What the corpus says about Under the Silver Lake (2018)

You are a clerk at Video Culture, a video store. A customer just finished Under the Silver Lake (2018) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Under the Silver Lake (2018) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:51:49 · Andrew Garfield (0.95)] Under the Silver Lake ↔ The Goonies · lineage · Garfield says the script reminded him of The Goonies: a grown-up, regressed one-man quest movie. · "It was like a grown up regressed version of the Goonies of like a one-man Goonies, a quest movie."
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:54:54 · Andrew Garfield (0.95)] Under the Silver Lake ↔ Taxi Driver (unnamed; via Travis Bickle) · lineage · Sam is a young man who considers himself a Travis Bickle wiping scum off the streets, but he is brainwashed and perpetuates the misogyny. · "a young man who considers himself a Travis Bickle wanting to wipe the scum off the streets"
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 1:01:20 · Andrew Garfield (0.95)] Under the Silver Lake ↔ The Game · theme · Garfield says people crave mystery and decoding, citing The Game as a favorite modern film about that. · "the game is one of my favorite like modern films of all time that deals with this issue."
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 1:01:53 · Andrew Garfield (0.95)] Under the Silver Lake ↔ Sunset Boulevard (immersive adaptation) · theme · Immersive theater like Punchdrunk gives the same visceral decoding-a-mystery experience as the film's code hunt. · "you feel viscerally involved in decoding some mystery."
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 1:08:30 · Sean Fennessey (0.80)] Under the Silver Lake ↔ Russian Doll · theme · Sean pairs Russian Doll as Garfield's New York with Under the Silver Lake as his LA. · "If Russian doll is my New York under the Silver Lake is sort of my LA."
[The Big Picture · The 10 Best Horror Movies of the Decade | The Big Picture · 0:28:05 · Sean Fennessey (0.80)] Under the Silver Lake ↔ It Follows · contrast · Under the Silver Lake is a detective, paranoia, internet movie, a very different energy from It Follows. · "more of a detective movie, more of like a hipster examination of paranoia and looking for coded messages"
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:47:55 · Andrew Garfield (0.95)] Under the Silver Lake ↔ Silence · career · Silence and Angels in America left Garfield with a martyrdom complex, so Silver Lake was a reaction in the opposite direction. · "Angels in America was definitely the icing on top of the martyrdom cake"
[Blank Check — Patreon · The Fifth Annual Blank Check Awards · 0:35:51 · David Sims (0.40)] Under the Silver Lake ↔ Under the Silver Lake · verdict · Griffin watched it on a train from Buffalo and half-believes it was a dream; it played better in a theater than on a plane. · "I watched Under the Silver Lake on a train back to New York from Buffalo."
[The Big Picture · ‘Nightmare Alley’ and Our Favorite Films Noir, · 1:06:30 · Sean Fennessey (0.70)] Under the Silver Lake ↔ The Long Goodbye · self-aware modern noir · The modern noir with a real idea about now, self-parodying like The Long Goodbye. · "similar to that longer buy, sort of like highly self-aware, almost self-parodying aspect, but that is really, really successful."
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:35:51 · Andrew Garfield (0.95)] Under the Silver Lake ↔ Los Angeles · theme · The film captures the city's forbidding, foreboding feeling that everyone is on the outside. · "the feeling of forbiddance and foreboding that the city has, I think, is what David, Robert Mitchell, the director of this film under the silver lake really captures"
[The Big Picture · ‘Ghostbusters: Afterlife,’ ‘Tick, Tick ... Boom!,' and Our Top Five Feel-Good Movies · 0:28:39 · Amanda Dobbins (0.50)] Andrew Garfield ↔ Under the Silver Lake · career · Speaker will follow Garfield wherever he goes, citing Silence, Under the Silver Lake, Tammy Faye. · "I'll go there with under the silver lake."
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:52:30 · Andrew Garfield (0.95)] Under the Silver Lake ↔ David Robert Mitchell · people · Mitchell is specific about mood and references, all on the page, and the film is knowingly meta. · "David is so specific in what he wants to create, the mood he wants to create"
[Blank Check — Patreon · The Fifth Annual Blank Check Awards · 0:35:35 · unknown (0.40)] Jeremy Bobb ↔ Under the Silver Lake · verdict · His single scene is maybe the scene of the year, though the young-actor-in-old-age-makeup device helps. · "I think it's maybe the best scene of the year, but I also, I think that performance is doing a lot of work."
