What the corpus says about The Great Gatsby (2013)

You are a clerk at Video Culture, a video store. A customer just finished The Great Gatsby (2013) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about The Great Gatsby (2013) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[Blank Check — Patreon · The 13th Warrior · 1:28:51 · unknown (0.50)] The 13th Warrior ↔ The Great Gatsby · craft · Observer-narrator problem: the Nick Carraway type who just watches is hard to dramatize, as in Gatsby adaptations and here. · "what do we do about this character who just watches everything happen and then is like idly thinking about it later?"
[The Big Picture · ‘Elvis,’ ‘Walk Hard’ and Top Five Music Biopics · 0:13:03 · Amanda Dobbins (0.85)] Elvis ↔ The Great Gatsby · people · Style-as-substance can't hold up a whole film, as Luhrmann's Great Gatsby shows. · "I think that that can't hold up a film, as we've learned in like many other Buzzlerman films, including Great Gatsby"
[Blank Check — Patreon · The Curious Case of Benjamin Button · 0:42:11 · unknown (0.30)] Eric Roth ⇒ The Great Gatsby (the host's read) · tribute · Roth named the love interest Daisy as a tribute to Gatsby. · "He calls the love interest daisy as a tribute to the Great Gatsby."
[The Big Picture · ‘Elvis,’ ‘Walk Hard’ and Top Five Music Biopics · 0:38:01 · Adam Nayman (0.75)] Elvis ↔ Forrest Gump · lineage · Forrest Gump already did the bit where Elvis took his moves from a kid in leg braces. · "How could they ever improve on the Bitten Forest Gump where you find that Elvis didn't actually get his moves or style some black music?"
[Blank Check — Patreon · The 13th Warrior · 0:41:55 · unknown (0.40)] The 13th Warrior ↔ Timeline · programming · Timeline and The 13th Warrior called a brutal Crichton double feature. · "Man, Timeline and the 13th Warrior would be a brutal double feature."
[The Big Picture · ‘Elvis,’ ‘Walk Hard’ and Top Five Music Biopics · 0:35:59 · Sean Fennessey (0.85)] Walk Hard: The Dewey Cox Story ↔ Elvis · craft · Both feature a dead brother as the formative trauma (Walk Hard's wrong-kid-died gag, Elvis's twin). · "that's also the premise of Elvis is that, you know, his twin brother died at a very young age."
[Blank Check — Patreon · The 13th Warrior · 1:49:16 · unknown (0.35)] The 13th Warrior ↔ The Sixth Sense · programming · The Sixth Sense was Disney's own mega-hit, number one the weekend The 13th Warrior opened, covering their loss. · "Disney's basically covered their losses from this movie"
[The Big Picture · ‘Elvis,’ ‘Walk Hard’ and Top Five Music Biopics · 1:01:39 · Sean Fennessey (0.85)] Elvis ↔ Amadeus · craft · Both tell a titanic cultural figure's story through a lesser, frustrated figure entrenched in their life (Salieri, Colonel Parker). · "It actually has a little bit in common with Elvis in that it's the story of this Titanic, almost imperceptible figure in the culture, through the lens of a lesser and perhaps more frustrated figure"
[Blank Check — Patreon · The 13th Warrior · 0:19:51 · David Lowery (0.85)] Michael Crichton ⇒ The 13th Warrior (the host's read) · lineage · Lowery read the Crichton novel and found the film is the book almost scene for scene. · "reading the book, I was like, this is pretty much just scene for scene exactly what's on screen."
[Blank Check — Patreon · The 13th Warrior · 0:25:39 · unknown (0.50)] Beowulf adaptations ⇒ The 13th Warrior (the host's read) · lineage · The film is the Beowulf story told as Crichton's 'what was the real thing they were fighting' version. · "Even going back to Crichton's original concept of like, what's the real story behind Beowulf?"
[Blank Check — Patreon · The 13th Warrior · 0:31:02 · David Lowery (0.80)] The 13th Warrior ↔ The Northman · lineage · The Northman is the modern take on Viking storytelling; Lowery rewatched its funeral scene because it echoes this film's incantation. · "the same, the same incantation, like the low, I see my father, low, I see my mother"
[Blank Check — Patreon · The 13th Warrior · 1:34:34 · unknown (0.40)] The 13th Warrior ↔ Flesh and Blood · lineage · Verhoeven's Flesh and Blood feels like being there; it's the better film, and both put medieval art on screen. · "Flesh and blood is a better film."
[Blank Check — Patreon · The 13th Warrior · 0:28:42 · David Lowery (0.85)] The 13th Warrior ↔ Heat · theme · The scene of a mortal sitting to die while another watches reminded Lowery of De Niro watching Pacino in Heat. · "It reminded me of Robert De Niro dying in heat."
[Blank Check — Patreon · The 13th Warrior · 0:42:21 · unknown (0.40)] Timeline ↔ The 13th Warrior · theme · Both are castle-and-torches Crichton adaptations where Hollywood guessed Vikings/medieval and audiences did not care. · "Both of those movies are lead actors who absolutely do not belong in this film."
[speaker] Amanda Dobbins · latest sketch, The Big Picture · ‘Mamma Mia!’ Meets ‘The Strangers'! It’s a Movie Swap! · Loves The Strangers' withholding craft and a good tense horror film without gore, but likes fun, communal movies like Mamma Mia. She dislikes supernatural or gory horror, which irritates her more than it scares her. She is a sucker for stars and for Googling a movie mid-recording. · stances: The Strangers is scary because of what it doesn't show or explain; Ending explanation weakens it; no answer would be better; Prefers 'withholding' filmmaking; Defends Mamma Mia as joyful and intentional
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with The Great Gatsby (2013); name it the way the line names it. Don't recommend The Great Gatsby (2013) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.