, like the entirety of like baby's day out is based on that sequence in this movie."
[The Rewatchables · ‘Rocky’ · 1:44:35 · Van Lathan (0.45)] Rocky ↔ Raging Bull · programming · Another double-feature choice, Raging Bull, picked by one host. · "I go Raging Bull."
[The Rewatchables · ‘Saturday Night Fever’ · 0:51:04 · Jimmy Kimmel (0.70)] Saturday Night Fever ↔ Dance Fever · programming · Kimmel adds Dance Fever, the syndicated dance show, as a thing that aged well from the film's influence. · "I was going to throw in Denny Terrio's Dance Fever show"
[The Rewatchables · ‘Beverly Hills Cop’ · 1:09:39 · Bill Simmons (0.50)] Beverly Hills Cop ↔ Brandon T. Jackson · programming · In the pilot Brandon T. Jackson played Axel Foley's son. · "Brandon T. Jackson was Axel Foley's son."
[Blank Check · Star 80 · 0:02:45 · David Sims (0.50)] Star 80 ↔ Boogie Nights · theme · Star 80 produces the same turn-it-off discomfort as the firecracker scene in Boogie Nights. · "Combined with the firework, the firecracker scene in boogie nights."
[Blank Check · Look Who's Talking · 2:18:01 · David Sims (0.40)] Look Who's Talking ⇒ Look Who's Talking Too (the host's read) · lineage · The sequel keeps Willis, adds Roseanne for Joan Rivers, Damon Wayans, and Mel Brooks as Mr. Toilet. · "Roseanne Barr replaces Joan Rivers."
[Blank Check · Raging Bull · 1:55:42 · unknown host (0.30)] Raging Bull ⇒ The King of Comedy (the host's read) · lineage · King of Comedy is a part-2 of sorts about a delusional comedian, echoing LaMotta's stand-up, and is part of a De Niro trilogy with Taxi Driver. · "There's the king of comedy, the spiritual sequel to Raging Bull."
[The Rewatchables · ‘Saturday Night Fever’ · 1:26:36 · Jimmy Kimmel (0.80)] Saturday Night Fever ↔ Good Times · programming · Kimmel's live ABC recreation specials led to the Good Times mention. · "Oh, since we're talking about good times."
[The Rewatchables · ‘Beverly Hills Cop II’ · 0:07:52 · Chris Ryan (0.70)] 1970s cop movies ⇒ Beverly Hills Cop (the host's read) · lineage · The first film feels like an extension of 70s cop movies, especially the Detroit material, while the sequel feels glossy and 80s. · "There's a world in which that almost feels like an extension of like 70s cop movies."
[The Big Picture · The Top Five Movies of 2022 · 0:42:10 · Sean Fennessey (0.85)] Babylon ↔ Boogie Nights · theme · Sean says the Boogie Nights comparison for Babylon is apt, though he thinks the characterization is weaker. · "The Boogie Nights comparison has been made frequently."
[Blank Check · Look Who's Talking · 1:11:43 · unknown (0.30)] Kirstie Alley ↔ Look Who's Talking · theme · Her Cheers character is a man-written career woman chasing rich men; the film writes the same character with intelligence and compassion. · "this feels like the same character boat written like intelligently and compassionately."
[Blank Check · Raging Bull · 1:58:33 · Griffin Newman or David Sims (0.40)] Italianamerican ⇒ Raging Bull (the host's read) · lineage · Scorsese's parents fighting in Italianamerican and American Boy taught him the rhythm replicated in Raging Bull's family fight scenes. · "And so much of his parents fighting in Italian American is the feeling of the family fight scenes in this movie."
[The Rewatchables · ‘Saturday Night Fever’ · 0:17:23 · Bill Simmons (0.85)] Nik Cohn ⇒ Saturday Night Fever (the host's read) · lineage · The film comes from a 1976 New York magazine article, later admitted to be mostly fabricated. · "this article written by Nick Cohen"
[The Rewatchables · ‘Beverly Hills Cop’ · 0:08:03 · unknown (0.40)] Beverly Hills Cop ↔ Dirty Harry · lineage · The film plays closer to a 70s crime movie like Dirty Harry or The Outfit than to an 80s action blockbuster. · "this movie's way closer to like Dirty Harry or the outfit or 7, like a 70s crime movie than it is like our idea of like 80s action blockbuster."
[The Rewatchables · ‘The Big Chill’ · 0:22:01 · unknown (0.40)] The Big Chill ↔ Boogie Nights · craft · The Big Chill is like Boogie Nights: a movie where the song list in order basically plays like a jukebox. · "This is a movie where you can make a Spotify playlist of all the songs in order of when they're in the movie"
[Blank Check · Look Who's Talking · 2:14:39 · Hillary Busis (0.40)] Parenthood ↔ Look Who's Talking · theme · Parenthood, number seven that week, is a more mature parenting film; parenting movies are rarer than pregnancy movies. · "There's a lot more pregnancy movies than like actual parenting movies."
[Blank Check · Raging Bull · 1:08:55 · Griffin Newman or David Sims (0.40)] Rocky ⇒ Raging Bull (the maker said so) · theme · Scorsese shot in black and white to differentiate from Rocky-era bright red-white-and-blue boxing movies, and producer Winkler produced both. · "Number one, I want to differentiate from the Rockies and all the other sort of boxing movies right now."
