What the corpus says about Pirates of the Caribbean: The Curse of the Black Pearl (2003)

You are a clerk at Video Culture, a video store. A customer just finished Pirates of the Caribbean: The Curse of the Black Pearl (2003) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Pirates of the Caribbean: The Curse of the Black Pearl (2003) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[Blank Check · Master and Commander: The Far Side of the World · 0:18:21 · David Sims (0.40)] Pirates of the Caribbean: The Curse of the Black Pearl ↔ Star Wars: Episode IV – A New Hope · theme · The British naval officers in Pirates are stuffy prigs, likened to Star Wars imperials. · "They're Star Wars imperial."
[Blank Check · Master and Commander: The Far Side of the World · 0:17:19 · unknown (0.40)] Master and Commander: The Far Side of the World ↔ Pirates of the Caribbean: The Curse of the Black Pearl · contrast · Pirates features supernatural curses and Jack Sparrow's rum budget, whereas this film is about the actual daily life and ecosystem of a ship. · "There are so many other boat movies. And I feel like there are so few that are about like the ecosystem of life on the boat"
[Blank Check · Master and Commander: The Far Side of the World · 0:18:34 · David Sims (0.60)] Master and Commander: The Far Side of the World ↔ Pirates of the Caribbean: The Curse of the Black Pearl · industry · Pirates came out the same year with stuffy British naval officers while this film shows a real shipboard ecosystem; they argue Pirates' success hurt this movie. · "Pirates of Caribbean did kind of fuck this movie, right?"
[Blank Check · Master and Commander: The Far Side of the World · 1:37:49 · Griffin Newman (0.50)] Master and Commander: The Far Side of the World ↔ Pirates of the Caribbean: The Curse of the Black Pearl · industry · Fox pushed release to November for effects time, and Pirates in July ate its lunch; the studio worried about a 'boat curse' that Pirates' wild success seemed to lift. · "Pirates of the Caribbean overperformed so wildly, then made people go like, oh, the boat curses gone."
[Blank Check · Master and Commander: The Far Side of the World · 2:44:24 · unknown (0.40)] Master and Commander: The Far Side of the World ↔ Pirates of the Caribbean: The Curse of the Black Pearl · slow-burn-vs-swashbuckler · Joking that Fox executives would wonder where the sword fight is, since Jack Sparrow fences the whole cast in Pirates. · "I hear that Jack Sparrow, like, fences with every member of the cast prior to the Caribbean."
[pairs] Pirates of the Caribbean: The Curse of the Black Pearl ↔ Master and Commander: The Far Side of the World · said 4 times in 1 episode
[Blank Check · Master and Commander: The Far Side of the World · 0:40:33 · David Sims (0.60)] Master and Commander: The Far Side of the World ↔ Hornblower (TV films) · programming · Britons grew up on Hornblower in the 90s; it is the near-only other Napoleonic naval storytelling, and Griffin's friend was steered to it as a substitute. · "I want to watch like a master and commander thing, but not master and commander because I've seen enough master and commander."
[Blank Check · Dune · 0:22:17 · John Hodgman (0.85)] Star Wars: Episode IV – A New Hope ⇒ Dune (the host's read) · programming · Dune was positioned and released as the studio's answer to Star Wars, the next big space epic. · "Uh, this movie is released with the energy of, here you go, here's the new Star Wars."
[Blank Check · Master and Commander: The Far Side of the World · 0:16:54 · David Sims (0.50)] Master and Commander: The Far Side of the World ↔ The Truman Show · theme · Asked how the studio sold a Weir boat movie, the hosts note the poster could not say 'from the director of The Truman Show' but both films have sailing scenes. · "They do both have sailing scenes."
[The Big Picture · The Great ‘Avatar’ Debate · 1:26:04 · unknown (0.40)] Avatar: The Way of Water ↔ Star Wars: Episode IV – A New Hope · programming · After the Fox acquisition it felt like Disney would alternate Star Wars and Avatar releases. · "oh, they'll alternate every other year between a Star Wars movie and an Avatar movie."
[Blank Check · Master and Commander: The Far Side of the World · 0:41:35 · unknown (0.40)] Master and Commander: The Far Side of the World ↔ Waterloo · theme · Napoleonic-era films from the 40s to 60s were mostly about land war, like Waterloo, so naval ones are scarce. · "I think most of the Napoleonic stuff back then, it's more the land."
[Blank Check · Raiders of the Lost Ark · 0:12:58 · Brian Michael Bendis (0.90)] Raiders of the Lost Ark ↔ Star Wars: Episode IV – A New Hope · lineage · Bendis says his childhood pop culture was Lucas and Spielberg magic tricks, not Marvel. · "At this stage that wasn't Marvel was Lucas and Spielberg."
[Blank Check · Master and Commander: The Far Side of the World · 2:10:24 · unknown (0.45)] Master and Commander: The Far Side of the World ↔ Star Trek (franchise, generally) · theme · The 'are you being too prideful?' friend who can challenge the captain is a Star Trek trope; Maturin/Aubrey is different from Kirk and Bones because they are a marriage. · "any fucking Star Trek has that too, of like, there's the one guy who can say like, captain."
