What the corpus says about The Holdovers (2023)

You are a clerk at Video Culture, a video store. A customer just finished The Holdovers (2023) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about The Holdovers (2023) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · Best Picture Power Rankings and a ‘Poor Things’ Deep Dive. Plus: Julianne Moore and Todd Haynes! · 1:44:27 · Sean Fennessey (0.50)] Poor Things ↔ The Holdovers · industry · The two are tied, appealing to different voting blocks: old classical versus young and visual. · "the holdovers is just a very classical movie that feels like it was made in the 70s and speaks to that nostalgia factor for a lot of voters"
[The Big Picture · Oscar Nomination Predictions, ‘Mean Girls,’ and ‘All of Us Strangers’ · 0:47:15 · Sean Fennessey (0.50)] The Holdovers ↔ Alexander Payne · career · Voters may nominate Payne because they see The Holdovers as the last great Alexander Payne movie, a miracle they do not make anymore. · "this is the last great Alexander Payne movie or something, that's sort of like we gotta, we gotta get him his thing that he deserves."
[The Big Picture · Best Picture Power Rankings and a ‘Poor Things’ Deep Dive. Plus: Julianne Moore and Todd Haynes! · 2:19:43 · Todd Haynes (0.65)] Todd Haynes ↔ Poor Things · programming · Haynes recently saw Poor Things and loved it, singling out Mark Ruffalo. · "I just saw poor things recently and man, I loved it."
[The Big Picture · Oscar Nomination Predictions, ‘Mean Girls,’ and ‘All of Us Strangers’ · 0:28:46 · Sean Fennessey (0.50)] The Zone of Interest ↔ Poor Things · lineage · Five adapted-screenplay nominees are interesting recontextualizations of their sources, and Zone of Interest is the outside contender that is also one. · "The one on the outside, I think, is also a best picture contender that is also a recontextualization, which is the zone of interest."
[The Big Picture · Best Picture Power Rankings and a ‘Poor Things’ Deep Dive. Plus: Julianne Moore and Todd Haynes! · 0:41:25 · Sean Fennessey (0.55)] Dogtooth ⇒ Poor Things (the host's read) · lineage · Both are about who gets to dictate the rules; Poor Things is described as a sequel to Dogtooth's fathers-and-language themes. · "It's like the sequel to that movie in some ways because the Godwin character"
[The Big Picture · Best Picture Power Rankings and a ‘Poor Things’ Deep Dive. Plus: Julianne Moore and Todd Haynes! · 1:14:03 · Sean Fennessey (0.75)] Bride of Frankenstein ⇒ Poor Things (the host's read) · lineage · Sean says the Frankenstein novel and the first two Frankenstein movies are major influences on Poor Things. · "the Frankenstein and Bride of Frankenstein are, like, huge influences on this movie."
[The Big Picture · Best Picture Power Rankings and a ‘Poor Things’ Deep Dive. Plus: Julianne Moore and Todd Haynes! · 1:18:42 · Sean Fennessey (0.60)] Alasdair Gray ⇒ Poor Things (the host's read) · lineage · The film is based on the Scottish author's novel, from which Lanthimos took liberties. · "this is actually based on a novel by Alice Dare Gray, the Scottish author."
[The Big Picture · Best Picture Power Rankings and a ‘Poor Things’ Deep Dive. Plus: Julianne Moore and Todd Haynes! · 0:33:58 · Amanda Dobbins (0.60)] Poor Things ↔ Barbie · theme · Both arrived as feminist coming-of-age stories about a created girl learning about the world, six weeks apart. · "it was about 6 weeks after the Barbie wave and there are some really obvious comparisons to be made here."
[The Big Picture · Best Picture Power Rankings and a ‘Poor Things’ Deep Dive. Plus: Julianne Moore and Todd Haynes! · 0:37:20 · Sean Fennessey (0.55)] Poor Things ↔ Fair Play · theme · The sex-in-American-movies topic was discussed in the Fair Play episode. · "We talked about it in the Fairplay episode last year."
[The Big Picture · Best Picture Power Rankings and a ‘Poor Things’ Deep Dive. Plus: Julianne Moore and Todd Haynes! · 0:40:21 · Sean Fennessey (0.55)] Poor Things ↔ The Island of Dr. Moreau · theme · Godwin, fusing creatures on his island, is likened to a Dr. Moreau figure. · "he's kind of an, uh, an island of Dr. Moreau kind of figure"
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with The Holdovers (2023); name it the way the line names it. Don't recommend The Holdovers (2023) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.