What the corpus says about Rosemary's Baby (1968)

You are a clerk at Video Culture, a video store. A customer just finished Rosemary's Baby (1968) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Rosemary's Baby (1968) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · The 10 Best Horror Movies of the Decade | The Big Picture · 0:22:43 · Chris Ryan (0.90)] The Invitation ↔ Rosemary's Baby · lineage · The Invitation, like Rosemary's Baby, is a realistic situation that keeps getting altered until pandemonium. · "that's the movie that I would compare it to in terms of this is a relatively realistic situation that just keeps getting altered more and more"
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 1:14:58 · Chris Ryan (0.60)] Once Upon a Time in Hollywood ↔ Rosemary's Baby · what-if · Tarantino mapped Rick's career if he'd gotten the Cassavetes role in Rosemary's Baby. · "what happens if Rick Dalton gets the John Casavetti's role in Rosemary's baby"
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 0:17:32 · unknown (0.00)] Pulp Fiction ⇒ Once Upon a Time in Hollywood (the host's read) · lineage · Marcellus's you-pride-only-hurts speech to Butch is the same speech Pacino gives DiCaprio in Once Upon a Time in Hollywood. · "And it's the same speech that Pacino gives DiCaprio at Rousseau and Frank in Once Upon a Time in Hollywood."
[The Big Picture · The 10 Best Horror Movies of the Decade | The Big Picture · 0:37:03 · Sean Fennessey (0.60)] The Invitation ↔ Starry Eyes · programming · Starry Eyes makes a good double feature with The Invitation for anxiety and terror. · "Starias in particular is a nice double feature, I think, with the invitation"
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:16:14 · Bill Simmons (0.50)] Wanted: Dead or Alive ⇒ Once Upon a Time in Hollywood (the host's read) · lineage · Bounty Law is based on Steve McQueen's Wanted Dead or Alive. · "Bounty Lostar, which was based on Wanted Dead or Alive with Steve McQueen"
[The Big Picture · The 10 Best Horror Movies of the Decade | The Big Picture · 0:32:54 · Sean Fennessey (0.75)] The Invitation ↔ Green Room · theme · Sean puts both on his runners-up list and says they belong in a separate category called terror. · "I think that those 2 movies should almost be recategorized into what we might call terror."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:37:06 · Bill Simmons (0.50)] The Texas Chain Saw Massacre ⇒ Once Upon a Time in Hollywood (the host's read) · lineage · Tarantino wanted the Spahn Ranch sequence to feel like Texas Chain Saw Massacre. · "Tarantino wanted it to look like the Texas Chainsaw Massacre and had his crew research, Texas Chant, and the whole feel of it and how desolate it was."
[The Big Picture · 300th Episode Ask-Us-Anything Mailbag Spectacular · 0:39:25 · Amanda Dobbins (0.90)] The Invitation ↔ Karyn Kusama · craft · The Invitation's dread of not knowing what is going on is what Kusama would bring. · "I was thinking about the invitation and, um, the kind of not really knowing what's going on and the dread of it all"
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:37:25 · Bill Simmons (0.50)] Apocalypse Now ⇒ Once Upon a Time in Hollywood (the host's read) · lineage · The dogs at Spahn Ranch play the role of the Duvall helicopters, constantly present and disorienting. · "He wanted the dogs to be the helicopters."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:44:51 · Chris Ryan (0.50)] Lee Van Cleef ⇒ Once Upon a Time in Hollywood (the maker said so: he told me; I asked Quentin about it) · lineage · The painting of Rick in the driveway came from Tarantino finding a giant Lee Van Cleef painting in the actor's garage while scouting. · "that's why I put a painting of Rick in the driveway."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 1:09:23 · Chris Ryan (0.50)] Bob & Carol & Ted & Alice ⇒ Once Upon a Time in Hollywood (the maker said so) · lineage · Tarantino said Bob & Carol & Ted & Alice influenced the characters, looks, and scenery. · "Quinn said Bob and Carol and Ted Alice was a big influence on this movie"
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 0:17:38 · unknown (0.00)] Pulp Fiction ↔ Once Upon a Time in Hollywood · theme · Motifs echo across Tarantino's movies. · "It's so awesome to see the motifs echo across his movies."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:21:42 · Sean Fennessey (0.40)] Once Upon a Time in Hollywood ↔ Scent of a Woman · theme · Marvin's pitch resembles the Top Gun speech in Sleep With Me; the transcript garbles the title. · "That speech he gives is pure Tarantino. Like, that is not that much different than the actual speech"
[speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Rosemary's Baby (1968); name it the way the line names it. Don't recommend Rosemary's Baby (1968) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.