What the corpus says about Last Night in Soho (2021)

You are a clerk at Video Culture, a video store. A customer just finished Last Night in Soho (2021) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Last Night in Soho (2021) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · Celebrating ‘Scott Pilgrim vs. the World’ 10 Years Later · 0:42:22 · Sean Fennessey (0.90)] Scott Pilgrim vs. the World ↔ Last Night in Soho · career · Sean notes Scott Pilgrim is an outlier because Wright mostly makes original stories, and that Last Night in Soho, his horror film, was bumped to next year. · "we were supposed to get last night in Soho in September and it got bumped to next year, his next movie, which is a horror movie."
[The Big Picture · 300th Episode Ask-Us-Anything Mailbag Spectacular · 0:59:26 · Sean Fennessey (0.70)] Last Night in Soho ↔ Edgar Wright · programming · A horror classic from Wright would not play as well at home; right for Halloween. · "I need more instant classics and I trust him to make something like that"
[The Big Picture · 300th Episode Ask-Us-Anything Mailbag Spectacular · 0:59:26 · Sean Fennessey (0.70)] Last Night in Soho · fun · Edgar Wright's horror movie slated for September is now pushed to 2021; Sean wants instant classics. · "I need more instant classics and I trust him to make something like that"
[The Big Picture · Celebrating ‘Scott Pilgrim vs. the World’ 10 Years Later · 1:20:24 · Edgar Wright (0.95)] Scott Pilgrim vs. the World ↔ Metric · programming · Edgar says Metric and Broken Social Scene were a no-brainer because the film was shot in Toronto. · "metric and broken social scene were both like, still are, like, you know, like really important Canadian bands from Toronto."
[The Big Picture · Celebrating ‘Scott Pilgrim vs. the World’ 10 Years Later · 0:02:46 · Sean Fennessey (0.90)] Scott Pilgrim vs. the World ⇒ Baby Driver (the host's read) · lineage · Sean says Wright's music-synced action staging, perfected in Baby Driver, begins with Scott Pilgrim. · "The perfectly synchronized music to action staging the Wright Perfected and Baby Driver starts with Scott Pilgrim."
[The Big Picture · Celebrating ‘Scott Pilgrim vs. the World’ 10 Years Later · 0:03:08 · Sean Fennessey (0.90)] The Matrix ⇒ Scott Pilgrim vs. the World (the host's read) · lineage · Sean breaks the staging down into influences: Bruce Lee, The Matrix, and Phantom of the Paradise. · "It's one part Bruce Lee, one part the Matrix, one part Phantom of the Paradise."
[The Big Picture · Celebrating ‘Scott Pilgrim vs. the World’ 10 Years Later · 0:03:08 · Sean Fennessey (0.90)] Phantom of the Paradise ⇒ Scott Pilgrim vs. the World (the host's read) · lineage · Phantom of the Paradise is named as one ingredient of the film's rock-and-spectacle mix. · "It's one part Bruce Lee, one part the Matrix, one part Phantom of the Paradise."
[The Big Picture · Celebrating ‘Scott Pilgrim vs. the World’ 10 Years Later · 0:17:53 · Sean Fennessey (0.85)] Scott Pilgrim vs. the World ⇒ Spider-Man: Into the Spider-Verse (the host's read) · lineage · Sean says Deadpool, the Lego movie and Spider-Verse could not happen without this film having broken the fourth wall first. · "Deadpool, for example, can't happen or like the Lego movie can't happen or into the Spider-Verse."
[The Big Picture · Celebrating ‘Scott Pilgrim vs. the World’ 10 Years Later · 0:17:53 · Sean Fennessey (0.85)] Scott Pilgrim vs. the World ⇒ Deadpool (the host's read) · lineage · Same claim: Deadpool's fourth-wall breaking was made possible by this movie breaking it down. · "Deadpool, for example, can't happen or like the Lego movie can't happen or into the Spider-Verse."
[The Big Picture · Celebrating ‘Scott Pilgrim vs. the World’ 10 Years Later · 0:17:53 · Sean Fennessey (0.85)] Scott Pilgrim vs. the World ⇒ The Lego Movie (the host's read) · lineage · Same claim: the Lego movie's self-aware tone follows Scott Pilgrim. · "Deadpool, for example, can't happen or like the Lego movie can't happen or into the Spider-Verse."
[The Big Picture · Celebrating ‘Scott Pilgrim vs. the World’ 10 Years Later · 0:33:29 · Van Lathan (0.70)] 1980s bully movies ⇒ Scott Pilgrim vs. the World (the host's read) · lineage · Van loves the Lucas Lee fight because it recalls cheesy 80s bully fights and flips them, Scott winning through wiliness. · "the fights that I love from, uh, bully fights are like from 80s, cheesy 80s movies."
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Last Night in Soho (2021); name it the way the line names it. Don't recommend Last Night in Soho (2021) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.