What the corpus says about The Goonies (1985)

You are a clerk at Video Culture, a video store. A customer just finished The Goonies (1985) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about The Goonies (1985) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:51:49 · Andrew Garfield (0.95)] Under the Silver Lake ↔ The Goonies · lineage · Garfield says the script reminded him of The Goonies: a grown-up, regressed one-man quest movie. · "It was like a grown up regressed version of the Goonies of like a one-man Goonies, a quest movie."
[The Rewatchables · ‘Beverly Hills Cop’ · 0:49:22 · unknown (0.40)] Beverly Hills Cop ↔ The Goonies · craft · Taggart and Rosewood's cropped sweatshirts echo the Josh Brolin Goonies look. · "Because that was also like the Josh Brolin Goonies look."
[The Big Picture · Celebrating ‘Scott Pilgrim vs. the World’ 10 Years Later · 0:43:37 · Van Lathan (0.80)] Scott Pilgrim vs. the World ↔ The Goonies · what-if · Van wants a sequel the way he wants a Goonies sequel, for selfish reasons, even though the original should be left alone. · "I call this Goonies disease."
[The Big Picture · Celebrating ‘Scott Pilgrim vs. the World’ 10 Years Later · 0:44:28 · Van Lathan (0.80)] The Goonies · fun · Van's Goonies disease: he would watch a sequel for selfish reasons even though the original should never be touched. · "Really, it should never be touched again."
[The Rewatchables · ‘Beverly Hills Cop’ · 1:09:37 · Bill Simmons (0.50)] Beverly Hills Cop ⇒ Shawn Ryan (the host's read) · programming · Shawn Ryan tried a Beverly Hills Cop TV show; CBS made a pilot that didn't work. · "that CBS did a pilot for and apparently it didn't work."
[The Big Picture · Celebrating ‘Scott Pilgrim vs. the World’ 10 Years Later · 1:20:24 · Edgar Wright (0.95)] Scott Pilgrim vs. the World ↔ Metric · programming · Edgar says Metric and Broken Social Scene were a no-brainer because the film was shot in Toronto. · "metric and broken social scene were both like, still are, like, you know, like really important Canadian bands from Toronto."
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:54:54 · Andrew Garfield (0.95)] Under the Silver Lake ↔ Taxi Driver (unnamed; via Travis Bickle) · lineage · Sam is a young man who considers himself a Travis Bickle wiping scum off the streets, but he is brainwashed and perpetuates the misogyny. · "a young man who considers himself a Travis Bickle wanting to wipe the scum off the streets"
[The Rewatchables · ‘Beverly Hills Cop’ · 1:09:39 · Bill Simmons (0.50)] Beverly Hills Cop ↔ Brandon T. Jackson · programming · In the pilot Brandon T. Jackson played Axel Foley's son. · "Brandon T. Jackson was Axel Foley's son."
[The Big Picture · Celebrating ‘Scott Pilgrim vs. the World’ 10 Years Later · 0:02:46 · Sean Fennessey (0.90)] Scott Pilgrim vs. the World ⇒ Baby Driver (the host's read) · lineage · Sean says Wright's music-synced action staging, perfected in Baby Driver, begins with Scott Pilgrim. · "The perfectly synchronized music to action staging the Wright Perfected and Baby Driver starts with Scott Pilgrim."
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:35:51 · Andrew Garfield (0.95)] Under the Silver Lake ↔ Los Angeles · theme · The film captures the city's forbidding, foreboding feeling that everyone is on the outside. · "the feeling of forbiddance and foreboding that the city has, I think, is what David, Robert Mitchell, the director of this film under the silver lake really captures"
[The Rewatchables · ‘Beverly Hills Cop II’ · 0:07:52 · Chris Ryan (0.70)] 1970s cop movies ⇒ Beverly Hills Cop (the host's read) · lineage · The first film feels like an extension of 70s cop movies, especially the Detroit material, while the sequel feels glossy and 80s. · "There's a world in which that almost feels like an extension of like 70s cop movies."
[The Big Picture · Celebrating ‘Scott Pilgrim vs. the World’ 10 Years Later · 0:03:08 · Sean Fennessey (0.90)] The Matrix ⇒ Scott Pilgrim vs. the World (the host's read) · lineage · Sean breaks the staging down into influences: Bruce Lee, The Matrix, and Phantom of the Paradise. · "It's one part Bruce Lee, one part the Matrix, one part Phantom of the Paradise."
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 1:01:20 · Andrew Garfield (0.95)] Under the Silver Lake ↔ The Game · theme · Garfield says people crave mystery and decoding, citing The Game as a favorite modern film about that. · "the game is one of my favorite like modern films of all time that deals with this issue."
[The Rewatchables · ‘Beverly Hills Cop’ · 0:08:03 · unknown (0.40)] Beverly Hills Cop ↔ Dirty Harry · lineage · The film plays closer to a 70s crime movie like Dirty Harry or The Outfit than to an 80s action blockbuster. · "this movie's way closer to like Dirty Harry or the outfit or 7, like a 70s crime movie than it is like our idea of like 80s action blockbuster."
