What the corpus says about Nutty Professor II: The Klumps (2000)

You are a clerk at Video Culture, a video store. A customer just finished Nutty Professor II: The Klumps (2000) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Nutty Professor II: The Klumps (2000) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · 1. ‘Bring It On’ and ‘Donnie Darko’ | Mission Accomplished · 0:03:45 · Brian Raftery (0.95)] Erin Brockovich ↔ Nutty Professor II: The Klumps · industry · Brockovich out-grossed Nutty Professor 2, showing what heroes Americans wanted. · "I mean, Aaron Brockovich made more money than Nutty Professor 2, the clumps."
[The Big Picture · ‘Nightmare Alley’ and Our Favorite Films Noir, · 0:39:12 · Patton Oswalt (0.90)] Nutty Professor II: The Klumps · fun · Eddie Murphy should have been nominated for playing eight characters at a dinner scene, riffing on earlier takes. · "he's riffing on them from stuff he did earlier in the week."
[The Big Picture · 1. ‘Bring It On’ and ‘Donnie Darko’ | Mission Accomplished · 0:02:59 · Brian Raftery (0.90)] Bring It On ↔ Erin Brockovich · theme · Both fit 2000's optimistic can-do spirit; Brockovich is called the most 2000 movie. · "which is probably the most 2000 movie to actually come out in the year 2000."
[Blank Check — Patreon · OLD DOGS - Blank Check LIVE! at the Bell House · 0:32:48 · David Sims (0.50)] Old Dogs ↔ Erin Brockovich · theme · Kelly Preston's eco-protester plot is likened to Erin Brockovich (transcribed Aaron). · "Okay, so she's, like, an Aaron Brockovich?"
[speaker] Brian Raftery · latest sketch, The Big Picture · 5. ‘No Country for Old Men’ and ‘W.’ | Mission Accomplished · Loves slow-burn tension and scenes built on dialogue, naming the Ellis kitchen scene the best of the 2000s. Is drawn to films that capture their national moment. Has little patience for the word classic, and dry humor about presidents and haircuts. · stances: No Country for Old Men is about inevitability and powerlessness; Its 2007 release resonated with Bush-era anxiety; W. was undone by timing, not quality; Stone's late-2000s movies are best read through the decade's politics
[speaker] Patton Oswalt · latest sketch, Blank Check — Patreon · The Killing · Watches The Killing repeatedly, loves noir and character actors, Timothy Carey stories, Matthau in Pelham 123, Albert Brooks and Adam Sandler's dramatic work, Shudder and the Corman-style ecosystem. Hates the method and the auteur theory. · stances: The method and the auteur theory both get in the way of the work; The Killing's characters are small-time crooks who aren't smart enough; Titles do real work, the killing is a double meaning; Genre outsiders like Shudder directors will be the next filmmakers
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Nutty Professor II: The Klumps (2000); name it the way the line names it. Don't recommend Nutty Professor II: The Klumps (2000) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.