What the corpus says about Miami Vice (2006)
The 34 lines php artisan corpus:ask hands a model, in the order it gets them, and nothing else.
The model writes a clerk's answer from these and only these.
What was said about it (5)
- [Blank Check · Miami Vice - Pilot Episode · 0:41:04 · unknown (0.30)] Miami Vice ↔ L.A. Takedown · lineage · Occam's Razor says the Miami Vice movie would remake the pilot the way Heat remade L.A. Takedown, but Mann refused. · "Occam's Razor, you would go, well, Miami Vice movie, do for Miami Vice Pilot, what you did for LA Takedown."
- [Blank Check · Miami Vice - Pilot Episode · 0:41:18 · David Sims (0.40)] Miami Vice - Pilot (Brother's Keeper) ↔ Miami Vice · contrast · The pilot did what Mann's film could have done for it, but the film drops viewers into the middle of the partnership instead of an origin story. · "Instead of doing an origin story kind of like, here's how these 2 cops get together."
- [Blank Check — Patreon · Iron Man 2 · 1:22:40 · unknown (0.30)] Iron Man 2 ↔ Miami Vice · contrast · Unlike Miami Vice, which reeked of a miserable shoot, Iron Man 2 was probably fun to make. · "it's not some movie where, like, Miami Vice, where it reeks of like, oh, everyone was having a miserable time."
- [Blank Check · Miami Vice - Pilot Episode · 1:10:51 · unknown (0.40)] The Last of the Mohicans ↔ Miami Vice · verdict · Ranked below Miami Vice; defended against listeners who blamed guest Dana Stevens for a flat episode. · "Not my kind of movie."
- [The Big Picture · Physical Media Strikes Back · 0:41:54 · Sean Fennessey (0.50)] Miami Vice ↔ Michael Mann · what-if · The theatrical cut throws you into the club; Mann's Blu-ray version adds earlier scenes. · "really kind of loves the theatrical cut of Miami Vice because he just throws you into the club."
Fun items about it (1)
- [The Big Picture · Physical Media Strikes Back · 0:42:03 · Tim Simons (0.50)] Miami Vice · fun · Prefers the theatrical cut because it throws you into the club with no context; Blu-ray version adds scenes before. · "Like, he's just like, oh, we're just in the club."
One hop out: what recommends the films most often joined to it (22)
- [Blank Check — Patreon · Captain America: The Winter Soldier · 1:16:27 · unknown (0.45)] Captain America: The Winter Soldier ↔ Iron Man 2 · programming · Gary Shandling's Hydra senator is an odd pull-back to Iron Man 2 for a franchise otherwise ignoring that film. · "when they're like trying to ignore as much of Iron Man 2 as possible"
- [Blank Check · Miami Vice - Pilot Episode · 1:06:48 · unknown (0.40)] Miami Vice - Pilot (Brother's Keeper) ↔ L.A. Takedown · lineage · Watching the pilot feels like a Mann bonus, like The Jericho Mile or L.A. Takedown. · "It feels like watching Jericho Mile or watching LA Town."
- [Blank Check · Miami Vice - Pilot Episode · 1:16:10 · Ben Hosley (0.30)] E/R ↔ Miami Vice - Pilot (Brother's Keeper) · programming · The E/R sitcom pilot aired the same night as Miami Vice with a rating of 23 versus 22.8. · "Airing the same night as Miami Vice, which is number two, with 22.8 million."
- [The Rewatchables · ‘The Insider’ · 0:08:22 · Chris Ryan (0.60)] The Last of the Mohicans ↔ Heat · lineage · Heat is described as the urban version of Last of the Mohicans, a step in Mann's progression toward The Insider. · "Then you've got heat, which in some ways is the urban version of Last of the Mohicans."
- [Blank Check — Patreon · Iron Man 2 · 0:12:08 · unknown (0.30)] Iron Man 2 ↔ The Avengers · programming · Feige pushed more cinematic-universe setup after the first film, but held most back; the Fury scene and shield joke are the result. · "Let's build shield outlets, like give them, you know, a little more of what they want."
- [Blank Check · Miami Vice - Pilot Episode · 1:16:48 · unknown (0.30)] Some Kind of Hero ↔ Miami Vice - Pilot (Brother's Keeper) · programming · Some Kind of Hero was a movie on a rival network in Miami Vice's slot. · "The movie Some Kind of Hero."
