What the corpus says about Dead Man Walking (1995)

You are a clerk at Video Culture, a video store. A customer just finished Dead Man Walking (1995) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Dead Man Walking (1995) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Rewatchables · ‘Se7en’ · 0:07:00 · Chris Ryan (0.55)] Seven ↔ Dead Man Walking · contrast · Those movies felt like Oscar movies while bare-knuckle genre movies made by artists did not get recognized. · "They're bare knuckle genre movies that are done by artists and those weren't really getting recognized as much back then, I don't think."
[The Rewatchables · 'The Player' · 1:15:11 · Bill Simmons (0.50)] Tim Robbins ↔ Dead Man Walking · career · Robbins directed Sean Penn in Dead Man Walking; the hosts trace the Scacchi/D'Onofrio/Leila George/Sean Penn six degrees. · "Tim Robbins directed Sean Penn in the movie Dead Man Walking."
[Blank Check — Patreon · In the Cut · 1:54:00 · Griffin or David (unclear) (0.35)] Sean Penn ↔ Dead Man Walking · career · Penn's Mystic River win was seen as making up for losing for Dead Man Walking. · "well, he should have won for Dead Man Walking and like Penn is understung."
[The Rewatchables · ‘Se7en’ · 0:17:05 · Bill Simmons (0.70)] Seven ↔ The Shawshank Redemption · programming · Both are movies you get sucked into on cable by the last 40 minutes. · "The same thing with Shawshank."
[The Rewatchables · ‘Se7en’ · 0:04:37 · Bill Simmons (0.60)] Seven ↔ Heat · lineage · Grouped with Usual Suspects, Heat and Casino as the four defining 1995 movies, three of which were shut out at the Oscars. · "Our usual suspects, which we recently did, Heat Casino in seven."
[The Rewatchables · ‘Se7en’ · 0:14:30 · Sean Fennessey (0.85)] Alfred Hitchcock ⇒ Seven (the host's read) · lineage · Se7en is a Hitchcock movie in its pulling-your-chain structure of mystery, reveal and anxiety, and Hitchcock is Fincher's biggest influence. · "I think as much as this seems like a modern movie, it's also just completely a Hitchcock movie in so many ways."
[The Rewatchables · ‘Se7en’ · 0:15:19 · Chris Ryan (0.55)] Seven ⇒ True Detective (the host's read) · lineage · Se7en's influence shows in True Detective from the title sequence to the characters, though True Detective's first season flinches at the dark ending. · "you can see the influence of of 7 on things like True Detective from the title sequence to the characters."
[The Rewatchables · ‘Se7en’ · 0:15:42 · Chris Ryan (0.50)] William Friedkin ⇒ Seven (the maker said so) · lineage · Fincher drew from Friedkin and wanted it to feel like an episode of Cops. · "he's drawn from like Friedkin, but he's also, he's, he's referenced like how he wanted it to feel like an episode of cops."
[The Rewatchables · ‘Se7en’ · 0:29:28 · Sean Fennessey (0.55)] Seven ↔ Lethal Weapon · lineage · Mills plays the reckless young cop with Mel Gibson in Lethal Weapon energy. · "he's playing that like Mel Gibson and lethal weapon energy"
[The Rewatchables · ‘Se7en’ · 0:55:04 · Sean Fennessey (0.45)] Seven ⇒ Nine Inch Nails (the host's read) · lineage · Se7en caught industrial rock at its peak and led to Fincher-Reznor scores. · "Fincher and Rezner go on to make this incredible partnership"
[Blank Check — Patreon · David Fincher Music Videos · 1:13:07 · unknown (0.30)] All That Jazz ⇒ Seven (the maker said so) · lineage · A host recalls a Fincher film the show covered where he cited All That Jazz as an inspiration for the look, maybe Seven. · "where he cited how much of an inspiration all that jazz was for him for the look of the movie?"
[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Dead Man Walking (1995); name it the way the line names it. Don't recommend Dead Man Walking (1995) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.