What the corpus says about 24 Hour Party People (2002)

You are a clerk at Video Culture, a video store. A customer just finished 24 Hour Party People (2002) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about 24 Hour Party People (2002) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · ‘Elvis,’ ‘Walk Hard’ and Top Five Music Biopics · 1:12:26 · Adam Nayman (0.85)] 24 Hour Party People ↔ Velvet Goldmine · programming · Velvet Goldmine is a B-side or A-side to 24 Hour Party People, looking at a music scene through its history. · "it's like a B side or a, an A side to 24 hour party people where it's like looking at the scene through that musical history"
[The Big Picture · ‘Elvis,’ ‘Walk Hard’ and Top Five Music Biopics · 0:53:08 · Adam Nayman (0.80)] 24 Hour Party People ↔ Adam McKay · contrast · Fourth-wall breaking is now often dire (Adam McKay) and hard to do well; Winterbottom does it lightly. · "this 4th wall breaking is now quite dire. I mean, this is like what happens with Adam McKay stuff and it's like, it's hard to do that well."
[Blank Check — Patreon · Mission: Impossible - Rogue Nation · 0:58:48 · unknown (0.30)] Sean Harris ↔ 24 Hour Party People · career · The speaker first noticed Harris as Ian Curtis in 24 Hour Party People. · "the 1st time I saw Sean Harrison a movie was when he was in 24 hour party people"
[The Big Picture · ‘Elvis,’ ‘Walk Hard’ and Top Five Music Biopics · 0:51:04 · Adam Nayman (0.85)] 24 Hour Party People ↔ Steve Coogan · people · Winterbottom and Coogan collaborate repeatedly (Tristram Shandy, The Trip) and this is the best of them. · "when he does things with Steve Coogan, they're very good."
[The Big Picture · ‘Elvis,’ ‘Walk Hard’ and Top Five Music Biopics · 0:52:28 · Amanda Dobbins (0.80)] 24 Hour Party People · fun · The real Howard Devoto, as an extra in the frame, turns to camera during a scene of Devoto sleeping with Tony Wilson's wife to say he doesn't remember it happening. · "there's an extra in the frame who turns to camera and says, I definitely don't remember this happening and the person who does that is the real life Howard DeVoto."
[speaker] Adam Nayman · latest sketch, The Big Picture · The Final Girl Film Canon and ‘Teenage Sex and Death at Camp Miasma’ · Self-described slasher fan who likes a movie that plays with tropes intelligently; admires Miasma's playfulness and sincerity but dislikes its showbiz satire. Soft spot for Texas Chain Saw, wrestling and Toronto sports. Wary of the idea that references alone make a movie smart. · stances: Miasma is academic but playfully so; Better filmmakers deserve less intention-guessing; Don't need to love slashers to love Miasma
[speaker] Amanda Dobbins · latest sketch, The Big Picture · ‘Mamma Mia!’ Meets ‘The Strangers'! It’s a Movie Swap! · Loves The Strangers' withholding craft and a good tense horror film without gore, but likes fun, communal movies like Mamma Mia. She dislikes supernatural or gory horror, which irritates her more than it scares her. She is a sucker for stars and for Googling a movie mid-recording. · stances: The Strangers is scary because of what it doesn't show or explain; Ending explanation weakens it; no answer would be better; Prefers 'withholding' filmmaking; Defends Mamma Mia as joyful and intentional
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with 24 Hour Party People (2002); name it the way the line names it. Don't recommend 24 Hour Party People (2002) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.