What the corpus says about Soul Plane (2004)

You are a clerk at Video Culture, a video store. A customer just finished Soul Plane (2004) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Soul Plane (2004) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[Blank Check · As Good as It Gets · 2:05:09 · Chris Gethard (0.50)] Soul Plane · fun · Chris took a date to see it; audience was mostly Hasidic Jews and one uncomfortable black man. · "I took a lady on a date in high school to see Soul Plane"
[speaker] Chris Gethard · latest sketch, Blank Check · As Good as It Gets · Loves an unapologetic dickhead performance and Star Wars minutiae (memorized the encyclopedia in high school); a sucker for Helen Hunt and for underdog films like Breaking Away. Can't stand Poe Dameron's mutiny, bad-movie-in-theaters stories, or romances where a straight man and woman can't just respect each other. · stances: Kinnear's performance is the best in the film and may be his career peak; Poe Dameron is a war criminal; Wants straight male/female friendships that stay non-romantic; Nicholson in this film is top three for lovable dickheads
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Soul Plane (2004); name it the way the line names it. Don't recommend Soul Plane (2004) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.