What the corpus says about Mickey 17 (2025)

You are a clerk at Video Culture, a video store. A customer just finished Mickey 17 (2025) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Mickey 17 (2025) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · Best Picture Power Rankings and a ‘Poor Things’ Deep Dive. Plus: Julianne Moore and Todd Haynes! · 0:05:08 · Sean Fennessey (0.60)] Mickey 17 ↔ Dune: Part Two · industry · Warner Bros. moved Dune 2 to March 2024, so Mickey 17 likely could not share that month. · "they're probably not going to do Dune 2 and Mickey 17 in the same month just from like marketing resources"
[The Big Picture · ‘A Minecraft Movie’ Is the Most Important Movie of the Year So Far. And These Flicks Are the Best … · 1:21:32 · Sean Fennessey (0.60)] Mickey 17 ↔ Bong Joon-ho · people · Not Bong's best, following up his Oscar-winning film. · "It's not Bong's best."
[The Big Picture · ‘A Minecraft Movie’ Is the Most Important Movie of the Year So Far. And These Flicks Are the Best … · 0:18:04 · Amanda Dobbins (0.50)] Mickey 17 ↔ Mike De Luca · industry · After Mickey 17 came out, the hosts spent weeks saying Warner heads De Luca and Abdy were screwed. · "we just spent a month and a half post-Mickey 17 talking about how Mike DeLuca and Pam Abdy are screwed."
[The Big Picture · Best Picture Power Rankings and a ‘Poor Things’ Deep Dive. Plus: Julianne Moore and Todd Haynes! · 0:04:04 · Sean Fennessey (0.70)] Mickey 17 · fun · Mickey 17 (Bong Joon Ho, Robert Pattinson) has been undated by Warner Bros.; hosts debate whether it is awards timing, Dune 2, or Zaslav, and note Pattinson gets parental leave. · "my number one most anticipated movie of 2024 has been undated"
[The Big Picture · The ‘Babylon’ Watch-Along · 0:34:43 · unknown (0.30)] Dune: Part Two ↔ Driveaway Dolls · programming · A speaker argues Driveaway Dolls, like Dune 2, is a movie worth seeing in a theater with a crowd. · "often we're like, you must see Dune 2 in theaters, which is true, but I would also probably argue that you should probably see driveway dolls in theaters"
[Blank Check · Dune · 0:20:47 · unknown (0.40)] Sting ↔ Dune: Part Two · lineage · Sting's very brief Feyd-Rautha is the character Part Two is built around. · "Sting is great in this movie, but I always forget that he is in this movie for 5 minutes."
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[speaker] Amanda Dobbins · latest sketch, The Big Picture · ‘Mamma Mia!’ Meets ‘The Strangers'! It’s a Movie Swap! · Loves The Strangers' withholding craft and a good tense horror film without gore, but likes fun, communal movies like Mamma Mia. She dislikes supernatural or gory horror, which irritates her more than it scares her. She is a sucker for stars and for Googling a movie mid-recording. · stances: The Strangers is scary because of what it doesn't show or explain; Ending explanation weakens it; no answer would be better; Prefers 'withholding' filmmaking; Defends Mamma Mia as joyful and intentional
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Mickey 17 (2025); name it the way the line names it. Don't recommend Mickey 17 (2025) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.