- [Blank Check · Lady in the Water · 1:16:46 · David Sims (0.40)] Lady in the Water ↔ The Last of the Mohicans · theme · Relaying the myth through third-hand translation is compared to the Last of the Mohicans scene of language relay. · "It's like the scene in the Last of the Mohicans where Daniel Day-Louis has to have the British guys speak French to the Native Americans who only speak French."
- [Blank Check — Patreon · Iron Man 2 · 2:07:38 · unknown (0.30)] Iron Man 2 ↔ Thor · programming · Its post-credit scene is called the weakest, existing only to announce Thor's film, much like the Captain Marvel tag after Infinity War. · "Because essentially it's just like Thor, Thor, will be the star of a new movie."
- [Blank Check · Miami Vice - Pilot Episode · 0:16:28 · David Sims (0.40)] Hill Street Blues ⇒ Miami Vice - Pilot (Brother's Keeper) (the host's read) · lineage · Hill Street Blues raised TV through writing and performance; Miami Vice added the cinematic look on top of that standard. · "try to write, like, Hill Street blues level scripts and have real grounded performances and make it all look fucking awesome."
- [The Rewatchables · ‘The Insider’ · 0:08:27 · Chris Ryan (0.60)] The Insider ↔ The Last of the Mohicans · craft · The Insider is where Mann starts making wild formal decisions, after the romantic landscape painting of Mohicans and the urban Heat. · "And then Insider marks where man starts making all these really wild formal decisions."
- [Blank Check — Patreon · Iron Man · 1:18:06 · unknown (0.30)] Iron Man ↔ Iron Man 2 · programming · Griffin has a point about Paltrow in Iron Man 2 and promises a separate Iron Man 2 commentary. · "We're going to do an Iron Man 2 commentary so we can talk about the movie I want to talk about there."
- [Blank Check · Miami Vice - Pilot Episode · 1:06:48 · unknown (0.40)] Miami Vice - Pilot (Brother's Keeper) ↔ L.A. Takedown · lineage · Watching the pilot feels like a Mann bonus, like The Jericho Mile or L.A. Takedown. · "It feels like watching Jericho Mile or watching LA Town."
- [The Rewatchables · ‘The Insider’ · 0:08:38 · Chris Ryan (0.60)] The Insider ↔ The Last of the Mohicans · craft · The same cinematographer, Dante Spinotti, shot both Mann films. · "Dante Spinati, who shot last night, he can shot. He also shoots the insider"
- [Blank Check — Patreon · Mission: Impossible - Rogue Nation · 1:01:43 · unknown (0.30)] Mission: Impossible – Rogue Nation ↔ Iron Man 2 · lineage · The thigh-grab move is traced back to Iron Man 2 by one speaker. · "I mean, I always think of Iron Man 2."
- [Blank Check · Miami Vice - Pilot Episode · 0:15:37 · David Sims (0.50)] Miami Vice - Pilot (Brother's Keeper) ↔ I Am Love · theme · Defending visual beauty against the 'style over substance' charge, using I Am Love's perfume-commercial dismissal. · "I remember when that came out, people were like, it's just like a two-hour perfume commercial."
- [The Rewatchables · ‘Tombstone’ · 1:09:49 · Chris Ryan (0.40)] The Last of the Mohicans ↔ Daniel Day-Lewis · craft · Day-Lewis learned to make muskets for his method. · "Daniel, Day Lewis was like, I'm going to go learn how to make, you know, muskets"
- [Blank Check — Patreon · Iron Man 3 · 0:21:49 · unknown (0.30)] Iron Man 2 ↔ Robocop 2 · lineage · Iron Man 2 forces Tony to be a wreck again for no earned reason, which they liken to Robocop 2 resetting its hero. · "doing the Robocop 2 thing."
- [Blank Check · Miami Vice - Pilot Episode · 1:06:37 · unknown (0.30)] Miami Vice - Pilot (Brother's Keeper) ↔ The Incredibles · theme · The cynical ending, where the big guy gets away, echoes The Incredibles on systemic issues. · "Right, it's like the Incredibles too."
- [Blank Check — Patreon · Captain America: The First Avenger · 0:19:47 · David Sims (0.40)] Iron Man 2 ⇒ Captain America: The First Avenger (the host's read) · lineage · The Stark Expo of the 1940s is the origin of the Expo seen in Iron Man 2, now as the full World's Fair version. · "Like what we see in Iron Man 2, but now it's like the full like 40s World Fair version."