[The Rewatchables · ‘Saturday Night Fever’ · 0:50:19 · Jimmy Kimmel (0.50)] Saturday Night Fever ⇒ Airplane! (the host's read) · lineage · Airplane! parodies this film's romance scene three years later with Robert Hays and Julie Hagerty. · "The airplane parody scene."
[The Rewatchables · ‘Beverly Hills Cop’ · 0:08:03 · unknown (0.40)] Beverly Hills Cop ↔ The Outfit · lineage · Grouped with Dirty Harry as a 70s crime-movie ancestor. · "this movie's way closer to like Dirty Harry or the outfit or 7, like a 70s crime movie"
[The Rewatchables · ‘Thief’ · 0:20:32 · Bill Simmons (0.50)] Thief ↔ Boogie Nights · craft · Caan's collapse-into-tears move recalls Wahlberg breaking down in Boogie Nights. · "Wahlberg and Boogie Nights, like when he breaks down in the bedroom with his mom."
[Blank Check · Raging Bull · 1:55:47 · unknown host (0.30)] Raging Bull ↔ Taxi Driver · theme · The speaker groups Taxi Driver, Raging Bull and King of Comedy as De Niro plumbing damaged psychologies. · "It's part of a trilogy with Taxi Driver."
[The Rewatchables · ‘Saturday Night Fever’ · 0:50:52 · Jimmy Kimmel (0.80)] Saturday Night Fever ⇒ Mad Magazine's Saturday Night Fever parody (the host's read) · lineage · Kimmel says he read the Mad parody before he saw the movie. · "I think maybe I probably read the parody of the movie before I saw the movie."
[The Rewatchables · ‘Beverly Hills Cop’ · 0:08:19 · unknown (0.40)] Beverly Hills Cop ↔ Richard Roundtree · lineage · The film is called a blaxploitation movie with one of the few true movie-star performances, and Roundtree is named as the only true movie star of that era. · "black exploitation movie with like one of the few movie star performances."
[Blank Check · Raging Bull · 0:59:47 · Griffin Newman or David Sims (0.40)] Raging Bull ↔ Walk Hard: The Dewey Cox Story · craft · Schrader's draft intercut a whole life like the later Dewey Cox style that many biopics now follow, before Raging Bull used bookends and one flashback. · "Dewey Cox style originally was more the structure of the movie."
[The Rewatchables · ‘Saturday Night Fever’ · 1:17:52 · Bill Simmons (0.80)] Saturday Night Fever ⇒ Staying Alive (the host's read) · lineage · The sequel; the hosts agree it is a bad one but Simmons is glad it exists and thinks it did not ruin the original. · "I'm glad it exists."
[The Rewatchables · ‘Beverly Hills Cop’ · 0:23:34 · Wesley Morris (0.70)] The French Connection ⇒ Beverly Hills Cop (the host's read) · lineage · Recast Popeye Doyle as Axel Foley and the movie barely changes; the apartments are essentially the same. · "Like you take the French connection and you recast Dean Hackman's, you make Popeye Doyle, Axel Foley."
[Blank Check · Raging Bull · 1:33:33 · Griffin Newman or David Sims (0.40)] Raging Bull ↔ Midnight Cowboy · craft · Midnight Cowboy has an innocent at the center to balance Ratso; Raging Bull is the Rizzo movie with no such cushion. · "But this is the Razzo Rizzo movie, sort of, and again, another reason, they don't they can't make this today."
[The Rewatchables · ‘A Bronx Tale’ · 0:21:07 · Chris Ryan (0.40)] A Bronx Tale ↔ Saturday Night Fever · theme · Speaker puts Saturday Night Fever in the same Italian-movie situation. · "Oddly enough, I put Saturday Night Fever in that Italian movie situation"
[The Rewatchables · ‘Beverly Hills Cop’ · 0:27:42 · unknown (0.40)] In the Heat of the Night ⇒ Beverly Hills Cop (the host's read) · lineage · Described as In the Heat of the Night meets Beverly Hills; both are fish-out-of-water movies. · "said that the Beverly Hills Cop is essentially in the heat of the night meets Beverly Hills."
[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
[speaker] Jamelle Bouie · latest sketch, Blank Check · The Last Temptation of Christ · Raised churchgoing in the South, studied religious history, and loves how the film captures the strangeness of the ancient Near East and the humanizing of Judas and Pilate. Dislikes fundamentalist readings; a sucker for Scorsese, Duke Ellington and weird snacks. · stances: Film is faithful to modern biblical studies and the real alienness of first-century Judea; Fundamentalist outrage is ironic because the film is flattering to Jesus' radicalism; Pilate as bureaucrat is the best revelation
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[speaker] Tim Simons · latest sketch, Blank Check · Fearless · Adores Bradley Whitford, Jeff Bridges, and unbridled positivity about moviegoing. Lover of old movies he has not seen yet. Can be contrarian ('movie MAGA mode') about near-consensus films and U2. Moved by performance and craft more than plot. · stances: Fearless is uniformly excellent, the first 30 and last 20 minutes transcendent; Jeff Bridges is peak, subtle and singular; the Fearless ending locks all puzzle pieces; nitpicks consensus classics
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Mean Streets (1973); name it the way the line names it. Don't recommend Mean Streets (1973) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.