What the corpus says about Ripley (2024)

You are a clerk at Video Culture, a video store. A customer just finished Ripley (2024) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Ripley (2024) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · Oscar Nomination Predictions, ‘Mean Girls,’ and ‘All of Us Strangers’ · 1:40:59 · Sean Fennessey (0.80)] All of Us Strangers ↔ Ripley · people · Moving from the performative sociopath of Ripley to the recessed, often wordless Adam is one of the biggest leaps between character archetypes. · "I'm not sure if there could be a bigger leap between character archetype than from Ripley to Adam."
[The Big Picture · Oscar Nomination Predictions, ‘Mean Girls,’ and ‘All of Us Strangers’ · 1:39:05 · Andrew Scott (0.95)] Andrew Scott ↔ Ripley · career · Scott had been filming Ripley for nearly a year when the All of Us Strangers script arrived. · "I just played Tom Ripley in a, um, an adaptation of the, the Patricia I Smith novel for, I've been filming it for nearly a year"
[The Big Picture · Oscar Nomination Predictions, ‘Mean Girls,’ and ‘All of Us Strangers’ · 1:43:35 · Sean Fennessey (0.80)] Ripley (Netflix series) · fun · Sean teases that hundreds of millions will click Scott's face on the Netflix thumbnail, so do not mess up the Ripley adaptation. · "Don't mess it up."
[The Big Picture · Oscar Nomination Predictions, ‘Mean Girls,’ and ‘All of Us Strangers’ · 1:03:32 · Sean Fennessey (0.60)] Strangers ⇒ All of Us Strangers (the host's read) · lineage · The film adapts a Japanese story by Taichi Yamada, described as a ghost story queer romance. · "He's adapted a Japanese story called Strangers by Taiichi Yamada."
[The Big Picture · Oscar Nomination Predictions, ‘Mean Girls,’ and ‘All of Us Strangers’ · 1:25:03 · Andrew Scott (0.95)] Strangers ⇒ All of Us Strangers (the maker said so: Andrew Scott interview on the episode) · lineage · Scott deliberately did not read the source, saying the film is similar in tone but departs a lot from the original story. · "It's similar in tone, but it's very, very, um, it departs a lot from the original story."
[The Big Picture · Oscar Nomination Predictions, ‘Mean Girls,’ and ‘All of Us Strangers’ · 1:24:21 · Andrew Scott (0.95)] All of Us Strangers ↔ Pet Shop Boys · craft · Scott was a huge Pet Shop Boys fan when he was young, so their heavy presence in the film delights him. · "particularly when I was younger, a huge Pet Shop Boys fan."
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[speaker] Andrew Scott · latest sketch, The Big Picture · Oscar Nomination Predictions, ‘Mean Girls,’ and ‘All of Us Strangers’ · Reveres the theater and truthful acting; says he draws on his own emotional biography in every role. Was a big Pet Shop Boys fan when young. Wants to play something lighter and musical next. Admires his Irish peers (Cillian Murphy, Paul Mescal, Barry Keoghan) and loved Saltburn. Is wary of work taken only for money or profile. · stances: The power to say no is an actor's biggest power; Acting is revealing who you are, not pretending; All of us Strangers should be felt like a dream rather than explained; Art's job is to help us live a better life
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Ripley (2024); name it the way the line names it. Don't recommend Ripley (2024) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.