What the corpus says about Cold War (2018)

You are a clerk at Video Culture, a video store. A customer just finished Cold War (2018) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Cold War (2018) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · Oscars 2019: Instant Reactions to ‘Green Book’ and the Two Warring Academies | The Oscars Show · 0:59:04 · unknown (0.40)] Cold War ↔ Shoplifters · programming · Recommends both Cold War and Shoplifters over the other foreign nominees. · "Sea Cold War, sea shoplifters."
[The Big Picture · Best Picture Power Rankings and a ‘Poor Things’ Deep Dive. Plus: Julianne Moore and Todd Haynes! · 1:35:51 · Amanda Dobbins (0.40)] The Zone of Interest ↔ Cold War · industry · Zone could win International Feature and director without Best Picture, as Cold War did. · "And it won't, because Cold War did not get a best picture combination."
[The Big Picture · Oscars 2019: Instant Reactions to ‘Green Book’ and the Two Warring Academies | The Oscars Show · 0:58:42 · unknown (0.40)] Roma ↔ Cold War · what-if · Might have seen foreign film go to Cold War and best picture to Roma, since the Oscars are nutty. · "you could see them giving best foreign film to Cold War and best picture to Roma."
[The Big Picture · ‘Captain Marvel’ Is a ’90s Nostalgia Play. Did It Work? | Exit Survey · 0:27:52 · Amanda Dobbins (0.50)] Captain Marvel ↔ Roma · theme · Recreating childhood wholesale is hard, which is why Roma was such a great movie. · "That's why Roma was such a great movie."
[The Big Picture · Oscar Nomination Predictions, ‘Mean Girls,’ and ‘All of Us Strangers’ · 0:28:46 · Sean Fennessey (0.50)] The Zone of Interest ↔ Poor Things · lineage · Five adapted-screenplay nominees are interesting recontextualizations of their sources, and Zone of Interest is the outside contender that is also one. · "The one on the outside, I think, is also a best picture contender that is also a recontextualization, which is the zone of interest."
[The Big Picture · Oscars 2019: Instant Reactions to ‘Green Book’ and the Two Warring Academies | The Oscars Show · 0:23:11 · unknown (0.40)] Roma ↔ Black Panther · theme · Two Black Panther craft wins early made the night feel like one Hollywood, with Roma and Netflix bursting both. · "I was like, okay, the 2 Hollywoods, that's definitely the theme, but in the middle kind of bursting the two, is is Roma and Netflix"
[The Big Picture · Oscars 2019: Instant Reactions to ‘Green Book’ and the Two Warring Academies | The Oscars Show · 0:53:03 · Sean Fennessey (0.40)] Alfonso Cuaron ↔ Roma · craft · The cinematography Oscar went to Roma and to Cuarón, who shot his own film. · "This, of course, went to Roma, Alfonso Coron."
[speaker] Amanda Dobbins · latest sketch, The Big Picture · ‘Mamma Mia!’ Meets ‘The Strangers'! It’s a Movie Swap! · Loves The Strangers' withholding craft and a good tense horror film without gore, but likes fun, communal movies like Mamma Mia. She dislikes supernatural or gory horror, which irritates her more than it scares her. She is a sucker for stars and for Googling a movie mid-recording. · stances: The Strangers is scary because of what it doesn't show or explain; Ending explanation weakens it; no answer would be better; Prefers 'withholding' filmmaking; Defends Mamma Mia as joyful and intentional
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Cold War (2018); name it the way the line names it. Don't recommend Cold War (2018) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.