What the corpus says about All That Jazz (1979)

You are a clerk at Video Culture, a video store. A customer just finished All That Jazz (1979) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about All That Jazz (1979) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[Blank Check · Star 80 · 1:30:05 · David Sims (0.40)] All That Jazz ↔ 8½ · lineage · All That Jazz is 8 1/2 adjacent and Nine adapted 8 1/2 as a musical. · "All that jazz is so 8.5 adjacent."
[Blank Check — Patreon · David Fincher Music Videos · 1:13:07 · unknown (0.30)] All That Jazz ⇒ Seven (the maker said so) · lineage · A host recalls a Fincher film the show covered where he cited All That Jazz as an inspiration for the look, maybe Seven. · "where he cited how much of an inspiration all that jazz was for him for the look of the movie?"
[Blank Check — Patreon · David Fincher Music Videos · 1:14:36 · David Sims (0.40)] All That Jazz ⇒ Cold Hearted (Paula Abdul video) (the host's read) · lineage · A host reads that Cold Hearted was inspired by All That Jazz, and another says it directly references it. · "this film was uh, inspired by all that jazz, her belly button's exposed."
[Blank Check · Star 80 · 0:16:27 · Griffin Newman (0.50)] Star 80 ↔ All That Jazz · career · Star 80 came about because Fosse had no planned follow-up after surviving the film in which he dies. · "I think he was almost embarrassed to still be alive after all that jazz."
[Blank Check · Star 80 · 1:20:59 · Julie Klausner (0.50)] Star 80 ↔ All That Jazz · sibling pair · All That Jazz is who Fosse wanted to be, Star 80 is where he really is. · "that all that jazz was sort of like who we wanted to be and maybe Star 80 was saying, well, this is where I really am."
[Blank Check — Patreon · The Girl with the Dragon Tattoo · 0:53:45 · unknown (0.40)] All That Jazz ⇒ David Fincher (the maker said so) · lineage · The speaker says Fincher loves Fosse and always cites All That Jazz. · "All that jazz is like a recurring influence."
[Blank Check — Patreon · David Fincher Music Videos · 1:14:20 · unknown (0.30)] All That Jazz ⇒ David Fincher (the host's read) · people · A host read somewhere that All That Jazz was the movie Fincher screened for his crew as the style to match. · "I was just reading somewhere about like all that jazz being the movie that he screened for his crew a bunch."
[Blank Check · Star 80 · 0:30:02 · Griffin Newman (0.50)] Alan Ladd Jr. ↔ All That Jazz · industry · Ladd gave Fosse final cut and big money for Star 80 after All That Jazz paid off for him. · "gives him final cut."
[Blank Check — Patreon · Fear & Desire / Killer's Kiss · 0:17:10 · unknown (0.30)] Stanley Kubrick ↔ All That Jazz · admired by · Kubrick is said to have loved All That Jazz and Modern Romance. · "Like, oh, he loved all that jazz and modern romance."
[pairs] All That Jazz ↔ Star 80 · said 2 times in 1 episode
[Blank Check · Star 80 · 0:02:35 · Griffin Newman (0.50)] Star 80 ↔ Taxi Driver · theme · Every scene of Star 80 is likened to the porno scene in Taxi Driver turned up to 75. · "Like every scene of this movie is like the porno scene in Taxi Driver, but amped up to 75."
[The Rewatchables · ‘Se7en’ · 0:17:05 · Bill Simmons (0.70)] Seven ↔ The Shawshank Redemption · programming · Both are movies you get sucked into on cable by the last 40 minutes. · "The same thing with Shawshank."
[Blank Check · Star 80 · 0:02:45 · David Sims (0.50)] Star 80 ↔ Boogie Nights · theme · Star 80 produces the same turn-it-off discomfort as the firecracker scene in Boogie Nights. · "Combined with the firework, the firecracker scene in boogie nights."
[The Rewatchables · ‘Se7en’ · 0:04:37 · Bill Simmons (0.60)] Seven ↔ Heat · lineage · Grouped with Usual Suspects, Heat and Casino as the four defining 1995 movies, three of which were shut out at the Oscars. · "Our usual suspects, which we recently did, Heat Casino in seven."
[Blank Check · Star 80 · 0:07:34 · Julie Klausner (0.50)] Star 80 ↔ Anatomy of a Murder · theme · Concern for the ruined man instead of the woman echoes Anatomy of a Murder's rape-trial rhetoric. · "That reminds me of an anatomy of murder when they're prosecuting the, they're like, let's think about ruining a man's life before we convict this person of rape"
[The Rewatchables · ‘Se7en’ · 0:14:30 · Sean Fennessey (0.85)] Alfred Hitchcock ⇒ Seven (the host's read) · lineage · Se7en is a Hitchcock movie in its pulling-your-chain structure of mystery, reveal and anxiety, and Hitchcock is Fincher's biggest influence. · "I think as much as this seems like a modern movie, it's also just completely a Hitchcock movie in so many ways."