[The Big Picture · ‘Nightmare Alley’ and Our Favorite Films Noir, · 1:06:10 · Sean Fennessey (0.70)] Under the Silver Lake · fun · Host champions it as the modern noir worth rescuing, with a real idea about our current condition. · "is under the Silver Lake, that that's the one that I feel like people are really trying"
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:50:19 · Andrew Garfield (0.95)] Under the Silver Lake · fun · Garfield's favorite catharsis: a scene where he beats up a bunch of kids half his size. · "there's a scene where I get to beat up a bunch of kids, like who are very, very weak compared to me."
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:54:16 · Andrew Garfield (0.95)] Under the Silver Lake · fun · Mitchell is hurt that some people think the film perpetuates Hollywood's misogyny. · "he's disappointed in, and, and hurt that, um, certain people feel like it's, um, perpetuating the, the, the misogyny of Hollywood"
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 1:00:30 · Andrew Garfield (0.85)] Under the Silver Lake · fun · Garfield hopes it becomes a cult classic; he was fascinated by a geocaching-style live treasure-hunt app. · "there was an app where you could do like a live treasure hunt"
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 1:05:32 · Andrew Garfield (0.90)] Under the Silver Lake · fun · The cereal box that seems to call out is the moment Garfield gets chills thinking about. · "Like, the cereal box calling out."
[Blank Check — Patreon · The Fifth Annual Blank Check Awards · 0:35:58 · David Sims (0.40)] Under the Silver Lake · fun · Jeremy Bobb's scene is perhaps the scene of the year; the film feels like a dream. · "I sometimes feel like it was an experience that I may have like dreamed."
[The Big Picture · The 10 Best Horror Movies of the Decade | The Big Picture · 0:25:48 · Chris Ryan (0.85)] It Follows ↔ John Carpenter · lineage · Chris compares It Follows to Carpenter, though he knows Mitchell tired of that comparison. · "I apologize for comparing this to John Carpenter"
[The Big Picture · ‘Killers of the Flower Moon’ Is Astounding · 1:18:30 · Amanda Dobbins (0.40)] Killers of the Flower Moon ↔ Silence · programming · Amanda watched Silence the day before and went straight to Killers. · "I watched silence yesterday and immediately went to sit down with you to watch Killers of the Flower Moon"
[The Big Picture · The 10 Best Horror Movies of the Decade | The Big Picture · 0:44:34 · Sean Fennessey (0.70)] It Follows ⇒ The Witch (the host's read) · lineage · It Follows is a precursor to The Witch in the rise of the term elevated horror, a phrase both hosts distrust. · "I think is an interesting precursor to the witch because that's when we started hearing what I think is kind of an ugly phrase, which is elevated horror"
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:06:13 · unknown (0.40)] Silence ↔ The Wolf of Wall Street · theme · Shutter Island, Hugo, Wolf, Silence, The Irishman and Killers are all durational films about his obsessions. · "Shutter Island, Hugo, the Wolf of Wall Street, silence the Irishman and Killers of the Flower Moon, all of which are these kind of durational films."
[speaker] Andrew Garfield · latest sketch, The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · Drawn to dark, strange, specific directors and to spiritual, grueling roles; loves The Goonies, The Game, Free Solo, Russian Doll and immersive theater. Wants a Spider-Man-sized scope with a small film's soul. Admires filmmakers who make exactly the film they want. · stances: Sam is a victim of the culture who is also perpetuating it, and he has compassion for him; Fans decoding the film is joyful, and cult status would be awesome; Seeks balance between decency and baser material in roles
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[speaker] David Sims · latest sketch, Blank Check · The Last Temptation of Christ · Prepares history: novel, casting, budgets, box office. Reveres the film and thinks it reads as a normal ground-level story. A sucker for Hollywood deal backstory and box office game. · stances: Praises Keitel and Dafoe casting; Respects Scorsese's persistence and Corman discipline; The film is now well regarded though not 'canonical Marty'
[speaker] Amanda Dobbins · latest sketch, The Big Picture · ‘Mamma Mia!’ Meets ‘The Strangers'! It’s a Movie Swap! · Loves The Strangers' withholding craft and a good tense horror film without gore, but likes fun, communal movies like Mamma Mia. She dislikes supernatural or gory horror, which irritates her more than it scares her. She is a sucker for stars and for Googling a movie mid-recording. · stances: The Strangers is scary because of what it doesn't show or explain; Ending explanation weakens it; no answer would be better; Prefers 'withholding' filmmaking; Defends Mamma Mia as joyful and intentional
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Under the Silver Lake (2018); name it the way the line names it. Don't recommend Under the Silver Lake (2018) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.