What the corpus says about Edward Scissorhands

You are a clerk at Video Culture, a video store. A customer just finished Edward Scissorhands and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Edward Scissorhands and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[Blank Check — Patreon · Eraserhead · 0:26:19 · Griffin Newman (0.55)] Eraserhead ↔ Edward Scissorhands · contrast · Eraserhead is the same outsider idea as Edward Scissorhands in raw form, where Burton's film was reworked into a presentable studio picture. · "And this is him just doing the pure raw expression version of basically the same idea."
[Blank Check — Patreon · The Nightmare Before Christmas · 1:33:25 · Michael Rianda (0.80)] The Nightmare Before Christmas ↔ Edward Scissorhands · contrast · Scissorhands keeps its real and fantasy worlds firmly separate; Nightmare has no totally real reality. · "They don't pull any punches, even, even like, you know, a movie like um, Edward Scissorhands or something"
[Blank Check — Patreon · The Nightmare Before Christmas · 0:32:01 · Griffin Newman (0.40)] Caroline Thompson ↔ Edward Scissorhands · people · Thompson, who wrote the final script, also wrote Edward Scissorhands. · "She also wrote Edward Susan Hans, of course."
[Blank Check — Patreon · Eraserhead · 0:02:39 · Griffin Newman (0.30)] Eraserhead ⇒ Devo (the host's read) · lineage · Devo covered the Eraserhead song and played it live for a while. · "Devo covered that song?"
[Blank Check — Patreon · The Nightmare Before Christmas · 1:45:36 · Michael Rianda (0.60)] The Nightmare Before Christmas ↔ The Haunted Mansion (Disney ride) · programming · The film's iconography now powers a seasonal Haunted Mansion overlay. · "the haunted mansion ride is like so amazing."
[Blank Check — Patreon · Eraserhead · 0:02:45 · David Sims (0.30)] Eraserhead ⇒ Modest Mouse (the host's read) · lineage · Modest Mouse is named among the bands who covered the Eraserhead song. · "Modest mouse. Modest mouse."
[Blank Check · Wendell & Wild · 1:32:50 · David Sims (0.50)] Wendell and Wild ↔ The Nightmare Before Christmas · theme · Nightmare has one major objective everyone is on; Wendell & Wild is just so much plot. · "Night before Christmas has like one major objective that everyone's right on."
[Blank Check — Patreon · Eraserhead · 0:02:47 · David Sims (0.30)] Eraserhead ⇒ The Meteors (the host's read) · lineage · The Meteors are named among the bands who covered the Eraserhead song. · "The meteors would do it."
[Blank Check — Patreon · The Nightmare Before Christmas · 0:03:55 · Griffin Newman (0.55)] The Nightmare Before Christmas ↔ The Wizard of Oz · theme · The film's cult growth into mainstream pop culture is compared to Oz. · "in that sort of Wizard of Oz conversation of like movies that came out, did okay at the time and are now just like so deeply woven into the tapestry of pop culture"
[Blank Check — Patreon · Eraserhead · 0:02:53 · David Sims (0.30)] Eraserhead ⇒ The Pixies (the host's read) · lineage · The Pixies covered the Eraserhead song, on one of the John Peel records. · "Yeah, the pixies, it's on one of the John Peel records, I think."
[Blank Check — Patreon · The Nightmare Before Christmas · 0:52:14 · Griffin Newman (0.50)] The Nightmare Before Christmas ↔ Henry Selick · theme · Jack's arc is read as the animators themselves trying to make commercial art. · "how much Jack is an analog for these guys trying to figure out how to make commercial art"
[Blank Check — Patreon · Eraserhead · 1:01:14 · unknown (0.30)] Eraserhead ↔ Buster Keaton · lineage · Henry is a nightmare version of a Keaton-style put-upon silent comedy hero. · "He's like a nightmare version of like a Buster Keaton character, whatever."
[Blank Check — Patreon · The Nightmare Before Christmas · 1:41:48 · Griffin Newman (0.50)] The Nightmare Before Christmas ↔ Toy Story · theme · The first breakthrough film in each form of animation becomes the template: CGI follows Toy Story, stop motion stays creepy. · "And then the CGI becomes so defined by Toy Story."
[Blank Check — Patreon · Eraserhead · 1:25:38 · unknown (0.30)] Eraserhead ↔ Roy Orbison · lineage · The 50s-60s weepy ballad style, Roy Orbison type music, recurs through Lynch's work. · "Obviously, the sort of Roy Orbison type music recurs throughout his"
[Blank Check — Patreon · The Nightmare Before Christmas · 1:57:52 · Griffin Newman (0.50)] The Nightmare Before Christmas ↔ The King of Comedy · theme · Jack and Santa Claus are read as Rupert Pupkin and Jerry Langford (transcribed Pumpkin/Lanford). · "the relationship between Jack and Santa Claus, excuse me, is just Rupert Pumpkin and Jerry Lanford."
[Blank Check — Patreon · Eraserhead · 1:29:21 · unknown (0.30)] Eraserhead ⇒ Alien (the host's read) · lineage · The gooey animatronic creature work in Alien and later films may trace back to Eraserhead. · "I mean, the thought that comes to mind is, um, alien."
[Blank Check — Patreon · The Nightmare Before Christmas · 0:31:42 · David Sims (0.40)] Danny Elfman ↔ The Nightmare Before Christmas · craft · Elfman wrote songs off Burton's story beats with no script, and the script came after. · "Burton is basically describing the story beats, and Elfman is writing songs off of the story beats"
[Blank Check — Patreon · Eraserhead · 1:29:28 · David Sims (0.45)] Eraserhead ⇒ H.R. Giger (the maker said so: Giger says it was one of his big eye-opening moments) · lineage · Giger called Eraserhead one of his big eye-opening moments, and Lynch later accused him of stealing his ideas. · "H.R. Gigger, loves this movie, says it's one of his, like, you know, big eye-opening moments in his life"
[Blank Check — Patreon · The Nightmare Before Christmas · 0:49:28 · Griffin Newman (0.40)] Joe Ranft ↔ The Nightmare Before Christmas · craft · Ranft is counted among the five people credited with shaping the film's story. · "Thompson, Joe Ramped, Elfman, Selleck, Burton, all can be given a fair amount of credit for the shaping of this film."
[speaker] Griffin Newman · latest sketch, Blank Check · The Last Temptation of Christ · Calls Last Temptation his college-era favorite Scorsese; loves Scorsese's smaller 80s and the film's closing transcendence and Gabriel score. Cannot stand fundamentalist outrage at it. A sucker for casting trivia and Tom Cruise-silliness. · stances: Hot take: Last Temptation structurally mirrors New York, New York as a better version; Outrage over the film is stupid; it is respectful to Jesus; Scorsese's smaller 80s work beats his later baroque phases
[speaker] Michael Rianda · latest sketch, Blank Check — Patreon · The Nightmare Before Christmas · Loves hand-made animation with visible thumbprints, Ren and Stimpy, The Simpsons, experimental animators and Pixar's manifesto culture. Can't stand CG-printed stop-motion faces and celebrity casting. A sucker for the Willy-Wonka feel of a stop-motion set. · stances: Animators are inwardly little artists chafing at studios; Treat a movie like a jailbreak; Celebrity casting doesn't matter; Hand-made imperfections make stop motion magic
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Edward Scissorhands; name it the way the line names it. Don't recommend Edward Scissorhands itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.