What the corpus says about Dinner in America (2020)

You are a clerk at Video Culture, a video store. A customer just finished Dinner in America (2020) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Dinner in America (2020) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · The Top 10 Fantasy Films, The Toy Movie Hall of Fame, and ‘Masters of the Universe,’ · 2:13:19 · Adam Rehmeier (0.70)] Carolina Caroline ↔ Dinner in America · scoring approach · Each of Rehmeier's films pairs a score against a different music world: EDM against punk in Dinner in America, pretty score against pop in Snack Shack, synth score against country here. · "dinner in America had this sort of EDM, big thing against the punk aesthetic."
[The Big Picture · The Top 10 Fantasy Films, The Toy Movie Hall of Fame, and ‘Masters of the Universe,’ · 2:06:47 · Adam Rehmeier (0.80)] Dinner in America ↔ Kyle Gallner · people · Rehmeier cast Gallner off a single photo after the project fell apart; Gallner then found the script that had been in his inbox for 2.5 years. · "I would cast anybody off of a single image if it showed me their soul."
[The Big Picture · The Top 10 Fantasy Films, The Toy Movie Hall of Fame, and ‘Masters of the Universe,’ · 2:07:24 · Adam Rehmeier (0.90)] Dinner in America ↔ Kyle Gallner · people · After the first DP and cast fell away, the replacement DP, who was working with Kyle in Romania, told Kyle about the project, which is how Kyle came back to the script. · "I found a new DP, and he was working with Kyle in, like, Romania on a project, and he was like, hey, there's this movie that I'm attached to."
[The Big Picture · The Top 10 Fantasy Films, The Toy Movie Hall of Fame, and ‘Masters of the Universe,’ · 2:08:01 · Adam Rehmeier (0.80)] Dinner in America · fun · Kyle Gallner had been sent the script 2.5 years earlier and ignored it; when it fell apart and a new DP mentioned it, he found it in his inbox. · "He read it and like the next day we're talking on the phone."
[The Big Picture · The Top 10 Fantasy Films, The Toy Movie Hall of Fame, and ‘Masters of the Universe,’ · 1:57:16 · Samara Weaving (0.70)] Carolina Caroline ↔ True Romance · craft · Weaving responded to a tone like True Romance and Bonnie and Clyde that is rarely seen now. · "it just captured like a feeling, a tone of the movies that I really loved growing up that like true romance, Bonnie and Clyde"
[The Big Picture · The Top 10 Fantasy Films, The Toy Movie Hall of Fame, and ‘Masters of the Universe,’ · 2:13:47 · Adam Rehmeier (0.50)] Carolina Caroline ↔ Heat · craft · The score's driving quality in the robberies is closer to Heat than the country needle drops. · "You've got something driving it too at times that's, you know, more akin to heat or something like that."
[speaker] Adam Rehmeier · latest sketch, The Big Picture · The Top 10 Fantasy Films, The Toy Movie Hall of Fame, and ‘Masters of the Universe,’ · A former camera operator and DP who grew up on low-budget horror (Madman, The Grim Reaper) and classic studio movies. He loves sincere, heart-forward stories and early-80s studio variety, and is a sucker for Jackass in a packed theater. · stances: Movies used to have heart; Shoot chronologically so the actors can find the ending; Didn't write Carolina Caroline but wanted it to be a 70s-style romance
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Dinner in America (2020); name it the way the line names it. Don't recommend Dinner in America (2020) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.