[Blank Check · Star 80 · 0:33:34 · Julie Klausner (0.50)] Star 80 ↔ A Clockwork Orange · theme · Kael's charge that Clockwork Orange was prurient and pitied only Alex is applied to Star 80 and Snyder. · "I think the only sympathy that you see from the filmmaker is with Paul Snyder."
[The Rewatchables · ‘Se7en’ · 0:15:19 · Chris Ryan (0.55)] Seven ⇒ True Detective (the host's read) · lineage · Se7en's influence shows in True Detective from the title sequence to the characters, though True Detective's first season flinches at the dark ending. · "you can see the influence of of 7 on things like True Detective from the title sequence to the characters."
[Blank Check · Star 80 · 1:16:03 · Griffin Newman (0.40)] Star 80 ↔ Kate Plays Christine · theme · Kate Plays Christine is cited as a film about the compulsion to tell tragic victims' stories and play them. · "it is a movie about an actor trying to play a tragic, you know, a person who killed herself on news."
[The Rewatchables · ‘Se7en’ · 0:15:42 · Chris Ryan (0.50)] William Friedkin ⇒ Seven (the maker said so) · lineage · Fincher drew from Friedkin and wanted it to feel like an episode of Cops. · "he's drawn from like Friedkin, but he's also, he's, he's referenced like how he wanted it to feel like an episode of cops."
[Blank Check · Star 80 · 1:23:50 · David Sims (0.40)] Star 80 ↔ Cabaret · theme · Fosse's female characters like Sally Bowles and Honey Bruce got rich interior life, which Star 80 lacks. · "I would even argue, honey, Bruce, like, you know, who really is, like, pretty wonderful."
[The Rewatchables · ‘Se7en’ · 0:29:28 · Sean Fennessey (0.55)] Seven ↔ Lethal Weapon · lineage · Mills plays the reckless young cop with Mel Gibson in Lethal Weapon energy. · "he's playing that like Mel Gibson and lethal weapon energy"
[Blank Check · Star 80 · 1:28:09 · unknown (0.30)] Star 80 ↔ Peeping Tom · theme · Peeping Tom was also savaged on release but was later vindicated, unlike Star 80. · "Except Peeping Tom is like eventually kind of vindicated and this people were like, no, fuck you."
[The Rewatchables · ‘Se7en’ · 0:55:04 · Sean Fennessey (0.45)] Seven ⇒ Nine Inch Nails (the host's read) · lineage · Se7en caught industrial rock at its peak and led to Fincher-Reznor scores. · "Fincher and Rezner go on to make this incredible partnership"
[Blank Check · Star 80 · 0:32:03 · Griffin Newman (0.40)] Lenny ⇒ Star 80 (the host's read) · craft · Star 80's interview framing/superstructure echoes Lenny's, and Lenny is the origin of the Chevy-Chase-style voice. · "This movie, you have the interview, this sort of superstructure that he loves so much"
[Blank Check — Patreon · The Game · 0:41:48 · unknown (0.40)] Seven ⇒ 8mm (the host's read) · lineage · Calls 8mm Schumacher ripping off Se7en. · "8 millimeter is Schumacher ripping off seven."
[speaker] David Sims · latest sketch, Blank Check · The Last Temptation of Christ · Prepares history: novel, casting, budgets, box office. Reveres the film and thinks it reads as a normal ground-level story. A sucker for Hollywood deal backstory and box office game. · stances: Praises Keitel and Dafoe casting; Respects Scorsese's persistence and Corman discipline; The film is now well regarded though not 'canonical Marty'
[speaker] Griffin Newman · latest sketch, Blank Check · The Last Temptation of Christ · Calls Last Temptation his college-era favorite Scorsese; loves Scorsese's smaller 80s and the film's closing transcendence and Gabriel score. Cannot stand fundamentalist outrage at it. A sucker for casting trivia and Tom Cruise-silliness. · stances: Hot take: Last Temptation structurally mirrors New York, New York as a better version; Outrage over the film is stupid; it is respectful to Jesus; Scorsese's smaller 80s work beats his later baroque phases
[speaker] Julie Klausner · latest sketch, Blank Check · Star 80 · A serious Fosse devotee who loves Cabaret, All That Jazz, Sweet Charity and Liza with a Z, and praises collaborations with women. She finds Star 80 powerful but ugly, a prurient pornographic film made by a man who will not look at the victim, and she is haunted by it. · stances: Star 80 is powerful but not great and not fabulous; It sexualizes violence against Stratton with no female point of view; Judge creative men by how they collaborate with women; Sweet Charity ranks above Star 80; Cabaret's restraint with Liza shows Fosse's best instincts
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with All That Jazz (1979); name it the way the line names it. Don't recommend All That Jazz (1979) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.