What the corpus says about Haywire (2011)

You are a clerk at Video Culture, a video store. A customer just finished Haywire (2011) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Haywire (2011) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[Blank Check — Patreon · The Killer · 1:16:49 · unknown (host) (0.30)] The Killer ↔ Haywire · theme · The long Florida fight is compared to the extended fight in Soderbergh's Haywire. · "And then he has to fight this guy and it's like Soder Briggs Haywire or whatever."
[Blank Check — Patreon · The Killer · 1:17:06 · David Sims (0.55)] Haywire ⇒ The Killer (the maker said so: the Q and A at the screening) · people · Fincher cited Haywire, with Prometheus, as the Fassbender movies that made him cast him. · "He said it was Prometheus and Haywire, which makes sense."
[Blank Check — Patreon · The Game · 0:29:28 · unknown (0.40)] Steven Soderbergh ↔ Haywire · people · Soderbergh put Douglas in Haywire. · "Put them in haywire."
[pairs] Haywire ↔ The Killer · said 2 times in 1 episode
[The Big Picture · ‘The Killer’ Is Cold-Blooded Genius. And Something More · 1:20:30 · Amanda Dobbins (0.60)] The Killer ↔ Fight Club · programming · Both are very funny first-person-narrated films about sociopaths who rationalize brutal violence as a personal mission. · "This movie would make a neat pairing with Fight Club. Two very funny films about sociopaths whose inner monologues rationalize brutal violence as expressions of a personal mission."
[Blank Check — Patreon · The Killer · 0:16:54 · Griffin Newman (0.50)] The Killer ↔ Steven Soderbergh · programming · A friend of the podcast says it is Fincher and Soderbergh land: a stripped-down genre exercise. · "it's Fincher and Sodaberg land."
[The Big Picture · ‘The Killer’ Is Cold-Blooded Genius. And Something More · 0:17:53 · Amanda Dobbins (0.60)] The Killer ↔ Gone Girl · lineage · It is the closest Fincher has come to a pure thriller since Gone Girl, maybe Dragon Tattoo. · "he hasn't made a movie quite like this, I guess, since Gone Girl, but even, I mean, you could maybe even going back further to Dragon Tattoo is maybe a little closer to this kind of a pure thriller."
[The Big Picture · ‘The Killer’ Is Cold-Blooded Genius. And Something More · 0:20:19 · Sean Fennessey (0.70)] Rear Window ⇒ The Killer (the host's read) · lineage · The Paris hit sequence is a clear homage built on watching rooms across the street. · "it is a kind of rear window monkey. You know, it is like an attempt to recreate the across the street path, vision of what is happening in rooms in another building, and clear homage to that film."
[The Big Picture · ‘The Killer’ Is Cold-Blooded Genius. And Something More · 1:22:52 · Adam Nayman (0.70)] The Cable Guy ⇒ The Killer (the host's read) · lineage · The TV-character aliases gag was already a joke in The Cable Guy (50s characters there, 70s and 80s here). · "that was a joke of the cable guy just to give credit where it's to."
[Blank Check — Patreon · The Killer · 0:12:09 · Griffin Newman (0.50)] The Killer (graphic novel) ⇒ The Killer (the host's read) · lineage · The film takes almost everything from the first 200-odd pages of the comic; the series ran on to 2018. · "it feels like everything from the movie is basically taken from the 1st 200 some odd pages"
[Blank Check — Patreon · The Killer · 0:17:31 · unknown (host) (0.30)] Panic Room ↔ The Killer · lineage · Panic Room was loaded with everything; The Killer strips a genre down. · "even when he's making something like panic room that's a bit of a genre riff"
[Blank Check — Patreon · The Killer · 0:27:27 · unknown (host) (0.30)] The Killer (graphic novel) ⇒ The Killer (the maker said so: interviews (Fincher 'gave some interviewers')) · lineage · Fincher told interviewers he was adapting a French graphic novel about an assassin that he had always liked. · "he gave some interviewers, like, we're working on this Chinatown thing, and then he was like, I'm also playing with adapting this French graphic novel about the assassin that I've always liked."
[speaker] David Sims · latest sketch, Blank Check · The Last Temptation of Christ · Prepares history: novel, casting, budgets, box office. Reveres the film and thinks it reads as a normal ground-level story. A sucker for Hollywood deal backstory and box office game. · stances: Praises Keitel and Dafoe casting; Respects Scorsese's persistence and Corman discipline; The film is now well regarded though not 'canonical Marty'
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Haywire (2011); name it the way the line names it. Don't recommend Haywire (2011) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.