What the corpus says about Natural Born Killers (1994)

You are a clerk at Video Culture, a video store. A customer just finished Natural Born Killers (1994) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Natural Born Killers (1994) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Rewatchables · ‘Reservoir Dogs’ · 0:19:43 · Bill Simmons (0.50)] Reservoir Dogs ↔ Natural Born Killers · career · The deluge: Natural Born Killers, True Romance, and this, then Pulp Fiction. · "Natural born killers, true romance and this and then pulp fiction shortly after."
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 1:52:40 · unknown (0.00)] Pulp Fiction ↔ Natural Born Killers · industry · Tarantino used Natural Born Killers money to buy the Chevelle Malibu. · "Tarantino used part of his natural born killer's money to buy the cherry red Malibu"
[The Rewatchables · ‘Old School’ · 0:19:47 · Chris Ryan (0.40)] Juliet Lewis ↔ Natural Born Killers · contrast · Lewis was previously known as a killer in Natural Born Killers; Old School is her first real comedy. · "I feel like this is her 1st real comedy."
[The Rewatchables · ‘Reservoir Dogs’ · 1:03:59 · Chris Ryan (0.40)] Tom Sizemore ↔ Natural Born Killers · career · Sizemore plays Jack Scagnetti there, called one of the most fucked-up characters in movie history. · "characters in movie history is Sizemore's character in natural board killers."
[The Big Picture · Top Five Gen X Director Debuts, the Fate of ‘Black Widow,’ and a Potential Oscars Disaster · 1:20:26 · Brian Koppelman (0.85)] Natural Born Killers ↔ Quentin Tarantino · people · Brian loves the Tarantino script of Natural Born Killers but hates the Stone film. · "which I hate the movie, but I love the script"
[Blank Check — Patreon · March Madness 2021 Recap - Round 2 · 0:36:02 · Griffin Newman (0.50)] Oliver Stone ↔ Natural Born Killers · fun · Griffin promised to be shirtless in vest and purple wraps for Natural Born Killers. · "for natural born killers I would be shirtless with just a vest and some purple round sunglasses."
[The Big Picture · Top Five Gen X Director Debuts, the Fate of ‘Black Widow,’ and a Potential Oscars Disaster · 1:20:23 · Brian Koppelman (0.85)] Natural Born Killers · fun · Brian read Tarantino's script first and prefers it. · "I had read Quentin's Natural More killer script first."
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 2:37:16 · unknown (0.00)] Pulp Fiction ↔ Black Sabbath · programming · Best double features: Black Sabbath (anthology), Saturday Night Fever, Inglourious Basterds, Once Upon a Time in Hollywood. · "So you get an anthology movie."
[The Rewatchables · ‘Reservoir Dogs’ · 0:03:58 · Chris Ryan (0.50)] Reservoir Dogs ↔ Pulp Fiction · programming · Reservoir Dogs found much of its audience after Pulp Fiction, via rentals. · "After Pulp Fiction and then circled back and rented Reservoir Dogs."
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 2:37:26 · unknown (0.00)] Pulp Fiction ↔ Inglourious Basterds · programming · Inglourious Basterds paired for its short-story structure; Once Upon a Time for bookending Tarantino's career. · "I have bastards because I feel like structurally it's it's got some the short story aspect of his very, it locks in together."
[The Rewatchables · ‘Reservoir Dogs’ · 1:13:11 · Bill Simmons (0.50)] Reservoir Dogs ↔ Inglourious Basterds · programming · The Inglourious Basterds spelling is a Tarantino flourish; Reservoir Dogs' title is also odd. · "It's my flourish."
[The Rewatchables · ‘Misery’ · 0:59:07 · Bill Simmons (0.70)] Pulp Fiction ⇒ Misery (the host's read) · programming · Butch's Girlfriend Award for weak link of the film is borrowed from Pulp Fiction. · "The Butch's girlfriend Award, Butch's girlfriend from Pulp Fiction."
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 0:04:26 · Sean Fennessey (0.35)] Reservoir Dogs ⇒ Pulp Fiction (the host's read) · lineage · Pulp's opening two-song credits echo the radio dial concept from Reservoir Dogs. · "Well, the radio, the concept of the radio had been in Reservoir Dogs, but I think switching the songs in the middle, because you hear him change the dial."
