What the corpus says about Look Who's Talking Too (1990)

You are a clerk at Video Culture, a video store. A customer just finished Look Who's Talking Too (1990) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Look Who's Talking Too (1990) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[Blank Check · Look Who's Talking · 2:18:01 · David Sims (0.40)] Look Who's Talking ⇒ Look Who's Talking Too (the host's read) · lineage · The sequel keeps Willis, adds Roseanne for Joan Rivers, Damon Wayans, and Mel Brooks as Mr. Toilet. · "Roseanne Barr replaces Joan Rivers."
[Blank Check · Look Who's Talking · 2:21:50 · unknown (0.30)] Look Who's Talking Too ↔ Scream 2 · industry · Too came out about a year later at a Scream 2-like pace. · "Made at a scream two-esque pace."
[The Big Picture · The 1990 Movie Draft · 1:08:23 · Amanda Dobbins (0.85)] Die Hard 2 ↔ Look Who's Talking Too · what-if · Taking Die Hard 2 meant Amanda did not have to take Look Who's Talking Too, her number two. · "I don't have to take look who's talking to, which was number 2 on my list"
[Blank Check · Look Who's Talking · 2:02:14 · unknown (0.30)] Look Who's Talking ↔ Look Who's Talking Too · TV cut · The Look Who's Talking Too TV cut reportedly adds 20 minutes of restored scenes. · "look who's talking to has one of those like weird fabled, the TV cut of the movie has 20 extra minutes in it."
[pairs] Look Who's Talking Too ↔ Look Who's Talking · said 2 times in 1 episode
[Blank Check · Look Who's Talking · 2:02:32 · unknown (0.30)] Look Who's Talking Too · fun · Tells that a blank-check pitch to remake: prequel set in the Renaissance, 'Look Who Hath Been Talking'. · "Look who hath been talking."
[Blank Check · Look Who's Talking · 2:18:26 · unknown (0.30)] Look Who's Talking Too · fun · The TV cut of Too reportedly adds 20 minutes, and Mel Brooks voicing a toilet is the speakers' memory-best performance. · "Look who's talking to might be the funniest movie ever made. If Mel Brooks is voicing a toilet."
[Blank Check · Look Who's Talking · 2:00:10 · unknown (0.30)] Look Who's Talking ⇒ Baby's Day Out (the host's read) · lineage · The baby-escapes-in-a-towed-car sequence is claimed as the origin of Baby's Day Out. · "I feel like that entire, like the entirety of like baby's day out is based on that sequence in this movie."
[The Big Picture · The 1990 Movie Draft · 1:08:20 · Amanda Dobbins (0.85)] Amanda Dobbins ↔ Die Hard 2 · programming · Pick 14 (round 5), category sequel: Takes it off the board and avoids Look Who's Talking Too. · "And I'm going to take Die Hard 2."
[Blank Check · Look Who's Talking · 1:11:43 · unknown (0.30)] Kirstie Alley ↔ Look Who's Talking · theme · Her Cheers character is a man-written career woman chasing rich men; the film writes the same character with intelligence and compassion. · "this feels like the same character boat written like intelligently and compassionately."
[The Rewatchables · ‘Die Hard 2’ · 0:15:44 · Chris Ryan (0.80)] Die Hard 2 ↔ Die Hard · lineage · Ryan says the first and third Die Hard are baked into their locations, while this one is more generic action movie-ish. · "the 1st Die Hard and the 3rd Die Hard are characterized by their, like, this is really baked in."
[Blank Check · Look Who's Talking · 2:14:39 · Hillary Busis (0.40)] Parenthood ↔ Look Who's Talking · theme · Parenthood, number seven that week, is a more mature parenting film; parenting movies are rarer than pregnancy movies. · "There's a lot more pregnancy movies than like actual parenting movies."
[The Rewatchables · ‘Die Hard 2’ · 0:18:01 · Bill Simmons (0.75)] Die Hard 2 ↔ Lethal Weapon 2 · lineage · It arrived in the run-it-back era of sequels like Lethal Weapon 2. · "it is right during the era of everybody looking at each other and going, let's just run it back."
[The Rewatchables · ‘Die Hard 2’ · 0:19:50 · Bill Simmons (0.80)] 58 Minutes ⇒ Die Hard 2 (the host's read) · lineage · The screenplay was adapted from Walter Wager's 1987 novel with a similar plot. · "Screenplay was adapted from Walter Wagers."
[The Rewatchables · ‘Die Hard 2’ · 0:20:16 · Bill Simmons (0.70)] Manuel Noriega ⇒ Die Hard 2 (the maker said so: the screenwriter admitted it) · lineage · The writer admitted the script grabbed smoke from Iran-Contra and Manuel Noriega. · "there's definitely some Iran Contra, kind of, they're just grabbing smoke from that whole scandal and shoehorning into this with Manuel Noriega in real life."
[The Rewatchables · ‘Die Hard 2’ · 0:43:06 · Chris Ryan (0.50)] Die Hard 2 ⇒ Positive K (the host's read) · lineage · Positive K's song 'I Got a Man' samples a line from Die Hard 2, so the song now brings the movie to mind. · "And then that line got sampled on, I got a man, the positive K song. So now every time you hear that song, you hear that line from that movie."
[The Rewatchables · ‘Die Hard 2’ · 0:22:49 · Bill Simmons (0.60)] Die Hard 2 ↔ Indiana Jones series · theme · The critic grouped it with Indiana Jones as thrillers that leave your arm black and blue. · "this is one of those thrillers, like the Indiana Jones series that I categorized as bruised for our movies"
[The Rewatchables · ‘Die Hard 2’ · 0:41:35 · Bill Simmons (0.70)] Die Hard 2 ↔ First Blood · theme · Franz's 'I taught him everything he knows' line is joked as Richard Crenna in First Blood. · "like Richard Crenna in 1st Blood."
[speaker] Amanda Dobbins · latest sketch, The Big Picture · ‘Mamma Mia!’ Meets ‘The Strangers'! It’s a Movie Swap! · Loves The Strangers' withholding craft and a good tense horror film without gore, but likes fun, communal movies like Mamma Mia. She dislikes supernatural or gory horror, which irritates her more than it scares her. She is a sucker for stars and for Googling a movie mid-recording. · stances: The Strangers is scary because of what it doesn't show or explain; Ending explanation weakens it; no answer would be better; Prefers 'withholding' filmmaking; Defends Mamma Mia as joyful and intentional
[speaker] David Sims · latest sketch, Blank Check · The Last Temptation of Christ · Prepares history: novel, casting, budgets, box office. Reveres the film and thinks it reads as a normal ground-level story. A sucker for Hollywood deal backstory and box office game. · stances: Praises Keitel and Dafoe casting; Respects Scorsese's persistence and Corman discipline; The film is now well regarded though not 'canonical Marty'
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Look Who's Talking Too (1990); name it the way the line names it. Don't recommend Look Who's Talking Too (1990) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.