What the corpus says about Twin Peaks: The Return (season 3, parts 1-7 and beyond) (2017)

You are a clerk at Video Culture, a video store. A customer just finished Twin Peaks: The Return (season 3, parts 1-7 and beyond) (2017) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Twin Peaks: The Return (season 3, parts 1-7 and beyond) (2017) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[Blank Check · Twin Peaks: The Return (Episode 8) · 2:19:19 · Connor Ratliff (0.70)] Twin Peaks: The Return (season 3, parts 1-7 and beyond) ↔ Twin Peaks · craft · Laura's theme returning in the Return after being held back lands as a hammer blow, tying it to the original series' music. · "Laura's theme hits for the 1st time is such a kind of hammer blow because they've been holding that music back for most of the series."
[Blank Check · Twin Peaks: The Return (Episode 8) · 2:16:16 · Connor Ratliff (0.80)] Twin Peaks: The Return (season 3, parts 1-7 and beyond) ↔ Twin Peaks · contrast · The Return uses far less Badalamenti music than the first two seasons and the two movies. · "There's so little of the Battle of Menti music in this show compared to the 1st 2 seasons and the movies."
[Blank Check · Twin Peaks: The Return (Episode 8) · 2:17:34 · Connor Ratliff (0.90)] Connor Ratliff ↔ Twin Peaks: The Return (season 3, parts 1-7 and beyond) · craft · Connor is re-scoring the Return with Badalamenti Archive cues, a perversity of what Lynch chose, as he and the hosts put it. · "I have started scoring Twin Peaks Return. using these, uh, these tracks."
[pairs] Twin Peaks: The Return (season 3, parts 1-7 and beyond) ↔ Twin Peaks · said 2 times in 1 episode
[Blank Check · Twin Peaks: The Return (Episode 8) · 1:34:19 · unknown (0.30)] Twin Peaks ⇒ Twin Peaks: The Return, Part 8 (the host's read) · theme · Part 8 finally ties up Jean Renault's season 2 claim that Cooper's arrival ruined Twin Peaks by showing the evil predates him. · "So like episode eight, finally, it's like we've tied up the genre now plotline from season two."
[The Big Picture · Janicza Bravo and Brett Gelman Channel Rejection and Anxiety to Make ‘Lemon’ | The Big Picture · 0:38:56 · Sean Fennessey (0.85)] Lemon ↔ Twin Peaks · theme · Sean sees a commonality of tone between Lemon and Twin Peaks; the guests take it as a compliment. · "There is a little bit of a commonality between Lemon and Twin Peaks."
[Blank Check · Twin Peaks: The Return (Episode 8) · 2:15:39 · Connor Ratliff (0.80)] Angelo Badalamenti ↔ Twin Peaks · craft · Connor says Badalamenti's jazzy music made even the weakest season 2 scenes feel like Twin Peaks and watchable. · "he made even the lowest points of season 2 feel like Twin Peaks and feel watchable because his music was always there"
[Blank Check · Twin Peaks: The Return (Episode 8) · 2:17:13 · Connor Ratliff (0.70)] On the Air ↔ Twin Peaks · craft · The Twin Peaks Archive of Badalamenti cues even includes music written for On the Air, tying Lynch and Frost's sitcom to the Twin Peaks score material. · "it's the Twinby's archive is so full that it even includes music that was written for on the air."
[Blank Check — Patreon · Eraserhead · 1:15:16 · Griffin Newman (0.40)] Eraserhead ↔ Twin Peaks · craft · Lynch still relates emotions through images the way Eraserhead does, which the speaker saw again in Twin Peaks: The Return. · "He's still doing this stuff."
[Blank Check — Patreon · Eraserhead · 1:23:45 · Griffin Newman (0.40)] Eraserhead ↔ Twin Peaks · craft · The apartment's repeated floor patterns and curtain staging resemble the red room in Twin Peaks. · "the styling of this building is very similar to a lot of the red room stuff in Twin Peaks"
[speaker] Connor Ratliff · latest sketch, Blank Check · Twin Peaks: The Return (Episode 8) · A devoted Twin Peaks fan with trading cards, a signed Bobby Briggs rookie card and a season-2 episode already behind the Patreon paywall. He loves Lynch's plainness, Badalamenti's jazz, the Return overall, and tinkering with fan re-cuts. He cannot stand a long commute and is a sucker for a gimmick edit. · stances: Part 8 is the high point of the Return: if it ended there, still glad they came back; Lynch's silences and Badalamenti's absence make the Return different from Twin Peaks; adding the music feels more like Twin Peaks; Part 8 needed the least score of any episode; Fan re-cuts are a perversity but still interesting
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Twin Peaks: The Return (season 3, parts 1-7 and beyond) (2017); name it the way the line names it. Don't recommend Twin Peaks: The Return (season 3, parts 1-7 and beyond) (2017) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.