What the corpus says about Easy Rider

You are a clerk at Video Culture, a video store. A customer just finished Easy Rider and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Easy Rider and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[Blank Check — Patreon · Zodiac · 0:24:48 · Leslye Headland (0.70)] Easy Rider ↔ Fight Club · generational datedness · Younger viewers may see Fight Club the way the speakers see Easy Rider. · "younger people now watching that film would be like us watching Easy Rider."
[Blank Check — Patreon · Fight Club · 1:02:47 · Alex Ross Perry (0.60)] Easy Rider ↔ Fight Club · generational time capsule · Alex says a young viewer today would find Fight Club the way he found Easy Rider: he can see what it meant but it does not connect. · "this is like kids watching this now, I think, would be like when I watched Easy Rider."
[pairs] Easy Rider ↔ Fight Club · said 2 times in 2 episodes
[The Big Picture · ‘The Killer’ Is Cold-Blooded Genius. And Something More · 1:20:30 · Amanda Dobbins (0.60)] The Killer ↔ Fight Club · programming · Both are very funny first-person-narrated films about sociopaths who rationalize brutal violence as a personal mission. · "This movie would make a neat pairing with Fight Club. Two very funny films about sociopaths whose inner monologues rationalize brutal violence as expressions of a personal mission."
[Blank Check — Patreon · Fight Club · 2:08:56 · Alex Ross Perry (0.40)] The Sixth Sense ↔ Fight Club · programming · Two big twist movies, ten weeks apart, with the same fake-person reveal. · "That's the same twist twice, 10 weeks apart."
[Blank Check — Patreon · Fight Club · 2:43:02 · unknown (0.35)] A Clockwork Orange ↔ Fight Club · programming · Fight Club is called the Clockwork Orange of another generation, an Edge Lord pick. · "This is kind of the clockwork Orange for another generation."
[Blank Check — Patreon · Fight Club · 2:57:12 · Alex Ross Perry (0.45)] Slacker ↔ Fight Club · programming · Klosterman, as read, names Slacker or Fight Club as the decade's most generationally defining film. · "either slacker or fight club, could justifiably be called the decade's most generationally defining."
[Blank Check — Patreon · Fight Club · 1:13:14 · unknown (0.40)] Chuck Palahniuk ⇒ Fight Club (the host's read) · lineage · The film adapts Palahniuk's novel; the speaker says the screenplay cribs straight from the book. · "obviously the movie is, the book is very, he's cribbing right from the book."
[Blank Check — Patreon · Fight Club · 1:59:38 · unknown (0.40)] Douglas Coupland ⇒ Fight Club (the host's read) · lineage · The speaker says the early car-recall section is right out of Coupland and Gen X writing. · "It's right out of like Douglas Copeland or whatever, right?"
[Blank Check — Patreon · The Killer · 0:41:40 · unknown (host) (0.30)] The Killer (graphic novel) ↔ Fight Club · theme · The comic's killer has an inner monologue closer to the Fight Club narrator. · "it's more that like this guy's inner monologue is closer to Edward Norton Fight Club."
[Blank Check — Patreon · The Killer · 0:48:38 · unknown (host) (0.30)] Andrew Kevin Walker ↔ Fight Club · theme · Walker brought a similar modern-tech angle (name tags) to Fight Club. · "I think he had some of that in fight club too"
[speaker] Alex Ross Perry · latest sketch, Blank Check — Patreon · Fight Club · Loves Fight Club as a formative film he saw at the AMC Marple on opening night and again on Saturday, and says it still ranks among his heart picks despite finding it juvenile now. Respects a movie that looks good. Cannot stand the Fincher perfectionist myth, and thinks his push for digital had a bad influence. A sucker for Zodiac, which he ranks first. · stances: Fight Club is a time capsule: deeply embarrassing to admire but loved spiritually; Fincher's perfectionist myth and digital proselytizing are overrated; The second half and Project Mayhem say nothing new; Zodiac is the best Fincher
[speaker] Leslye Headland · latest sketch, Blank Check — Patreon · Zodiac · Loves Zodiac as part of a Mount Rushmore (Zodiac, The Shining, Back to the Future, The Apartment) and watched it daily at a low point in her life. Adores blocking and staging as the true mark of the greats, loves Fincher's digital photography, and sees Fight Club as an evergreen Strangelove-style satire. Also a fan of L.A. Confidential as a nook-and-cranny movie. · stances: Zodiac is a masterpiece and a movie to live inside; Fincher's real genius is blocking and staging, not flash; Fight Club is a durable satire; Digital can look gorgeous
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Easy Rider; name it the way the line names it. Don't recommend Easy Rider itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.