[Blank Check · Dune · 0:22:22 · John Hodgman (0.70)] Dune ⇒ Star Wars: Episode IV – A New Hope (the host's read) · lineage · The Dune book's messaging is credited as one of the things that inspired Star Wars. · "And not only that, the messaging of this is one of the things that inspired Star Wars."
[Blank Check · Master and Commander: The Far Side of the World · 2:11:27 · David Sims (0.50)] Master and Commander: The Far Side of the World ↔ Star Trek (franchise, generally) · theme · The San Francisco Chronicle's negative review said the leads' interaction was reminiscent of the Star Trek characters in later sequels, meant as a criticism of preening cutesiness. · "Their interaction takes on a preening quality, reminiscent of the interaction of the Star Trek characters 4 or 5 movies down the line."
[The Big Picture · The Top 10 Fantasy Films, The Toy Movie Hall of Fame, and ‘Masters of the Universe,’ · 0:23:25 · Griffin Newman (0.50)] Star Wars: Episode IV – A New Hope ⇒ Masters of the Universe (the host's read) · lineage · He-Man (and the 80s toy boom) was a response to every company having passed on Star Wars merchandising. · "so much of He-Man and the 80s for toys is a response to every major company passing on Star Wars that Star Wars is the whiff that no one can live down."
[Blank Check · Master and Commander: The Far Side of the World · 2:24:13 · John Hodgman (0.90)] Master and Commander: The Far Side of the World ↔ Moby-Dick · theme · Hodgman, mid-read of Moby-Dick, says the Pequod crew, like this crew, are so far from civilization that land taboos break and ships become their own societies. · "how the crew of the Pequod, which is a much smaller crew because they don't have gunners on it. a whaling boat."
[The Big Picture · ‘Gladiator II’ Is Here. Are We Not Entertained? · 0:24:06 · Chris Ryan (0.50)] Star Wars: Episode IV – A New Hope ⇒ Star Wars: Episode VII - The Force Awakens (the host's read) · lineage · The Force Awakens maps almost exactly onto A New Hope. · "Force Awakens, which will maybe come up later on this podcast is in almost every respect."
[Blank Check · Master and Commander: The Far Side of the World · 2:26:59 · unknown (0.40)] Master and Commander: The Far Side of the World ↔ Cabin Boy · theme · The film's 12-year-old midshipmen and literal ship boys recall Cabin Boy, whose joke is an adult man doing a cabin boy's job. · "that's the joke of cabin boy, much like get a life is like, what if an adult man was doing this thing?"
[The Big Picture · ‘Gladiator II’ Is Here. Are We Not Entertained? · 1:24:09 · Mallory Rubin (0.50)] Star Wars: Episode IV – A New Hope ⇒ Star Wars: Episode VII - The Force Awakens (the host's read) · lineage · It ports over Death Star, Tatooine and R2-D2 as Starkiller Base, Jakku and BB-8. · "in place of the Death Star, you have star killer base."
[Blank Check · Master and Commander: The Far Side of the World · 1:28:32 · Griffin Newman (0.40)] Russell Boyd ↔ Master and Commander: The Far Side of the World · craft · Boyd, back with Weir after years apart, won the Oscar for this film's cinematography. · "And of course, Russell Boyd won the office."
[The Big Picture · Did Disney’s ‘Mulan’ Experiment Work? A Binge Mode Investigation · 0:46:32 · Mallory Rubin (0.85)] Seven Samurai ⇒ Star Wars: Episode IV – A New Hope (the host's read) · lineage · Mallory notes Lucas drew on Joseph Campbell, Seven Samurai, and Hidden Fortress, and the cycle of influence is now returning in Mulan. · "Obviously, Joseph Campbell, as mentioned a moment ago. 7 Samurai, Hidden Fortress."
[speaker] David Sims · latest sketch, Blank Check · The Last Temptation of Christ · Prepares history: novel, casting, budgets, box office. Reveres the film and thinks it reads as a normal ground-level story. A sucker for Hollywood deal backstory and box office game. · stances: Praises Keitel and Dafoe casting; Respects Scorsese's persistence and Corman discipline; The film is now well regarded though not 'canonical Marty'
[speaker] Griffin Newman · latest sketch, Blank Check · The Last Temptation of Christ · Calls Last Temptation his college-era favorite Scorsese; loves Scorsese's smaller 80s and the film's closing transcendence and Gabriel score. Cannot stand fundamentalist outrage at it. A sucker for casting trivia and Tom Cruise-silliness. · stances: Hot take: Last Temptation structurally mirrors New York, New York as a better version; Outrage over the film is stupid; it is respectful to Jesus; Scorsese's smaller 80s work beats his later baroque phases
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Pirates of the Caribbean: The Curse of the Black Pearl (2003); name it the way the line names it. Don't recommend Pirates of the Caribbean: The Curse of the Black Pearl (2003) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.