[The Rewatchables · ‘The Ice Storm’ · 1:27:53 · Bill Simmons (0.50)] The Ice Storm ↔ Pulp Fiction · programming · Next episodes will cover two famous movies; Ryan and Simmons tease Pulp Fiction. · "I've been watching a lot of pulp fiction lately."
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 1:08:54 · unknown (0.00)] Pulp Fiction ↔ Reservoir Dogs · lineage · Bonnie, Alabama and Red Apple cigarettes recur across Tarantino's first films, a shared universe. · "Quentin's version of Shared Universe, too, is incredible."
[The Rewatchables · ‘Reservoir Dogs’ · 0:03:58 · Chris Ryan (0.50)] Reservoir Dogs ↔ Pulp Fiction · programming · Reservoir Dogs found much of its audience after Pulp Fiction, via rentals. · "After Pulp Fiction and then circled back and rented Reservoir Dogs."
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 2:03:10 · unknown (0.00)] Pulp Fiction ↔ Reservoir Dogs · lineage · Mexican standoffs Apex Mountain: True Romance and Reservoir Dogs still beat Pulp's. · "Mexican standoffs, probably still true romance."
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 0:04:26 · Sean Fennessey (0.35)] Reservoir Dogs ⇒ Pulp Fiction (the host's read) · lineage · Pulp's opening two-song credits echo the radio dial concept from Reservoir Dogs. · "Well, the radio, the concept of the radio had been in Reservoir Dogs, but I think switching the songs in the middle, because you hear him change the dial."
[The Rewatchables · ‘Reservoir Dogs’ · 0:37:14 · unknown (0.40)] Hard Boiled ⇒ Reservoir Dogs (the host's read) · lineage · The speaker had not yet seen Hard Boiled, but the standoff read as John Woo. · "I don't know if I'd seen hardboiled or whatever, any of those movies yet"
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 0:06:07 · Bill Simmons (0.40)] Pulp Fiction ⇒ Pulp Fiction imitators (the host's read) · lineage · The Royale-in-Paris, Amsterdam conversation is the most parodied and copied stretch of screenwriting of the last 30 years. · "Yeah. I would argue this is the most ripped off four and a half minutes of screenwriting in the past 30 years."
[The Rewatchables · ‘Reservoir Dogs’ · 0:37:47 · unknown (0.40)] Reservoir Dogs ⇒ Things to Do in Denver When You're Dead (the host's read) · lineage · Called a bad-but-fun movie that would not exist without Tarantino, part of the ripoff era. · "kind of bad and would not exist without Tarantino."
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 0:09:49 · Bill Simmons (0.40)] Lee Majors ⇒ Pulp Fiction (the host's read) · lineage · The setup of Vincent taking the boss's wife out echoes a Hollywood story about Lee Majors asking someone to take Farrah Fawcett out while he was away. · "Because Lee Majors is going out of town."
[The Rewatchables · ‘Reservoir Dogs’ · 0:37:51 · Bill Simmons (0.50)] Reservoir Dogs ⇒ Very Bad Things (the host's read) · lineage · Part of the era of Tarantino ripoffs about groups of friends. · "Well, that was the era of the Tarantino Ripoff era."
[speaker] Brian Koppelman · latest sketch, The Rewatchables · ‘Margin Call’ · Loves craft: Chandor's economy, not speaking down, and actors like Tucci and Hoffman. Sucker for heightened workplace dialogue and one-night structures. · stances: Margin Call is among the 10 best of 15 years; Hanks does not play sleaze; Conflict structure over a night is the point
[speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[speaker] Griffin Newman · latest sketch, Blank Check · The Last Temptation of Christ · Calls Last Temptation his college-era favorite Scorsese; loves Scorsese's smaller 80s and the film's closing transcendence and Gabriel score. Cannot stand fundamentalist outrage at it. A sucker for casting trivia and Tom Cruise-silliness. · stances: Hot take: Last Temptation structurally mirrors New York, New York as a better version; Outrage over the film is stupid; it is respectful to Jesus; Scorsese's smaller 80s work beats his later baroque phases
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Natural Born Killers (1994); name it the way the line names it. Don't recommend Natural Born Killers (1994) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.