[The Big Picture · Celebrating ‘Scott Pilgrim vs. the World’ 10 Years Later · 0:03:08 · Sean Fennessey (0.90)] Phantom of the Paradise ⇒ Scott Pilgrim vs. the World (the host's read) · lineage · Phantom of the Paradise is named as one ingredient of the film's rock-and-spectacle mix. · "It's one part Bruce Lee, one part the Matrix, one part Phantom of the Paradise."
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 1:01:53 · Andrew Garfield (0.95)] Under the Silver Lake ↔ Sunset Boulevard (immersive adaptation) · theme · Immersive theater like Punchdrunk gives the same visceral decoding-a-mystery experience as the film's code hunt. · "you feel viscerally involved in decoding some mystery."
[The Rewatchables · ‘Beverly Hills Cop’ · 0:08:03 · unknown (0.40)] Beverly Hills Cop ↔ The Outfit · lineage · Grouped with Dirty Harry as a 70s crime-movie ancestor. · "this movie's way closer to like Dirty Harry or the outfit or 7, like a 70s crime movie"
[The Big Picture · Celebrating ‘Scott Pilgrim vs. the World’ 10 Years Later · 0:17:53 · Sean Fennessey (0.85)] Scott Pilgrim vs. the World ⇒ Spider-Man: Into the Spider-Verse (the host's read) · lineage · Sean says Deadpool, the Lego movie and Spider-Verse could not happen without this film having broken the fourth wall first. · "Deadpool, for example, can't happen or like the Lego movie can't happen or into the Spider-Verse."
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 1:08:30 · Sean Fennessey (0.80)] Under the Silver Lake ↔ Russian Doll · theme · Sean pairs Russian Doll as Garfield's New York with Under the Silver Lake as his LA. · "If Russian doll is my New York under the Silver Lake is sort of my LA."
[The Rewatchables · ‘Beverly Hills Cop’ · 0:08:19 · unknown (0.40)] Beverly Hills Cop ↔ Richard Roundtree · lineage · The film is called a blaxploitation movie with one of the few true movie-star performances, and Roundtree is named as the only true movie star of that era. · "black exploitation movie with like one of the few movie star performances."
[The Big Picture · Celebrating ‘Scott Pilgrim vs. the World’ 10 Years Later · 0:17:53 · Sean Fennessey (0.85)] Scott Pilgrim vs. the World ⇒ Deadpool (the host's read) · lineage · Same claim: Deadpool's fourth-wall breaking was made possible by this movie breaking it down. · "Deadpool, for example, can't happen or like the Lego movie can't happen or into the Spider-Verse."
[The Rewatchables · ‘Beverly Hills Cop’ · 0:23:34 · Wesley Morris (0.70)] The French Connection ⇒ Beverly Hills Cop (the host's read) · lineage · Recast Popeye Doyle as Axel Foley and the movie barely changes; the apartments are essentially the same. · "Like you take the French connection and you recast Dean Hackman's, you make Popeye Doyle, Axel Foley."
[The Big Picture · Celebrating ‘Scott Pilgrim vs. the World’ 10 Years Later · 0:17:53 · Sean Fennessey (0.85)] Scott Pilgrim vs. the World ⇒ The Lego Movie (the host's read) · lineage · Same claim: the Lego movie's self-aware tone follows Scott Pilgrim. · "Deadpool, for example, can't happen or like the Lego movie can't happen or into the Spider-Verse."
[The Rewatchables · ‘Beverly Hills Cop’ · 0:27:42 · unknown (0.40)] In the Heat of the Night ⇒ Beverly Hills Cop (the host's read) · lineage · Described as In the Heat of the Night meets Beverly Hills; both are fish-out-of-water movies. · "said that the Beverly Hills Cop is essentially in the heat of the night meets Beverly Hills."
[The Big Picture · Celebrating ‘Scott Pilgrim vs. the World’ 10 Years Later · 0:33:29 · Van Lathan (0.70)] 1980s bully movies ⇒ Scott Pilgrim vs. the World (the host's read) · lineage · Van loves the Lucas Lee fight because it recalls cheesy 80s bully fights and flips them, Scott winning through wiliness. · "the fights that I love from, uh, bully fights are like from 80s, cheesy 80s movies."
[speaker] Van Lathan · latest sketch, The Rewatchables · ‘Friday the 13th’ · Enjoys the series for its sleaze, hang value and cheesy lines. Roots for Black-cast-free sendups and loves a flex category. Gravitates to Freddy and likes Kevin Bacon. · stances: Friday the 13th is a movie that did not need Black people; Rewards bad-hang awards and flex lists
[speaker] Andrew Garfield · latest sketch, The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · Drawn to dark, strange, specific directors and to spiritual, grueling roles; loves The Goonies, The Game, Free Solo, Russian Doll and immersive theater. Wants a Spider-Man-sized scope with a small film's soul. Admires filmmakers who make exactly the film they want. · stances: Sam is a victim of the culture who is also perpetuating it, and he has compassion for him; Fans decoding the film is joyful, and cult status would be awesome; Seeks balance between decency and baser material in roles
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with The Goonies (1985); name it the way the line names it. Don't recommend The Goonies (1985) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.