- [Blank Check · Miami Vice - Pilot Episode · 0:18:56 · unknown (0.30)] Miami Vice - Pilot (Brother's Keeper) ↔ Michael Mann · craft · Mann brought his neon sensibility to TV; the no-earth-tones rule. · "And he's bringing those kind of neon sensibilities."
- [Blank Check — Patreon · Iron Man 2 · 1:09:32 · Griffin Newman (0.35)] Iron Man 2 ↔ Robocop 2 · lineage · Both feature an opening gag of malfunctioning machines, and a plot about the military trying to make another one. · "this is very similar to Robocob 2 where they're like, the plot is kind of just like, how do we make another one of these?"
- [Blank Check · Miami Vice - Pilot Episode · 0:21:32 · David Sims (0.40)] Miami Vice - Pilot (Brother's Keeper) ↔ The X-Files (pilot) · craft · Classic pilots feel like a little complete movie, as with the X-Files pilot. · "it's gonna feel like a little movie about these 2 people meeting and having an adventure"
Who said it, by their latest sketch (3)
- [speaker] David Sims · latest sketch, Blank Check · The Last Temptation of Christ · Prepares history: novel, casting, budgets, box office. Reveres the film and thinks it reads as a normal ground-level story. A sucker for Hollywood deal backstory and box office game. · stances: Praises Keitel and Dafoe casting; Respects Scorsese's persistence and Corman discipline; The film is now well regarded though not 'canonical Marty'
- [speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
- [speaker] Tim Simons · latest sketch, Blank Check · Fearless · Adores Bradley Whitford, Jeff Bridges, and unbridled positivity about moviegoing. Lover of old movies he has not seen yet. Can be contrarian ('movie MAGA mode') about near-consensus films and U2. Moved by performance and craft more than plot. · stances: Fearless is uniformly excellent, the first 30 and last 20 minutes transcendent; Jeff Bridges is peak, subtle and singular; the Fearless ending locks all puzzle pieces; nitpicks consensus classics
The shows' running bits (3)
- [bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
- [bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
- [bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)
The whole prompt
As the model gets it, from app/Ai/Prompts/CorpusAsk.md
You are a clerk at Video Culture, a video store. A customer just finished Miami Vice (2006) and wants to know what to watch next.
Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Miami Vice (2006) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.
[Blank Check · Miami Vice - Pilot Episode · 0:41:04 · unknown (0.30)] Miami Vice ↔ L.A. Takedown · lineage · Occam's Razor says the Miami Vice movie would remake the pilot the way Heat remade L.A. Takedown, but Mann refused. · "Occam's Razor, you would go, well, Miami Vice movie, do for Miami Vice Pilot, what you did for LA Takedown."
[Blank Check · Miami Vice - Pilot Episode · 0:41:18 · David Sims (0.40)] Miami Vice - Pilot (Brother's Keeper) ↔ Miami Vice · contrast · The pilot did what Mann's film could have done for it, but the film drops viewers into the middle of the partnership instead of an origin story. · "Instead of doing an origin story kind of like, here's how these 2 cops get together."
[Blank Check — Patreon · Iron Man 2 · 1:22:40 · unknown (0.30)] Iron Man 2 ↔ Miami Vice · contrast · Unlike Miami Vice, which reeked of a miserable shoot, Iron Man 2 was probably fun to make. · "it's not some movie where, like, Miami Vice, where it reeks of like, oh, everyone was having a miserable time."
[Blank Check · Miami Vice - Pilot Episode · 1:10:51 · unknown (0.40)] The Last of the Mohicans ↔ Miami Vice · verdict · Ranked below Miami Vice; defended against listeners who blamed guest Dana Stevens for a flat episode. · "Not my kind of movie."
[The Big Picture · Physical Media Strikes Back · 0:41:54 · Sean Fennessey (0.50)] Miami Vice ↔ Michael Mann · what-if · The theatrical cut throws you into the club; Mann's Blu-ray version adds earlier scenes. · "really kind of loves the theatrical cut of Miami Vice because he just throws you into the club."
[The Big Picture · Physical Media Strikes Back · 0:42:03 · Tim Simons (0.50)] Miami Vice · fun · Prefers the theatrical cut because it throws you into the club with no context; Blu-ray version adds scenes before. · "Like, he's just like, oh, we're just in the club."
[Blank Check — Patreon · Captain America: The Winter Soldier · 1:16:27 · unknown (0.45)] Captain America: The Winter Soldier ↔ Iron Man 2 · programming · Gary Shandling's Hydra senator is an odd pull-back to Iron Man 2 for a franchise otherwise ignoring that film. · "when they're like trying to ignore as much of Iron Man 2 as possible"
[Blank Check · Miami Vice - Pilot Episode · 1:06:48 · unknown (0.40)] Miami Vice - Pilot (Brother's Keeper) ↔ L.A. Takedown · lineage · Watching the pilot feels like a Mann bonus, like The Jericho Mile or L.A. Takedown. · "It feels like watching Jericho Mile or watching LA Town."
[Blank Check · Miami Vice - Pilot Episode · 1:16:10 · Ben Hosley (0.30)] E/R ↔ Miami Vice - Pilot (Brother's Keeper) · programming · The E/R sitcom pilot aired the same night as Miami Vice with a rating of 23 versus 22.8. · "Airing the same night as Miami Vice, which is number two, with 22.8 million."
[The Rewatchables · ‘The Insider’ · 0:08:22 · Chris Ryan (0.60)] The Last of the Mohicans ↔ Heat · lineage · Heat is described as the urban version of Last of the Mohicans, a step in Mann's progression toward The Insider. · "Then you've got heat, which in some ways is the urban version of Last of the Mohicans."
[Blank Check — Patreon · Iron Man 2 · 0:12:08 · unknown (0.30)] Iron Man 2 ↔ The Avengers · programming · Feige pushed more cinematic-universe setup after the first film, but held most back; the Fury scene and shield joke are the result. · "Let's build shield outlets, like give them, you know, a little more of what they want."
[Blank Check · Miami Vice - Pilot Episode · 1:16:48 · unknown (0.30)] Some Kind of Hero ↔ Miami Vice - Pilot (Brother's Keeper) · programming · Some Kind of Hero was a movie on a rival network in Miami Vice's slot. · "The movie Some Kind of Hero."
[Blank Check · Lady in the Water · 1:16:46 · David Sims (0.40)] Lady in the Water ↔ The Last of the Mohicans · theme · Relaying the myth through third-hand translation is compared to the Last of the Mohicans scene of language relay. · "It's like the scene in the Last of the Mohicans where Daniel Day-Louis has to have the British guys speak French to the Native Americans who only speak French."
[Blank Check — Patreon · Iron Man 2 · 2:07:38 · unknown (0.30)] Iron Man 2 ↔ Thor · programming · Its post-credit scene is called the weakest, existing only to announce Thor's film, much like the Captain Marvel tag after Infinity War. · "Because essentially it's just like Thor, Thor, will be the star of a new movie."
[Blank Check · Miami Vice - Pilot Episode · 0:16:28 · David Sims (0.40)] Hill Street Blues ⇒ Miami Vice - Pilot (Brother's Keeper) (the host's read) · lineage · Hill Street Blues raised TV through writing and performance; Miami Vice added the cinematic look on top of that standard. · "try to write, like, Hill Street blues level scripts and have real grounded performances and make it all look fucking awesome."
[The Rewatchables · ‘The Insider’ · 0:08:27 · Chris Ryan (0.60)] The Insider ↔ The Last of the Mohicans · craft · The Insider is where Mann starts making wild formal decisions, after the romantic landscape painting of Mohicans and the urban Heat. · "And then Insider marks where man starts making all these really wild formal decisions."
[Blank Check — Patreon · Iron Man · 1:18:06 · unknown (0.30)] Iron Man ↔ Iron Man 2 · programming · Griffin has a point about Paltrow in Iron Man 2 and promises a separate Iron Man 2 commentary. · "We're going to do an Iron Man 2 commentary so we can talk about the movie I want to talk about there."
[Blank Check · Miami Vice - Pilot Episode · 1:06:48 · unknown (0.40)] Miami Vice - Pilot (Brother's Keeper) ↔ L.A. Takedown · lineage · Watching the pilot feels like a Mann bonus, like The Jericho Mile or L.A. Takedown. · "It feels like watching Jericho Mile or watching LA Town."
[The Rewatchables · ‘The Insider’ · 0:08:38 · Chris Ryan (0.60)] The Insider ↔ The Last of the Mohicans · craft · The same cinematographer, Dante Spinotti, shot both Mann films. · "Dante Spinati, who shot last night, he can shot. He also shoots the insider"
[Blank Check — Patreon · Mission: Impossible - Rogue Nation · 1:01:43 · unknown (0.30)] Mission: Impossible – Rogue Nation ↔ Iron Man 2 · lineage · The thigh-grab move is traced back to Iron Man 2 by one speaker. · "I mean, I always think of Iron Man 2."
[Blank Check · Miami Vice - Pilot Episode · 0:15:37 · David Sims (0.50)] Miami Vice - Pilot (Brother's Keeper) ↔ I Am Love · theme · Defending visual beauty against the 'style over substance' charge, using I Am Love's perfume-commercial dismissal. · "I remember when that came out, people were like, it's just like a two-hour perfume commercial."
[The Rewatchables · ‘Tombstone’ · 1:09:49 · Chris Ryan (0.40)] The Last of the Mohicans ↔ Daniel Day-Lewis · craft · Day-Lewis learned to make muskets for his method. · "Daniel, Day Lewis was like, I'm going to go learn how to make, you know, muskets"
[Blank Check — Patreon · Iron Man 3 · 0:21:49 · unknown (0.30)] Iron Man 2 ↔ Robocop 2 · lineage · Iron Man 2 forces Tony to be a wreck again for no earned reason, which they liken to Robocop 2 resetting its hero. · "doing the Robocop 2 thing."
[Blank Check · Miami Vice - Pilot Episode · 1:06:37 · unknown (0.30)] Miami Vice - Pilot (Brother's Keeper) ↔ The Incredibles · theme · The cynical ending, where the big guy gets away, echoes The Incredibles on systemic issues. · "Right, it's like the Incredibles too."
[Blank Check — Patreon · Captain America: The First Avenger · 0:19:47 · David Sims (0.40)] Iron Man 2 ⇒ Captain America: The First Avenger (the host's read) · lineage · The Stark Expo of the 1940s is the origin of the Expo seen in Iron Man 2, now as the full World's Fair version. · "Like what we see in Iron Man 2, but now it's like the full like 40s World Fair version."
[Blank Check · Miami Vice - Pilot Episode · 0:18:56 · unknown (0.30)] Miami Vice - Pilot (Brother's Keeper) ↔ Michael Mann · craft · Mann brought his neon sensibility to TV; the no-earth-tones rule. · "And he's bringing those kind of neon sensibilities."
[Blank Check — Patreon · Iron Man 2 · 1:09:32 · Griffin Newman (0.35)] Iron Man 2 ↔ Robocop 2 · lineage · Both feature an opening gag of malfunctioning machines, and a plot about the military trying to make another one. · "this is very similar to Robocob 2 where they're like, the plot is kind of just like, how do we make another one of these?"
[Blank Check · Miami Vice - Pilot Episode · 0:21:32 · David Sims (0.40)] Miami Vice - Pilot (Brother's Keeper) ↔ The X-Files (pilot) · craft · Classic pilots feel like a little complete movie, as with the X-Files pilot. · "it's gonna feel like a little movie about these 2 people meeting and having an adventure"
[speaker] David Sims · latest sketch, Blank Check · The Last Temptation of Christ · Prepares history: novel, casting, budgets, box office. Reveres the film and thinks it reads as a normal ground-level story. A sucker for Hollywood deal backstory and box office game. · stances: Praises Keitel and Dafoe casting; Respects Scorsese's persistence and Corman discipline; The film is now well regarded though not 'canonical Marty'
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[speaker] Tim Simons · latest sketch, Blank Check · Fearless · Adores Bradley Whitford, Jeff Bridges, and unbridled positivity about moviegoing. Lover of old movies he has not seen yet. Can be contrarian ('movie MAGA mode') about near-consensus films and U2. Moved by performance and craft more than plot. · stances: Fearless is uniformly excellent, the first 30 and last 20 minutes transcendent; Jeff Bridges is peak, subtle and singular; the Fearless ending locks all puzzle pieces; nitpicks consensus classics
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)
Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Miami Vice (2006); name it the way the line names it. Don't recommend Miami Vice (2006) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.
Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.
You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.
Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.